Okay, okay, this book has been around since 2001. I’m sure many of my readers have read Peace Like a River and loved it. But if you haven’t read it, I want to bring it to your attention. This is a book you will love.
I started reading this book on vacation. More accurately, I started listening to this book being read while we were on vacation, driving through the Montana wilderness. It isn’t the sort of book that reaches out and grabs you. It isn’t a thriller, nor is it meant to be. Peace Like a River saunters rather than sprints. It draws you in slowly but powerfully through images that fuel the imagination, characters that move the heart, and stories that make you both laugh and cry.
Peace Like a River is narrated by Reuben Land, an eleven-year-old boy with asthma. The novel largely focuses on crucial events during this season of his life, though these are framed in the context of his unusual birth and later life. To be honest, I found the beginning of Peace Like a River rather strange, since miracles feature prominently. Don’t get me wrong. I believe that miracles happen. But I get nervous when a novel majors in them. Nevertheless, since I didn’t have anything else to listen to while I drove across Montana, I kept on listening to Peace Life a River, and I’m glad that I did.
The author, Leif Enger, used to work for Minnesota Public Radio. When his first “serious” book, Peace Like a River, became a huge success, Enger focused on writing. His second novel, So Brave, Young, and Handsome, has been out for just over a year. I look forward to reading it.
By the way, you can purchase Peace Like a River in the ordinary paperback form from Amazon.com. You can also purchase a Kindle edition. The recorded version can be downloaded from iTunes. The narrator, actor Chad Lowe, brother of Rob Lowe, does a fine job bringing the book to life.
In a 2004 interview for Whitworth University Communication, Leif Enger said something about writing that I find wise and provocative. I’ll end with his comment:
[I]t seems to me that a writer’s job — and not just a Christian writer’s job, but I think Christians often have a harder time doing this than secular writers — is to become invisible in his or her work, to step back and let the story just be a story, to not preach, to bury your agenda, if you have one, to dare to be entertaining and to trust that the story then will become what it is supposed to be.
Thanks to my son, Nathan, for reminding me of this quotation.