In the Name of God, the Compassionate, the Merciful
I am reviving my “Hesham’s iPod” series, which is an occasional about what’s hot, what’s spiritual, and what’s buzzworthy in Muslim music, and about the nature of Muslim artists.
I have been listening to rap music ever since my teenage years. Indeed, I do admit that some of it was not very pious or religious, and for that, I ask for God’s grace and forgiveness. And Let me insert here that the rap music of then was much better than that of today. I miss the “good old days” of hip hop, quite honestly. But, still, there has never been a rap album that has made me cry.
Native Deen, the premier Muslim hip-hop band, just released their new album “The Remedy.” By far, this is their best album yet. I do like and enjoy listening to all of their songs, but on the previous two albums, “Deen You Know” and “Not Afraid to Stand Alone,” there were some songs that were nice, but really didn’t move me. The tears, however, stream frequently as I listened to this album.
It is clear – as it should be – that the music of Native Deen has evolved. On the first album, much of the songs talked about Islam, and the Prophets, and such, but the flavor of the songs were very much flat. It also seemed a little “adolescent.” It got better with “Not Afraid to Stand Alone,” with more than one inspiring and uplifting song, such as “Life’s Worth” and “Rain Song.” No track on that album, however, compared with “Zamilooni,” which featured South African Muslim singer Zain Bhikha. That song, about the Prophet’s love for his wife Khadjiah, was the best they had at that point.
That is, until they released “The Remedy.” As with every album, they always begin with a song singing God’s praises and thanks, and the song, “Bismillah” is hip, fresh, and makes you move. I am almost moved to tears by “Mercy to Mankind,” which reminds me of the kindness and compassion of the Prophet Muhammad (peace be upon him). “Packed At All,” which talks about preparing for Judgment Day, is quite inspirational as well.
The tears really start, however, at “My Faith, My Voice.” This song talks about not allowing the Islam-bashers and Islamophobes direct the discourse about Islam and Muslims. The lyrics of the song speak for the millions of Muslims all over the world, who have to shudder every time a Muslim commits a crime:
There’s a lunatic, goes on a rampage/Using violence, and I’m outraged/This is senseless, and it’s gruesome/Please don’t let this be a Muslim
How many times have we Muslims all said that? But they always remind us that the discourse belongs to us Muslim, not the haters:
I know what they call us/They’ll try to blame all us/But I know how the Prophet lived/And I know what he taught us/This is my faith, my voice
I can’t help but cry. It uplifts me and keeps me strong: no matter what they say about us, Islam is my faith, and my voice is what counts.
Once this song is through, the next is the title track of the album,”The Remedy.” I thought it would be a typical song about how Islam is the remedy to all of our problems, a sort of “Islam is the solution” mantra put to rap. How wrong I was.
The entire song is nothing but repetition of God’s names and the shahadah, or testimony of faith. And the rhythm of the song is so awesome, that you can’t help but bop your head. But, the sounds of their voices go straight to my heart and make me reach out to the Lord in humility and love. And the tears stream. I have listened to this track a bunch of times, and it is – far and away – the best of the whole album.
This latest Native Deen album has a little of everything for everyone. There is a song about the Companion Bilal, the first Muezzin, or “caller to the prayer,” called “Ahad,” and it also made cry, reminding me of the strength and fortitude of that great companion, who was tortured for his conversion to Islam. Native Deen has also continued in the tradition of Muslim holiday songs with “Ramadan is Here,” and this will instantly become a classic. I will definitely play this one for my kids once Ramadan starts in a few weeks, God willing.
Another tear jerker is “I am Near,” a song with great rhythm and sound along with beautiful supplications to the Lord. The boys of Native Deen also constantly remind us of the poor and needy around the world with songs like “Hungry Ones,” and “Gaza,” which is a homage to the people of Palestine. I really can’t say enough about this album, and Native Deen has truly outdone itself, making an album that appeals both to Muslim children and youth, along with their parents. My daughters and I just finished listening to the album, and we all enjoyed doing so.
Now, it is no secret that the primary audience of Native Deen is Muslims. Yet, that does not mean that this album is not good for people of all faiths. It is, at its core, a great, modern hip hop album, and one that is pure to boot. The beats and the rhythms are fantastic. But, this album also lets listeners in on the internal conversations of the American Muslim community. You want to know what Muslims are saying to each other? Don’t listen to the Islamophobes, who are – by and large – lying to your face. Listen to Native Deen.
Bottom line: Go out and buy this album. You will not regret it.