The True Christian Myth Behind Harry Potter

Underlying Harry Potter, Lord of the Rings, and Star Wars is the one, true, historical myth of Christianity.

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Granger has read Lewis and Tolkien closely. Not only are most of their mythical stories built on the bedrock of Christian imagery and theology, but their essays and letters constantly come back to the same point: underlying any good myth, whenever and wherever it was told, is the one, true, historical myth of Christianity. The popularity of such stories, especially when they are crafted creatively, owes to our natural resonance with Jesus Christ and with the story of his incarnations, life, death, and resurrection. Granger usefully summarizes, "As images of God designed for life in Christ, all humans naturally resonate with stories that reflect the greatest story every told—the story of God who became man."

Reading Christ into Star Wars

Star Wars is another epic creation that draws on a variety of religious expressions. Star Wars can be said to resonate with Christian truth in part owing to its depiction of the battle between good and evil, both between different characters and within particular characters. Alongside this universal and potent drama are passing resonances with Christianity in what we might call the “wisdom literature” of Star Wars, emanating from Yoda or other high-ranking Jedi—wisdom that could also be claimed by numerous religious traditions. It’s stock wisdom, much of it true and some of it banal. And of course there’s also a lot of very mixed-up imagery thrown in. But it’s hard not to read Christ into Obi-Wan’s voluntary and life-giving death in episode 4.


Indeed, the Jesus story continues to compel modern filmmakers. Some depict it literally (Mel Gibson’s The Passion of the Christ) and others metaphorically (Denys Arcand’s Jesus of Montreal). But a great number of adventure, science fiction, and superhero stories and films incorporate Christ imagery and feature characters who can properly be seen as Christ figures, whether it’s the cowboy who comes from some unknown place to rid a town of its evil, or the displaced Babette, whose presence transfigures a Danish village in Babette’s Feast. In modern films, there are countless voluntary and life-giving deaths, often accompanied by quite unconcealed cross or crucifix imagery. Watch the last scenes of The Matrix: Revolutions, in which Neo, in becoming himself a curse, defeats the evil one by filling him with light, only to he lifted up in glory with his arms outstretched cruciform, after which the good news of victory is proclaimed to Zion. Watch the scene in Spiderman 2 in which the superhero, his arms outstretched, saves the multitudes on the subway train and in so doing shows them his true identity and awakens their communion with one another and with him. These scenes take place in contexts that are full of other, patently non-Christian imagery too. They are not the gospel, and they don’t pretend to be. But it may just be that the truth of Christ speaks through key episodes in these stories, whether or not the authors intended it.

Finding Christ in Pop Culture

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