I remember the first week I spent working on the record. I had it up on my whiteboard. Here are the nine songs, and here’s how I’m going to divide it up: 'Hallowed be Thy name' or 'Our Father in Heaven'. There is so much communicated in that line. Every word of it is significant. 'Our Father' means it’s not an individual, private personal thing. It’s corporate. He’s not my father. He’s not your father. He’s our father. Father is an intimate term. He’s not like a deity. He is a deity, but He’s being addressed intimately here. He’s my father. He’s close, but He’s in Heaven. He’s different. He’s other. He’s intimate, yet He’s transcendent. You put all the words together and there’s even more. How in the world do you communicate that in nothing but rhythm and melodic elements and no words?

I would meditate, stare at my speakers and try to figure out what should be coming out. The thing that eventually pulled me through was the prayer itself. It was coming into the studio and saying, "I don’t know what I should be doing. I need God to provide for me the tools just to be able to get through this day." The process of getting in over my head, which I consider real spiritual discipline, really threw me onto the prayer itself. "I need only what I need for right now. If it shows up, I’ll be grateful, and if not then, Your will be done." It’s incredible how the whole thing was a worship experience for me personally, because of the fact that the record got made at all.

Going to God with a daily, hourly dependence, altering the context of His will being done and not mine and receiving whatever He gives. This record is what He gave me.

FeedbackFeedback by Derek Webb