Mona discovered her shadow yesterday. It was there at the playground, dark and definite against the bright sand. My own shadow was less distinct, thrown up in crazy angles onto the slide. I pointed and said, "Mommy." Mona took it in briefly, the same way she briefly considers pictures of Gil when I show her. Then she was off and running.
She can climb almost anything now, but needs my help to get down. Little is safe from her grasp, and I can scarcely keep up, snatching plants and knickknacks and beloved mementos out of her hands in the nick of time. "No," I say, and "Danger" if the object is sharp or breakable or poisonous. I'll have to do better than this soon. I'll have to put even more things away.
Already I'm making changes. I am beginning to look beyond the days of Gil's beloved clutter of collections, beginning to restore my pre-marriage aesthetic of clean corners and plain surfaces. The sealed boxes are piling up in the basement, and slowly I am relinquishing things of Gil's I always loved, finding homes for them with our family and friends: the pots and vases he threw, his old fountain pens, all the gorgeous ties and tailored shirts, the New Englander's ton of wool sweaters and assorted foul weather gear. Some days I want it all away, away, away, and on those days I have to stop myself from hauling all of it to the alley. Other days I unpack the boxes I just taped up. And on those days I have to hold myself back from repeopling the shelves with those sharp edges and breakables.
It's no wonder my shadow is half on the ground, half climbing who knows where. I am neither fish nor fowl, neither young mom nor old widow, unwilling to cleave to my past but not yet coupled with my future, numb with anxiety one moment and cocky with plans the next. The only given is that I am still standing after a year in the grey zone. That's cancer's blessing and curse: time to become accustomed to the devastation, guilty nights spent wishing toward an end, a fat downpayment on grieving that has left me confused but ahead of the game, or so I hope.
The house we bought together is a precarious shelter for mourning like this. Even after parting with so much, I still come face to face with the art Gil framed, still spend hours prone on the comfortable sofa he died on, the one we only just paid for. A door upstairs is off its hinges, we're running out of air filters I don't know how to order, and our shared basement office is full of projects I can't even look at, much less finish. Day by day I carry out Mona's soothing routine, feeling like a big cheat for teaching her life can be safe and happy when it simply is not.