But devotees need not worry that Reed has strayed into Yanni territory. On "Hudson River Wind Meditations," an album that overflows with electronic and natural sound, there is not a scrap of tinkle nor an ounce of chant. Reed's venture with Sounds True, a label best known for its personal growth CDs, is a hypnotic, multilayered disc that both soothes and wobbles the mind.
The notoriously interview-phobic musician recently opened up to Beliefnet about turning wind into music, how tai chi transformed him, and why he prefers not to give anyone advice about anything.
His Non-New Age Sound
Music to Enrich Experience
Tai Chi, Two Hours a Day
'I Would Never Advise Anybody'
Meditating in New York
Hi, Lou. How are you doing?
It is pretty cool.
Do you have a direct line?
No, I mean to Him.
Oh, to Him.
Sometimes, I think. I heard that you recorded this album for yourself and then shared it with friends and it kind of grew from there.
That's pretty much it. I made it for myself to do certain things. I use it for meditation and tai chi and body work. And I wanted to have some music that I liked. So, I made this for myself. And since then, different--we use it in our tai chi class now. And I have it on usually all the time. It's really nice in the city because it seems to absorb the outside sounds and blend them into something. And that's it.
The album is very spare, but it's also very layered. And there are times where I can actually hear that nice ambient whoosh of the city in it. Was that something that you were consciously thinking about?
Well, on track three, you certainly are hearing the whoosh of the city. On track two, we were hearing that as we did it. And track one, the same thing. So, it's an integral part. It's what I'm hearing as I'm doing things. So, I purposely put on track three, so you could really hear it.
And what kind of instruments were you using?
They're a combination of all kinds of different electronic gadgets.
Was there actual Hudson River wind?
|The Wind Over the Hudson River|
All of that nature sound came off of one day, in one day?
Yes. Yeah, made a pretty long recording of it. And I got very lucky with the microphone I was using, so.
You made this because you felt like other meditation music wasn't really meeting your needs, it sounds like. What did you feel like you needed that?
|His Contemporary Non-New Age Sound|
Explain what you mean there.
I mean that it freed you from preconceptions--so, music or tempo, this, that or the other thing. It was, I thought, a pretty enabling kind of thing. I hate to use that word, but there it is.
And when you say enabling, you mean conducive to that relaxed or serene state during meditation?
And what kind of physical or emotional state does it tend to put you in?
Well, that's for me to know and you to find out, isn't it? Hopefully, an alpha state.
Was that the idea? For other people to be put--?
Yeah. The idea is to make things better, to make things more beautiful, have more access, be able to ground yourself, be able to experience something in a more agreeable environment.
I read somewhere that you asked your tai chi master for his approval for this album. Is that true?
No. I mean, this music is also useful for doing tai chi forms slow and fast. And we tried it in class in that sense. But, it certainly didn't need his approval for these other applications. But it's a moot point because he loves it.
What did he say when he first heard it?
Very much in favor. Very much liked it. We used them. We used two of them in class.