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BY: Interview by Laura Sheahen
Some people have called icons "windows into the eternal" or the immortal. Would you agree?
Yes. Through icons, people could be closer to eternity. Looking at the images of saints they venerate, they make the connection-they feel eternity.

It's difficult to say. Each land, city, and even some villages have their own. We have a great quantity of saints from the Byzantine pantheon. Russians call their country the land of the Mother of God, so almost every area has its own venerated image of the Mother of God: Novgorod, Smolensk, Kazan...
It's hard to say, but in our Russian museum, I like the
15th-century Novgorodian icon of St. George and the Dragon.It's a very pure form showing the Novogorodian understanding-and the typical features--of the image. It's very deep, very beautiful.
One of my favorite painters is Dionysius, one of the few icon painters who's ever named. He lived in the second part of the 15th century. In the Russian museum, we have icons from the Ferapont monastery (
see images). It's a beautiful complex; I like its icons-especially the Mother of God-very much.
My impression is that when the Soviet government promoted atheism, a lot of Russians walking through your museum didn't know which saints and Bible figures were in the icons.
It's a tragedy of Soviet science. When we made reproductions [of our museum icons] for posters, we were told that there should not be crosses or halos on the posters. How is it possible?
If you look at these posters, you'll find, for example, the face of an angel, but only a fragment-other parts are cut out. Only two saints, Boris and Gleb, could be shown (
see image).
Students didn't study iconography, so if you wanted to be a specialist you'd have to do study on your own initiative.
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