Another Scriptwriter for Mel Gibson's 'Passion'?
The movie draws from the controversial visions of a 19th-century mystic who saw images of a bloody Passion.
Gibson has said he was influenced by Sister Emmerich's visions as recorded inThe Dolorous Passion of Our Lord Jesus Christ,
which was transcribed by Emmerich's secretary, Clemens Brentano. Many non-biblical events in the movie (see list
) can be traced to this book.
Who was Sister Anne Emmerich?
Anne Catherine Emmerich was an Augustian nun who lived in Germany from 1774 to 1824. She is remembered for her mystical visions of Jesus' and Mary's lives, recorded in works like "The Dolorous Passion."
She is called "Venerable," a title given by the Catholic Church to holy men and women of "heroic virtue" who have not been beatified or canonized. Bedridden for years, Emmerich sewed clothes for the poor and attracted many followers who sought her advice and healing. Her supporters claim that she bore the stigmata--the wounds in the hands and feet that Christ suffered.
Emmerich has been considered for sainthood. However, it is unclear whether all her writings were her own, according to Mary Francis Lester, editor at TAN Books and Publishers, which publishes "The Dolorous Passion." Emmerich's visions were transcribed by Clemens Brentano, a poet and literary figure who, many believe, extensively embellished what Emmerich told him. Because of the uncertainty, Emmerich's writings are not being included in the Vatican process by which potential saints' lives are researched.
What did Emmerich see in her visions?
As written by Brentano, Emmerich saw visions of the Last Supper and the Agony in the Garden, as well as Jesus' arrest, scourging, and crucifixion.
The visions are quite detailed. "The Dolorous Passion" describes many non-biblical events--such as a conversation between Pilate and his wife--and non-biblical scenes, such as Pilate "reposing in a comfortable chair, on a terrace which overlooked the forum, and a small three-legged table stood by his side, on which was placed the insignia of his office, and a few other things." In Mel Gibson's movie, the role of Pilate's wife is expanded far beyond the gospel's brief mention of her dream. Gibson's Pilate interacts with his wife several times, and she is portrayed as the sympathetic proto-Christian character Emmerich describes.
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