The Real Problem with 'Passion'

Next, the media deemed this committee untrustworthy. The Wall Street Journal (7/25) insinuated the scholarly committee members "have an agenda" and repeated Michael Medved's accusation in the July 22 USA Today that the committee went "beyond honest evaluation of the film's aesthetic or theological substance." (Mr. Medved, incidentally, also focuses on the ADL--not a joint committee convened by Catholic bishops--issuing "critical statements" about the script.)

Our scholarly panel's "agenda" was hardly sinister: We were concerned with biblically fidelity, historical accuracy, and the avoidance of anti-Semitism. While I have not seen Mr. Gibson's film, I have seen a script that has anti-Jewish components. Here are three examples that are already part of media coverage:

The problem with lumping all first-century Jewish leaders together is illustrated in Linda Chavez's August 6th CNSNews.com commentary. She said, among other things, that "Christ's death on the cross may have been ordered by Pontius Pilate at the urging of the Pharisee Caiaphas--following the judgment of the Sanhedrin, the Jewish religious court that judged Jesus guilty of blasphemy..." Any "New Testament 101" student knows that Caiaphas was not a Pharisee; he was, rather, part of the priestly aristocracy in league with Rome. That the Pharisees are the group who give rise to Rabbinic Judaism and ultimately the Judaism of today only makes her mistake worse. As for Pilate, he could not possibly have cared less about blasphemy: he executes Jesus as a political threat, the presumed "King of the Jews" as the inscription on the cross reads.

After questioning our panel's motives, Mr. Medved referred to the Gibson camp's charge that we used a "stolen" script. Indeed, Mr. Gibson's backers have consistently accused this committee of being underhanded and immoral: first, they claim, we obtained the script illegally. This is wrong: Gibson's company, Icon Productions, knew we had it, and Mr. Gibson personally expressed interest in hearing our views.

Then, they accused us of leaking the confidential report. Now, anyone with even an ounce of logic should see the problem: the only way the report could fall under the category of confidential would be if it were part of an agreement with Icon productions. They are the ones who requested confidentiality--which, of course, means that they knew we had the script. Finally, we at least were faithful to that agreement. The notice that the script had anti-Semitic elements was first made public not by the ad hoc committee or the ADL, but by Mr. Gibson and his associates, who went on record as denying the charge. Of course, it was they who made the charge public in the first place.