A Contemporary Craftsman Renews an Ancient Art

WASHINGTON -- Alexander Sokolov was 17 years-old when he stumbled upon a crossroads for his love of art and Orthodox Christianity, his newly adopted religion: painting religious icons.

"When I first started making them, they were for me an image of another world, a spiritually rich world," said Sokolov. "When I began to paint icons I understood that painting sacred art is a method of building your soul."

Twenty-three years and hundreds of icons later, the passion still blazes, and his new exhibit at the new Russian Cultural Center bears testament to that fact.

"I love to do this," said Sokolov, now a veteran iconographer whose works command as much as $5,000 and grace private homes and cathedrals in Japan, England, and his native Russia. "It is wonderful to show the beauty of Christ, the beauty of Christianity."

Sokolov's exhibit of nearly a dozen icons -- venerated images of Jesus, the Virgin Mary or saints -- brings to Washington a religious art tradition that extends as far back as the 6th century.

Emperors and Orthodox church leaders in the 8th century tried to stop the use of icons in Orthodox worship fearing it bordered on idolatry, sparking a doctrinal debate -- the iconoclast controversy -- that continued for the next 100 years. The matter was finally resolved in 843, when a synod convened by the Empress Theodora restored icons in Orthodox churches. The synod's decree is commemorated every year by Orthodox Christians with a special service on the first Sunday of Orthodox Lent, the "Sunday of Orthodoxy."

Iconmaking made its way to Russia in the 10th century, but fell victim to repression during the Soviet era. The government viewed icons as museum pieces, not venerated images.

"When I first started in this, iconography and religion was not prohibited, but it was repressed," said Sokolov, who parlayed the training he received in art restoration at Moscow Surikov Art School and Strogonov Art College into a career in iconography. "It was difficult to be an artist painting icons, it was difficult to make icons out in the open. I had to do it underground -- no sale papers, no taxes."

Undaunted, Sokolov embarked upon a two-year apprenticeship with a master iconographer -- a Russian monk -- before striking out on his own.

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