Into 'The Grey': An Interview with Director Joe Carnahan
Near the end of the film, when Liam Neeson’s character is desperate and at the end of his rope, he turns his face to the sky and screams for God to listen to him. He begs and pleads, asking for a sign that He is out there.
BN: Tell me what the film is saying, or even what you were saying, when Neeson’s character is shouting at God and kind of demanding that He show Himself.
JC: We all have inside of us this anger at times, [but there’s a] contradiction that exists in all of us: are you adamantly aware of and involved in this idea of God, this creator, this larger presence within yourself, or is it only when you need him that you call on him, when the chips are down? So I wanted it to be kind of two-fold. I think that exists in us, that fury and that anger and at the same time, the idea that God helps those who help themselves… In the following scene, where Liam is kind of building this memorial, I never told him, Evan, to lay out those wallets as if they resembled a Christian cross, or hold [that one character’s] picture in your hands as if you’re in prayer. That duality, for lack of a better world, is in all of us all the time, and I wanted to explore that. Here’s a guy praying who a second ago was yelling at the heavens, ranting at God and I thought it was very important to show those very contradictory things.
BN: I know other actors were considered before Liam for the role, but having seen the film I can’t even begin to imagine anyone else even coming close to doing what he did.
JC: That’s where I really got bailed out, it was very fortuitous, because Liam read it at a time where I was really kind of between actors, and he really responded strongly to it and really bailed me out, man. Because I think with a younger actor, it would have been very different. And I think what you see in Liam, you see a life lived, you see an old man who’s experienced great tragedy and great happiness and all points in between, and I think you really needed that, to give it that sense of depth and experience for the character to really work.
At the very start of the film, before the plane crash occurs, Liam Neeson’s character seriously considers committing suicide.