A Faith-Lite Johnny Cash

'Walk the Line' is a beautiful movie with a gaping hole--it separates the singer from one of his life's co-stars: God

I was 19 when I fully understood that historians often can't grasp the complexities of the characters they purport to speak of. It's something I learned once in a history class, when a professor suggested that George Washington was less than devout and merely used civil religion to unify the nation. When I raised my hand to question this, I was told to bring in evidence to the contrary--which I did the next day, reading aloud from Washington's diary, in which he expressed his deep religious faith in the manner less of a president and more of an 18th-century revival preacher.



"Who should I believe, your textbook or his diary?" I asked the professor.



"Walk The Line " the Johnny Cash biopic, features some truly inspired acting--and singing--by Joaquin Phoenix (playing Cash), and Reese Witherspoon (playing his wife, June), and some great music under the direction of T-Bone Burnett. That's the good news. The bad news is that it tries hard to do what no one was able to do in life and what my history professor tried to do to our first president: separate Johnny Cash from his God.

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There were four great loves in J.R. Cash's life: music, God, June Carter, and drugs. But "Walk The Line" pretends there were only three. It is Johnny Cash for the secular set.



The Almighty, omnipresent in Cash's life amidst his struggles to fight addiction, is barely worthy of a mention in "Walk The Line." Imagine watching a movie about Kurt Cobain and hearing the name Courtney Love mentioned once or twice as an aside, or for that matter watching Bud Abbott's life story and never being introduced to Lou Costello. Such is the silliness of trying to tell the Johnny Cash story and leaving out either of his real-life co-stars, God or June Carter.



To his credit, Rick Rubin, the rock producer who took an interest in Cash and produced several brilliant records in Cash's twilight years--known as the American Recordings--understood this and never attempted to keep God out of the records he produced for Cash. It was Rubin who helped bring Cash's heretofore secular and sacred worlds together, allowing street-smart songs like "I've Been Everywhere" and "Rusty Cage" to co-exist on the same records with worshipful songs like "Redemption" and "Spiritual." But Rick Rubin didn't produce this film, and it shows.



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