{"id":7753,"date":"2004-03-10T21:32:15","date_gmt":"2004-03-10T21:32:15","guid":{"rendered":"http:\/\/blog.beliefnet.com\/viamedia\/2004\/03\/princetons_passion.html"},"modified":"2004-03-10T21:32:15","modified_gmt":"2004-03-10T21:32:15","slug":"princetons_passion","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2004\/03\/princetons_passion.html","title":{"rendered":"Princeton&#8217;s Passion"},"content":{"rendered":"<p><a href=\"http:\/\/www.nationalreview.com\/comment\/ramosmrosovsky200403100933.asp\">At NRO<\/a>:<\/p>\n<blockquote><p>Jeffrey Stout, a scholar of religion and film, faulted the The Passion for being &#8220;not an especially self-conscious important work of art.&#8221; He contrasted Gibson&#8217;s masterpiece unfavorably with The Passion of Joan of Arc, the 1928 silent film in which the heroine is tortured with instruments that resemble a film projector and reel, in order to symbolize the director&#8217;s involvement in the act. Stout consigned Gibson&#8217;s Passion to the schlock heap along with vulgar films like Spartacus and Rocky.<\/p>\n<p>After hearing that Jesus didn&#8217;t suffer much, and listening in on a left-wing rant and a postmodern assertion of cultural superiority, I remembered the senior who had told me four years ago that &#8220;God forgot 1879 Hall&#8221; (home to Princeton&#8217;s religion department). Indeed, only one faculty member, Politics professor Robert P. George, tried to answer the central question of the controversy surrounding Gibson&#8217;s film: &#8220;Who is responsible for the death of Jesus?&#8221; His answer was powerful: &#8220;I am. It was for my sins that Christ died.&#8221;<\/p>\n<p>George&#8217;s words met with prolonged and deep applause. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>At NRO: Jeffrey Stout, a scholar of religion and film, faulted the The Passion for being &#8220;not an especially self-conscious important work of art.&#8221; He contrasted Gibson&#8217;s masterpiece unfavorably with The Passion of Joan of Arc, the 1928 silent film in which the heroine is tortured with instruments that resemble a film projector and reel,&hellip;<\/p>\n","protected":false},"author":180,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7753","post","type-post","status-publish","format-standard","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Princeton&#039;s Passion - Via Media<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2004\/03\/princetons_passion.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Princeton&#039;s Passion - Via Media\" \/>\n<meta property=\"og:description\" content=\"At NRO: Jeffrey Stout, a scholar of religion and film, faulted the The Passion for being &#8220;not an especially self-conscious important work of art.&#8221; He contrasted Gibson&#8217;s masterpiece unfavorably with The Passion of Joan of Arc, the 1928 silent film in which the heroine is tortured with instruments that resemble a film projector and reel,&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2004\/03\/princetons_passion.html\" \/>\n<meta property=\"og:site_name\" content=\"Via Media\" \/>\n<meta property=\"article:published_time\" content=\"2004-03-10T21:32:15+00:00\" \/>\n<meta name=\"author\" content=\"awelborn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Princeton's Passion - Via Media","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2004\/03\/princetons_passion.html","og_locale":"en_US","og_type":"article","og_title":"Princeton's Passion - Via Media","og_description":"At NRO: Jeffrey Stout, a scholar of religion and film, faulted the The Passion for being &#8220;not an especially self-conscious important work of art.&#8221; 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The Catholicism comes from her side. Amy grew up in a number of places - Indiana - Washington, DC - Lubbock Texas - Arlington, Virginia - DeKalb, Illinois - Lawrence, Kansas - and Knoxville, Tennessee, where the family settled in 1973. She attended Knoxville Catholic High School, then the University of Tennessee where she majored in history. She received an MA in Church History from Vanderbilt University, where she wrote a thesis on the changing role of women in 19th century American Protestantism, and the ways Scripture was used to justify those changes. She worked as as a teacher in Catholic high schools and a Parish Director of Religious Education and started writing for the diocesan press - the Florida Catholic - in 1988. Amy has written columns for Our Sunday Visitor and Catholic News Service at times over the past twenty years. Her articles have been published in venues ranging from Our Sunday Visitor to the New York Times to Commonweal. She has written 17 books. 18, if you included the as yet tragically unpublished novel. Amy has five children, ranging in age from 26 to 4 and was married to Michael Dubruiel, who died unexpectedly in February 2009. She lives in Birmingham, Alabama.","url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/author\/awelborn"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts\/7753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/users\/180"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/comments?post=7753"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts\/7753\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/media?parent=7753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/categories?post=7753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/tags?post=7753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}