{"id":6733,"date":"2006-07-21T11:44:55","date_gmt":"2006-07-21T11:44:55","guid":{"rendered":"http:\/\/blog.beliefnet.com\/viamedia\/2006\/07\/an-interview-with-the-maestro.html"},"modified":"2006-07-21T11:44:55","modified_gmt":"2006-07-21T11:44:55","slug":"an-interview-with-the-maestro","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html","title":{"rendered":"An interview with the Maestro"},"content":{"rendered":"<p><a href=\"http:\/\/www.chiesa.espressonline.it\/dettaglio.jsp?id=72901&amp;eng=y\">Sandro Magister interviews Domenico Bartolucci, long-time director of the papal choir in the Sistine Chapel, dismissed during the pontificate of John Paul Ii and, some say, subtly and symbolically brought back to the fore by Benedict.<\/a><\/p>\n<blockquote>\n<blockquote>\n<p>Q: What are the initiatives that Benedict XVI should take to realize this plan in a world of discotheques and iPods? <\/p>\n<p>A: The great repertoire of sacred music that has been handed down to us from the past is made up of Masses, offertories, responsories: formerly there was no such thing as a liturgy without music. Today there is no place for this repertoire in the new liturgy, which is a discordant commotion \u2013 and it\u2019s useless to pretend that it\u2019s not. It is as if Michelangelo had been asked to paint the general judgment on a postage stamp! You tell me, please, how it is possible today to perform a Credo, or even a Gloria. First we would need to return, at least for the solemn or feast day Masses, to a liturgy that gives music its proper place and expresses itself in the universal language of the Church, Latin. In the Sistine, after the liturgical reform, I was able to keep alive the traditional repertoire of the Chapel only in the concerts. Just think \u2013 the Missa Papae Marcelli by Palestrina has not been sung in St. Peter\u2019s since the time of Pope John XXIII! We were graciously granted the permission to perform it during a commemoration of Palestrina, and they wanted it without the Credo, but that time I would not budge, and the entire work was performed. <\/p>\n<p>Q: Do you think that the assembly of the faithful should participate in singing the Gregorian chant during liturgical celebrations? <\/p>\n<p>A: We must make distinctions in the performance of Gregorian chant. Part of the repertoire, for example the Introits or the Offertories, requires an extremely refined level of artistry and can be interpreted properly only by real artists. Then there is a part of the repertoire that is sung by the people: I think of the Mass \u201cof the Angels,\u201d the processional music, the hymns. It was once very moving to hear the assembly sing the Te Deum, the Magnificat, the litanies, music that the people had assimilated and made their own \u2013 but today very little is left even of this. And furthermore, Gregorian chant has been distorted by the rhythmic and aesthetic theories of the Benedictines of Solesmes. Gregorian chant was born in violent times, and it should be manly and strong, and not like the sweet and comforting adaptations of our own day. <\/p>\n<\/blockquote>\n<\/blockquote>\n<p dir=\"ltr\">Read this entire interview &#8211; there are a number of marvelous observations, pithily stated:<\/p>\n<blockquote>\n<blockquote>\n<p dir=\"ltr\">A: In Germany, in the Protestant arena, the children of the composer of the Brandenburg concerti jealously safeguard their identity. Verdi rightly said that the Germans are the faithful children of Bach, while we Italians are the degenerate children of Palestrina. <\/p>\n<\/blockquote>\n<\/blockquote>\n<p dir=\"ltr\">And<\/p>\n<blockquote>\n<blockquote>\n<p dir=\"ltr\">Q: And do you like Mahler? <\/p>\n<p>A: He\u2019s like Bruckner \u2013 some beautiful moments, but rather repetitive. One would like to shout at him at a certain point: knock it off, we get it! <\/p>\n<\/blockquote>\n<\/blockquote>\n<p dir=\"ltr\">And<\/p>\n<blockquote>\n<blockquote>\n<p dir=\"ltr\">Q: Do you envy the Eastern Churches at all? <\/p>\n<p>A: They have not changed anything, and rightly so. The Catholic Church has renounced itself and its particular makeup, like those women who have plastic surgery: they become unrecognizable, and sometimes there are serious consequences. <\/p>\n<\/blockquote>\n<\/blockquote>\n<p dir=\"ltr\">Let&#8217;s try to keep the interview and his observations as the focus of our discussion and not drift off into &quot;I hate <em>On Eagles&#8217; Wings.&quot;<\/em>&nbsp; <\/p>\n<p dir=\"ltr\">If anyone can provide us with a little bit more elaboration on his point on the difference between the&nbsp; Solesmes type of chant and what he prefers, please do. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sandro Magister interviews Domenico Bartolucci, long-time director of the papal choir in the Sistine Chapel, dismissed during the pontificate of John Paul Ii and, some say, subtly and symbolically brought back to the fore by Benedict. Q: What are the initiatives that Benedict XVI should take to realize this plan in a world of discotheques&hellip;<\/p>\n","protected":false},"author":180,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6733","post","type-post","status-publish","format-standard","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>An interview with the Maestro - Via Media<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An interview with the Maestro - Via Media\" \/>\n<meta property=\"og:description\" content=\"Sandro Magister interviews Domenico Bartolucci, long-time director of the papal choir in the Sistine Chapel, dismissed during the pontificate of John Paul Ii and, some say, subtly and symbolically brought back to the fore by Benedict. 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Q: What are the initiatives that Benedict XVI should take to realize this plan in a world of discotheques&hellip;","og_url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html","og_site_name":"Via Media","article_published_time":"2006-07-21T11:44:55+00:00","author":"awelborn","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html","url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html","name":"An interview with the Maestro - Via Media","isPartOf":{"@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/#website"},"datePublished":"2006-07-21T11:44:55+00:00","dateModified":"2006-07-21T11:44:55+00:00","author":{"@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/#\/schema\/person\/aea2dcda1635c9c2d6030d9c7595725a"},"breadcrumb":{"@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/2006\/07\/an-interview-with-the-maestro.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.beliefnet.com\/columnists\/viamedia"},{"@type":"ListItem","position":2,"name":"An interview with the Maestro"}]},{"@type":"WebSite","@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/#website","url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/","name":"Via Media","description":"Amy Welborn","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/#\/schema\/person\/aea2dcda1635c9c2d6030d9c7595725a","name":"awelborn","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/#\/schema\/person\/image\/","url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-content\/wphb-cache\/gravatar\/9f2\/9f2100183464289fedc5b8a621c15110x96.jpg","contentUrl":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-content\/wphb-cache\/gravatar\/9f2\/9f2100183464289fedc5b8a621c15110x96.jpg","caption":"awelborn"},"description":"Amy Welborn was born in 1960, the only child of a now-retired professor of political science, a teacher-librarian-artist mother,deceased since 2001, was a teacher, librarian and artist. The Catholicism comes from her side. Amy grew up in a number of places - Indiana - Washington, DC - Lubbock Texas - Arlington, Virginia - DeKalb, Illinois - Lawrence, Kansas - and Knoxville, Tennessee, where the family settled in 1973. She attended Knoxville Catholic High School, then the University of Tennessee where she majored in history. She received an MA in Church History from Vanderbilt University, where she wrote a thesis on the changing role of women in 19th century American Protestantism, and the ways Scripture was used to justify those changes. She worked as as a teacher in Catholic high schools and a Parish Director of Religious Education and started writing for the diocesan press - the Florida Catholic - in 1988. Amy has written columns for Our Sunday Visitor and Catholic News Service at times over the past twenty years. Her articles have been published in venues ranging from Our Sunday Visitor to the New York Times to Commonweal. She has written 17 books. 18, if you included the as yet tragically unpublished novel. Amy has five children, ranging in age from 26 to 4 and was married to Michael Dubruiel, who died unexpectedly in February 2009. She lives in Birmingham, Alabama.","url":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/author\/awelborn"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts\/6733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/users\/180"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/comments?post=6733"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/posts\/6733\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/media?parent=6733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/categories?post=6733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/viamedia\/wp-json\/wp\/v2\/tags?post=6733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}