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</html><description>At the New Republic Beneath all the God-talk by Gibson is a commercial enterprise. Gibson&#x2019;s film career has been anchored in glorification of violence (the Mad Max movies) and in preposterous overstatement of the actual occurrence of violence (the Lethal Weapon movies). Gibson knows the sad Hollywood lesson&#x2013;for which audiences are ultimately to blame&#x2013;that glorifying&hellip;</description></oembed>
