{"id":628,"date":"2009-06-05T09:00:56","date_gmt":"2009-06-05T09:00:56","guid":{"rendered":"http:\/\/blog.beliefnet.com\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html"},"modified":"2009-06-05T09:00:56","modified_gmt":"2009-06-05T09:00:56","slug":"dharma-poetry-rilke-and-rodin","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html","title":{"rendered":"Dharma Poetry: Rilke and Rodin"},"content":{"rendered":"<p>Rilke, like Rumi or Gibran, wrote almost exclusively about the spirit.&nbsp; Or course I feel in over my head trying to say something new and insightful about Rilke&#8217;s works&#8211;&#8220;A god can do it.&nbsp; But tell me how a man \/ is to follow through the narrow lyre?&#8221;&#8211;but I do want to take a moment to discuss Rilke&#8217;s process, particularly how Rodin influenced and shaped Rilke&#8217;s singularly contemplative process.<\/p>\n<p>For the dharma poem of the week, I&#8217;ve chosen one of Rilke&#8217;s famous object-poems, &#8220;Archaic Torso of Apollo&#8221;, a poem about this statue:<\/p>\n<p><img decoding=\"async\" alt=\"https:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg\" src=\"https:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg\" \/><\/p>\n<p><i>Archaic Torso of Apollo<\/i><\/p>\n<p>We never knew his stupendous head<br \/>in which the eye-apples ripened.&nbsp; But<br \/>his torso still glows, like a lamp,<br \/>in which his gaze, screwed back to low,<\/p>\n<p>holds steady and gleams.&nbsp; Otherwise the curve<br \/>of his chest couldn&#8217;t dazzle you, nor a smile<br \/>run through the slight twist of the loins<br \/>toward the center that held procreation.<\/p>\n<p>Otherwise this stone would stand mutilated and too short<br \/>below the translucent fall-off of the shoulders,<br \/>and wouldn&#8217;t shimmer like a predator&#8217;s fur;<\/p>\n<p>nor shine out past all the edges <br \/>like a star: for in it is no place<br \/>that doesn&#8217;t see you.&nbsp; You must change your life.<\/p>\n<p><i>(translation by Galway Kinnell and Hannah Liebmann)<\/i><\/p>\n<p>(For Stephen Mitchell&#8217;s popular translation of the original German, <a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/15814\">click here<\/a>.)<\/p>\n<p>So where&#8217;s the dharmic connection here?<\/p>\n<p><!--more--><br \/>\nThe dharmic connection lies in Rilke&#8217;s process.&nbsp; In 1902, Rilke joined his mentor Rodin in Paris for what was to become a formative 12-year artistic apprenticeship.&nbsp; In other words, Rilke found his teacher.&nbsp; The sixty-ish Rodin initiated the 26-year old Rilke into the esoteric art of clear-seeing.&nbsp; If that slippery Buddhist term&#8211;clear-seeing&#8211;has any meaning for me, it is precisely in how I understand what Rilke is saying in this poem.&nbsp; <\/p>\n<p>Rodin told Rilke to stop writing about his childhood and to stop writing about love.&nbsp; He said, Pay attention to everyday objects, and let these be your subject.&nbsp; He gave Rilke explicit contemplative exercises; he said, Go to the zoo, look at the animals, or, Stare at this tree for six hours.&nbsp; Rodin endeavored, like any good dharmic teacher, to point out to his student the luminosity of the natural world, and encouraged him to make this world his subject.&nbsp; <\/p>\n<p>Rilke responded with his famous series of object-poems, in which he sought to see the object clearly.&nbsp; I imagine he stared at the Apollo statue for a long time before he dared write a word about it.&nbsp; Notice the preponderance of light words in this short poem: &#8220;glows,&#8221; &#8220;lamp,&#8221; &#8220;gleams,&#8221; &#8220;dazzle,&#8221; &#8220;translucent,&#8221; &#8220;shimmer,&#8221; &#8220;shine,&#8221; &#8220;star.&#8221;&nbsp; The torso is exploding into pure light before Rilke&#8217;s meditative eyes.&nbsp; Moreover, in the poem&#8217;s bewitching last line, <i>the statue speaks to Rilke<\/i>, saying, &#8220;You must change your life.&#8221;<\/p>\n<p>Professor Bernd Jager writes, &#8220;Rilke&#8217;s poem explores that precise and pregnant moment when an object of scientific investigation, aesthetic contemplation or historical analysis suddenly breaks free from the constraints imposed upon it by a workaday perspective and transforms itself <i>into a subject who beckons us to enter another world<\/i>.&#8221;&nbsp; For a further discussion of the poem from a poet&#8217;s perspective, read <a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/19707\">Mark Doty&#8217;s thoughts here at poets.org<\/a>. <\/p>\n<p>Or, for more on the Rilke-Rodin fall-out and how Rilke felt completely abandoned&#8211;echoing a textbook guru-student relationship&#8211;see <a href=\"http:\/\/www.powells.com\/review\/2005_01_17.html\">Ruth Walker&#8217;s review of Rilke&#8217;s monograph of Rodin<\/a>. <\/p>\n<p>&nbsp;&nbsp; <br \/>What do you think?&nbsp; Obviously Rodin wasn&#8217;t teaching Rilke about yidams or mahamudra practice.&nbsp; But do you think Rilke&#8217;s process or resultant poem is dharmic?&nbsp; Was Rodin a kind of sculptor-guru?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rilke, like Rumi or Gibran, wrote almost exclusively about the spirit.&nbsp; Or course I feel in over my head trying to say something new and insightful about Rilke&#8217;s works&#8211;&#8220;A god can do it.&nbsp; But tell me how a man \/ is to follow through the narrow lyre?&#8221;&#8211;but I do want to take a moment to&hellip;<\/p>\n","protected":false},"author":187,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-628","post","type-post","status-publish","format-standard","hentry","category-arts-and-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dharma Poetry: Rilke and Rodin - One City<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dharma Poetry: Rilke and Rodin - One City\" \/>\n<meta property=\"og:description\" content=\"Rilke, like Rumi or Gibran, wrote almost exclusively about the spirit.&nbsp; Or course I feel in over my head trying to say something new and insightful about Rilke&#8217;s works&#8211;&#8220;A god can do it.&nbsp; But tell me how a man \/ is to follow through the narrow lyre?&#8221;&#8211;but I do want to take a moment to&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html\" \/>\n<meta property=\"og:site_name\" content=\"One City\" \/>\n<meta property=\"article:published_time\" content=\"2009-06-05T09:00:56+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg\" \/>\n<meta name=\"author\" content=\"Paul Griffin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Dharma Poetry: Rilke and Rodin - One City","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html","og_locale":"en_US","og_type":"article","og_title":"Dharma Poetry: Rilke and Rodin - One City","og_description":"Rilke, like Rumi or Gibran, wrote almost exclusively about the spirit.&nbsp; Or course I feel in over my head trying to say something new and insightful about Rilke&#8217;s works&#8211;&#8220;A god can do it.&nbsp; But tell me how a man \/ is to follow through the narrow lyre?&#8221;&#8211;but I do want to take a moment to&hellip;","og_url":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html","og_site_name":"One City","article_published_time":"2009-06-05T09:00:56+00:00","og_image":[{"url":"http:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg"}],"author":"Paul Griffin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html","url":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html","name":"Dharma Poetry: Rilke and Rodin - One City","isPartOf":{"@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html#primaryimage"},"image":{"@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html#primaryimage"},"thumbnailUrl":"http:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg","datePublished":"2009-06-05T09:00:56+00:00","dateModified":"2009-06-05T09:00:56+00:00","author":{"@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/#\/schema\/person\/8dcce5e3b03fb48c0674e39b24efc681"},"breadcrumb":{"@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html#primaryimage","url":"http:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg","contentUrl":"http:\/\/declarationsandexclusions.typepad.com\/weblog\/images\/archaic_torso_louvre.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/2009\/06\/dharma-poetry-rilke-and-rodin.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.beliefnet.com\/columnists\/onecity"},{"@type":"ListItem","position":2,"name":"Dharma Poetry: Rilke and Rodin"}]},{"@type":"WebSite","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/#website","url":"https:\/\/www.beliefnet.com\/columnists\/onecity\/","name":"One City","description":"The Interdependence Project","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.beliefnet.com\/columnists\/onecity\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/#\/schema\/person\/8dcce5e3b03fb48c0674e39b24efc681","name":"Paul Griffin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/onecity\/#\/schema\/person\/image\/","url":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-content\/wphb-cache\/gravatar\/f5a\/f5aa90c7de7cf6ec82a556c31ef3bcefx96.jpg","contentUrl":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-content\/wphb-cache\/gravatar\/f5a\/f5aa90c7de7cf6ec82a556c31ef3bcefx96.jpg","caption":"Paul Griffin"},"description":"Born in Baton Rouge, raised in Philadelphia, Paul Griffin is a writer, scholar and tutor working and living in New York City. He writes book reviews for The Brooklyn Rail. His poetry and fiction can be found on his website: http:\/\/thepennies.blogspot.com. He believes enlightenment is real.","url":"https:\/\/www.beliefnet.com\/columnists\/onecity\/author\/pgriffin"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/posts\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/comments?post=628"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/posts\/628\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/media?parent=628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/categories?post=628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/onecity\/wp-json\/wp\/v2\/tags?post=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}