{"id":722,"date":"2016-07-02T12:41:27","date_gmt":"2016-07-02T12:41:27","guid":{"rendered":"http:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/?p=722"},"modified":"2017-01-23T08:46:44","modified_gmt":"2017-01-23T08:46:44","slug":"david-lynch-film","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/2016\/07\/david-lynch-film.html","title":{"rendered":"Flashback: A David Lynch film"},"content":{"rendered":"<p><em>The Elephant Man<\/em>: This choice of film for director David Lynch was something of a departure from his debut Eraserhead two years earlier.<\/p>\n<p>Eraserhead was truly independent film-making, but <em>The Elephant Man <\/em>(1980), set in Victorian England, was a mainstream drama.<\/p>\n<p>After <em>The Elephant Man<\/em>, Lynch then directed Dune, a science fiction blockbuster that turned out an interesting misfire.<\/p>\n<p>His next was the well-received though controversial Blue Velvet. It was turning heads in 1986 as it dealt provocatively with the so-called underbelly of everyday existence.<\/p>\n<p>There\u2019s that word: existence. <em>The Elephant Man<\/em> is existentialist, in part. That means life does not fit easy explanations. In fact, life may seem meaningless. That is a theme in Lynch&#8217;s films, including <em>The Elephant Man<\/em>.<\/p>\n<p>\u2018Elephant Man\u2019 John Merrick has an extremely rare disfigurement. Then he is mistreated and displayed in a \u2018freak show\u2019!<\/p>\n<p>There are attempts at explaining his condition, but they seem futile. The attempts at explanations are incomplete, but sincere and sometimes clinical.<\/p>\n<p>You\u2019ve left asking, why him and not me, but glad it is not yourself.<\/p>\n<p>Despite this, there is still a strong sense of compassion, rather than disillusionment with reality.<\/p>\n<p>John Merrick is given a better taste of life because of the compassion of a doctor. He is able to enjoy life because he is given the opportunity to.<\/p>\n<p>This makes John Merrick feel centered as a human being rather than an object of stigma and fun.<\/p>\n<p>I was first introduced to this film from a movie book. The movie struck me as unique because of the rare subject matter and it stood out among the other ones presented.<\/p>\n<p>There is no doubt it\u2019s a subject worth dealing with. The subject deals with objectifying a disfigured body. But it shows ways of showing kindness and compassion, rather than being afraid of this \u2018monstrosity\u2019 and subjecting a person to disturbing acts of unkindness.<\/p>\n<p>All the same, this film is gut-wrenching to follow through to the end. It is cold, clinical and disturbing to follow though compassionate. It may make you a bit edgy. It is like being immersed in an atmosphere of something horrible, but with moments of relief.<\/p>\n<p>Just enduring what this man had to go through is too much to bear at times, although I recommend this film. It\u2019s one that can\u2019t be dismissed.<\/p>\n<p>Says Merrick: \u201cI am not an animal! I am a human being!\u201d<\/p>\n<hr \/>\n<p><strong>Notes<\/strong>: In black and white, Starring: Anthony Hopkins, John Hurt, Anne Bancroft, Freddie Jones, Director: David Lynch<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Elephant Man: This choice of film for director David Lynch was something of a departure from his debut Eraserhead two years earlier. Eraserhead was truly independent film-making, but The Elephant Man (1980), set in Victorian England, was a mainstream drama. After The Elephant Man, Lynch then directed Dune, a science fiction blockbuster that turned&hellip;<\/p>\n","protected":false},"author":602,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,322],"tags":[61,156,33,46,8,10,9,154,40,16,7,155],"class_list":["post-722","post","type-post","status-publish","format-standard","hentry","category-dramas","category-justice-fairness","tag-classics","tag-david-lynch-movies","tag-drama","tag-existentialism","tag-film","tag-film-commentaries","tag-film-reviews","tag-john-merrick","tag-justice","tag-life","tag-movies","tag-the-elephant-man"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Flashback: A David Lynch film - Life at the Movies<\/title>\n<meta name=\"description\" content=\"For a film of compassion, The Elephant Man (1980) is still disturbing.Why does \u2018Elephant Man\u2019 John Merrick have an extremely rare disfigurement?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/2016\/07\/david-lynch-film.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flashback: A David Lynch film - 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I enjoy catching up with sport, listening to music, buying a coffee, and keeping an eye on current events. First \u2018awesome\u2019 movie moment was Raiders of the Lost Ark. Amadeus, first \u2018serious\u2019 film. A 3 star rating out of 5 stars is above average from me.","sameAs":["http:\/\/www.peteswriting.wordpress.com","https:\/\/x.com\/peteswriting"],"url":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/author\/pveugelaers"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/posts\/722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/users\/602"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/comments?post=722"}],"version-history":[{"count":9,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/posts\/722\/revisions"}],"predecessor-version":[{"id":1586,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/posts\/722\/revisions\/1586"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/media?parent=722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/categories?post=722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/lifeatthemovies\/wp-json\/wp\/v2\/tags?post=722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}