{"id":528,"date":"2005-12-07T07:20:58","date_gmt":"2005-12-07T07:20:58","guid":{"rendered":"http:\/\/blog.beliefnet.com\/jesuscreed\/2005\/12\/christ-plays-3.html"},"modified":"2005-12-07T07:20:58","modified_gmt":"2005-12-07T07:20:58","slug":"christ-plays-3","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/jesuscreed\/2005\/12\/christ-plays-3.html","title":{"rendered":"Christ Plays 3"},"content":{"rendered":"<p>This post will summarize Eugene Peterson&#8217;s <em>Christ Plays in Ten Thousand Places<\/em>, chp. 1 pp. 85-108. This is a short section, but it is better than biting off too big of a chunk that extends to nearly 50 pages and ends with great reflections on Sabbath and Wonder (next week). Whether you&#8217;ve read the book or not, we welcome your interactions.<br \/>\nThis section deals with the second grounding text when it comes to Christ playing in Creation. The first one was Genesis 1&#8211;2 and this one deals with the Gospel of John. Good stuff here.<!--more|inline--><br \/>\n&#8220;St. John&#8217;s Gospel is a rewriting of Genesis 1&#8211;2&#8221; (85). What Peterson means by this transcends by far the notion of prooftexting: he&#8217;s dealing with macroscopic vision and themes. The Word that created is now flesh.<br \/>\n&#8220;It is not uncommon among people like us to suppose if we lived in another place or a better neighborhood&#8230;. St. John&#8217;s Gospel says, Forget it&#8221; (86).<br \/>\nJohn sees Jesus as God&#8217;s creative Word continuing to speak. It is easy to get lost in Peterson&#8217;s prose and forget that he is showing that Christ plays, still does his work of dancing the music of God, in Creation &#8212; as opposed (as John Frye picked up last week) to Gnostic desires to flee our locatedness and rootedness and physicalness. We are here; we are summoned to work out the gospel where we are &#8212; not in some utopian perfected place where everything will be better.<br \/>\n1. <strong>Ego Eimi<\/strong> (Greek for &#8220;I am&#8221;): seven times John picks up the Divine Name (Yahweh) and alludes to it in this &#8220;I am&#8221; stuff in John. It evokes intimacy and leisure &#8212; nothing not relational, nothing in a hurry.<br \/>\n2. <strong>The Signs<\/strong>: and his off-handed comment may define them: &#8220;catch a glimpse of the &#8216;beyond&#8217; in our backyards&#8221; (92). We are summoned to look <em>into<\/em> creation not just <em>at<\/em> creation. Faith is required to see &#8220;into&#8221; Jesus. Why? because the &#8220;sign is a signpost&#8221; (94). Peterson goes through each sign with these themes in mind.<br \/>\n3. <strong>The Glory<\/strong>: God, the glorious one, dwells in Jesus Christ and this means we have to revise, radically and even more radically, our sense of what &#8220;glory&#8221; is. Here he is: &#8220;Jesus ignorable, Jesus unimpressive, Jesus dismissed, Jesus marginal, Jesus suffering, Jesus rejected, Jesus derided, Jesus hung on a cross, and &#8212; the final and irrefutable indignity &#8212; Jesus dead and buried&#8221; (101). There is the glory.<br \/>\n&#8220;Jesus takes the brightest word in our vocabularies and plunges it into the darkest pit of experience, violent and excruciating death&#8230; we have entered a mystery&#8221; (102).<br \/>\nPeterson exploits the idea that Jesus &#8220;has moved into our neighborhood.&#8221; Jesus is the access for us to our creation as the time and place to believe and to love.<br \/>\nFrankly, this section takes some getting used to: the way Christ plays in creation collides with everything we know. He plays by descending, by dying, by rising, by ascending. It takes faith and love to play that game.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post will summarize Eugene Peterson&#8217;s Christ Plays in Ten Thousand Places, chp. 1 pp. 85-108. This is a short section, but it is better than biting off too big of a chunk that extends to nearly 50 pages and ends with great reflections on Sabbath and Wonder (next week). Whether you&#8217;ve read the book&hellip;<\/p>\n","protected":false},"author":298,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-528","post","type-post","status-publish","format-standard","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Christ Plays 3 - Jesus Creed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/jesuscreed\/2005\/12\/christ-plays-3.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christ Plays 3 - Jesus Creed\" \/>\n<meta property=\"og:description\" content=\"This post will summarize Eugene Peterson&#8217;s Christ Plays in Ten Thousand Places, chp. 1 pp. 85-108. 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