{"id":515,"date":"2006-08-11T16:11:01","date_gmt":"2006-08-11T16:11:01","guid":{"rendered":"http:\/\/blog.beliefnet.com\/jazztheologian\/2006\/08\/call-and-respon.html"},"modified":"2006-08-11T16:11:01","modified_gmt":"2006-08-11T16:11:01","slug":"call-and-respon","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html","title":{"rendered":"Marco&#8230;Polo&#8230;"},"content":{"rendered":"<p>&quot;Call and Response&quot; are hallmarks of jazz because it was incubated in the black church. Preacher calls and congregation responds&#8230;horn calls and piano responds&#8230;Langston Hughes calls and Ralph Ellison responded.<\/p>\n<p><a href=\"http:\/\/jazztheologian.typepad.com\/.shared\/image.html?\/photos\/uncategorized\/langstoncover.jpg\"><img loading=\"lazy\" decoding=\"async\" height=\"113\" alt=\"Langstoncover\" src=\"https:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg\" width=\"200\" border=\"0\" \/><\/a> <\/p>\n<p>Langston Hughes wrote his famous poem, &quot;Harlem:&nbsp; A Dream Deferred&quot;<\/p>\n<p dir=\"ltr\">What happens to a dream deferred?<\/p>\n<p dir=\"ltr\">Does it dry up like a raisin in the sun&#8211;<\/p>\n<p dir=\"ltr\">Or fester like a sore&#8211;<\/p>\n<p dir=\"ltr\">And then run?<\/p>\n<p dir=\"ltr\">Does it stink like rotten meat?<\/p>\n<p dir=\"ltr\">Or crust and sugar over&#8211;<\/p>\n<p dir=\"ltr\">Like a syrupy sweet?&nbsp; <\/p>\n<p dir=\"ltr\">Maybe it just sags like a heavy load. <\/p>\n<p dir=\"ltr\">Or does it explode?<\/p>\n<p dir=\"ltr\">Langston is specifically asking about the American Dream.&nbsp; Ellison&#8217;s, Invisible Man, is a response to the jazz poet&#8217;s question.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&quot;Call and Response&quot; are hallmarks of jazz because it was incubated in the black church. Preacher calls and congregation responds&#8230;horn calls and piano responds&#8230;Langston Hughes calls and Ralph Ellison responded. Langston Hughes wrote his famous poem, &quot;Harlem:&nbsp; A Dream Deferred&quot; What happens to a dream deferred? Does it dry up like a raisin in the&hellip;<\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-515","post","type-post","status-publish","format-standard","hentry","category-misc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Marco...Polo... - The Jazz Theologian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marco...Polo... - The Jazz Theologian\" \/>\n<meta property=\"og:description\" content=\"&quot;Call and Response&quot; are hallmarks of jazz because it was incubated in the black church. Preacher calls and congregation responds&#8230;horn calls and piano responds&#8230;Langston Hughes calls and Ralph Ellison responded. Langston Hughes wrote his famous poem, &quot;Harlem:&nbsp; A Dream Deferred&quot; What happens to a dream deferred? Does it dry up like a raisin in the&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html\" \/>\n<meta property=\"og:site_name\" content=\"The Jazz Theologian\" \/>\n<meta property=\"article:published_time\" content=\"2006-08-11T16:11:01+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg\" \/>\n<meta name=\"author\" content=\"Robert Gelinas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Marco...Polo... - The Jazz Theologian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html","og_locale":"en_US","og_type":"article","og_title":"Marco...Polo... - The Jazz Theologian","og_description":"&quot;Call and Response&quot; are hallmarks of jazz because it was incubated in the black church. Preacher calls and congregation responds&#8230;horn calls and piano responds&#8230;Langston Hughes calls and Ralph Ellison responded. Langston Hughes wrote his famous poem, &quot;Harlem:&nbsp; A Dream Deferred&quot; What happens to a dream deferred? Does it dry up like a raisin in the&hellip;","og_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html","og_site_name":"The Jazz Theologian","article_published_time":"2006-08-11T16:11:01+00:00","og_image":[{"url":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg"}],"author":"Robert Gelinas","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html","name":"Marco...Polo... - The Jazz Theologian","isPartOf":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html#primaryimage"},"image":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html#primaryimage"},"thumbnailUrl":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg","datePublished":"2006-08-11T16:11:01+00:00","dateModified":"2006-08-11T16:11:01+00:00","author":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01"},"breadcrumb":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html#primaryimage","url":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg","contentUrl":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/langstoncover.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2006\/08\/call-and-respon.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian"},{"@type":"ListItem","position":2,"name":"Marco&#8230;Polo&#8230;"}]},{"@type":"WebSite","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/","name":"The Jazz Theologian","description":"Beliefnet Voices - Robert Gelinas on Composing a Jazz-Shaped Faith","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01","name":"Robert Gelinas","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/image\/","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","contentUrl":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","caption":"Robert Gelinas"},"description":"\"For more information visit: Jazztheologian.com Robert Gelinas is Lead-Pastor (and resident Jazz Theologian) of Colorado Community Church\u00e2\u20ac\u201da multi-cultural, interdenominational community of 3000+ followers of Christ in the Denver area. Author of Finding the Groove: Composing a Jazz-Shaped Faith (Zondervan) and the upcoming, Strange Fruit: The Cross as a Way of Life (2011). Founder of Project 127, a ministry dedicated to seeing the day when there are no children waiting for homes in Colorado's foster care system. Robert deeply desires to see the body of Christ mobilized to serve the least of these. The poor, the down and out, the disenfranchised and disabled, those deemed unimportant and the unborn. He believes that God loves all people yet he has a special heart for the poor and the poor in spirit, the miserable and the marginalized. A Contributing Editor for Leadership Journal and Urbanfaith.com. He acquired a B.A. in Bibilcal Studies from Colorado Christian University and a Master of Arts in World Christianity (Missiology) from Denver Seminary. Robert is married to the love of his life, Barbara, and they have six energetic children (3 boys &amp; 3 girls--one bio, five adopted--two from Ethiopia). Friend of God...Passionate about the Body of Christ...Lover of this thing called jazz! Please visit Jazztheologian.com for contact info., speaking schedule, videos, Facebook and Twitter.","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/author\/rgelinas"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/515\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/media?parent=515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/categories?post=515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/tags?post=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}