{"id":316,"date":"2007-09-25T16:27:13","date_gmt":"2007-09-25T16:27:13","guid":{"rendered":"http:\/\/blog.beliefnet.com\/jazztheologian\/2007\/09\/which-renaissan-2.html"},"modified":"2007-09-25T16:27:13","modified_gmt":"2007-09-25T16:27:13","slug":"which-renaissan-2","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html","title":{"rendered":"Which renaissance is ours?"},"content":{"rendered":"<p><a href=\"http:\/\/jazztheologian.typepad.com\/.shared\/image.html?\/photos\/uncategorized\/2007\/09\/18\/300pxholbeinambassadors_2.jpg\"><\/a><a href=\"http:\/\/jazztheologian.typepad.com\/.shared\/image.html?\/photos\/uncategorized\/2007\/09\/18\/300pxholbeinambassadors_3.jpg\"><img loading=\"lazy\" decoding=\"async\" height=\"394\" alt=\"300pxholbeinambassadors_3\" src=\"https:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg\" width=\"400\" border=\"0\" \/><\/a>&nbsp; <\/p>\n<p>We are all renaissance people.&nbsp; In America, the question is, &quot;Which one?&quot;&nbsp; First, you have what is known as The Renaissance.&nbsp; Which is more accurately called, &quot;The Italian or European&quot; Renaissance.&nbsp; And then there is The Harlem Renaissance which is a product of America.<\/p>\n<p>The picture is Hans Holbein&#8217;s The Ambassadors and is an icon of The Italian Renaissance.<\/p>\n<p>It&#8217;s fascinating and I&#8217;d like to spend some time unpacking it.<\/p>\n<p>(any art majors out there who&#8217;d like to weigh in?&nbsp; Go for it!)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; We are all renaissance people.&nbsp; In America, the question is, &quot;Which one?&quot;&nbsp; First, you have what is known as The Renaissance.&nbsp; Which is more accurately called, &quot;The Italian or European&quot; Renaissance.&nbsp; And then there is The Harlem Renaissance which is a product of America. The picture is Hans Holbein&#8217;s The Ambassadors and is an&hellip;<\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-316","post","type-post","status-publish","format-standard","hentry","category-misc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Which renaissance is ours? - The Jazz Theologian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Which renaissance is ours? - The Jazz Theologian\" \/>\n<meta property=\"og:description\" content=\"&nbsp; We are all renaissance people.&nbsp; In America, the question is, &quot;Which one?&quot;&nbsp; First, you have what is known as The Renaissance.&nbsp; Which is more accurately called, &quot;The Italian or European&quot; Renaissance.&nbsp; And then there is The Harlem Renaissance which is a product of America. The picture is Hans Holbein&#8217;s The Ambassadors and is an&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html\" \/>\n<meta property=\"og:site_name\" content=\"The Jazz Theologian\" \/>\n<meta property=\"article:published_time\" content=\"2007-09-25T16:27:13+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg\" \/>\n<meta name=\"author\" content=\"Robert Gelinas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Which renaissance is ours? - The Jazz Theologian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html","og_locale":"en_US","og_type":"article","og_title":"Which renaissance is ours? - The Jazz Theologian","og_description":"&nbsp; We are all renaissance people.&nbsp; In America, the question is, &quot;Which one?&quot;&nbsp; First, you have what is known as The Renaissance.&nbsp; Which is more accurately called, &quot;The Italian or European&quot; Renaissance.&nbsp; And then there is The Harlem Renaissance which is a product of America. The picture is Hans Holbein&#8217;s The Ambassadors and is an&hellip;","og_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html","og_site_name":"The Jazz Theologian","article_published_time":"2007-09-25T16:27:13+00:00","og_image":[{"url":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg"}],"author":"Robert Gelinas","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html","name":"Which renaissance is ours? - The Jazz Theologian","isPartOf":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html#primaryimage"},"image":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html#primaryimage"},"thumbnailUrl":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg","datePublished":"2007-09-25T16:27:13+00:00","dateModified":"2007-09-25T16:27:13+00:00","author":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01"},"breadcrumb":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html#primaryimage","url":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg","contentUrl":"http:\/\/jazztheologian.typepad.com\/findingthegroove\/images\/2007\/09\/18\/300pxholbeinambassadors_3.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2007\/09\/which-renaissan-2.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian"},{"@type":"ListItem","position":2,"name":"Which renaissance is ours?"}]},{"@type":"WebSite","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/","name":"The Jazz Theologian","description":"Beliefnet Voices - Robert Gelinas on Composing a Jazz-Shaped Faith","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01","name":"Robert Gelinas","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/image\/","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","contentUrl":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","caption":"Robert Gelinas"},"description":"\"For more information visit: Jazztheologian.com Robert Gelinas is Lead-Pastor (and resident Jazz Theologian) of Colorado Community Church\u00e2\u20ac\u201da multi-cultural, interdenominational community of 3000+ followers of Christ in the Denver area. Author of Finding the Groove: Composing a Jazz-Shaped Faith (Zondervan) and the upcoming, Strange Fruit: The Cross as a Way of Life (2011). Founder of Project 127, a ministry dedicated to seeing the day when there are no children waiting for homes in Colorado's foster care system. Robert deeply desires to see the body of Christ mobilized to serve the least of these. The poor, the down and out, the disenfranchised and disabled, those deemed unimportant and the unborn. He believes that God loves all people yet he has a special heart for the poor and the poor in spirit, the miserable and the marginalized. A Contributing Editor for Leadership Journal and Urbanfaith.com. He acquired a B.A. in Bibilcal Studies from Colorado Christian University and a Master of Arts in World Christianity (Missiology) from Denver Seminary. Robert is married to the love of his life, Barbara, and they have six energetic children (3 boys &amp; 3 girls--one bio, five adopted--two from Ethiopia). Friend of God...Passionate about the Body of Christ...Lover of this thing called jazz! Please visit Jazztheologian.com for contact info., speaking schedule, videos, Facebook and Twitter.","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/author\/rgelinas"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/comments?post=316"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/316\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/media?parent=316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/categories?post=316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/tags?post=316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}