{"id":138,"date":"2009-04-28T22:54:00","date_gmt":"2009-04-28T22:54:00","guid":{"rendered":"http:\/\/blog.beliefnet.com\/jazztheologian\/2009\/04\/talkin-trane-pa.html"},"modified":"2009-04-28T22:54:00","modified_gmt":"2009-04-28T22:54:00","slug":"talkin-trane-pa","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html","title":{"rendered":"Talkin&#8217; Trane"},"content":{"rendered":"<div><\/div>\n<p><a href=\"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/1600\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg\"><img decoding=\"async\" border=\"0\" src=\"https:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg\" \/><\/a> <strong><span>The key to Coltrane is found not in how or what he played but why he played the way<\/span><\/strong>,<strong><span> he did.<\/span><\/strong> Musically he was a genius and a trendsetter. Practicing for hours a day, he developed unprecedented speed that awed all who heard. But why did he play the way he did? What pushed him to play scales at such mind-boggling, even manic speeds? <\/p>\n<p>In, Spirit Catcher: The Life and Art of John Coltrane, John Fraim chronicles the struggles, triumphs and spiritual transformation of this man who was reared in his grandfather\u2019s church and was familiar with the ways of God. He had a substance abuse problem and eventually he moved in with his mother and began playing less and abusing drugs and alcohol more.<\/p>\n<p>\u201cHowever, this time he must have sensed that some final decision had to be made if he was going to reach his full potential as a musician: <em><strong>he would have to decide once and for all if he was going to live the rest of his life as a drug addict or as a musician.\u201d<\/strong><\/em> (p33) He sought the support of his wife and mother and then sought sanctuary in his room, praying and seeking God\u2019s help to withstand the pain of withdrawals. Four days later he emerged a changed man, God had met him in a most unusual way&#8230; the result being that he began to play his instrument for a different reason.<\/p>\n<p>To truly truly hear Coltrane we must know what happened to him in that room.<\/p>\n<p><em><strong>Have you ever had an experience with God that was so personal, so utterly amazing that you couldn&#039;t describe it? How has it affected you? Do you savor the moment or has the moment sent you on a pursuit to find it again?<\/strong><\/em><\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/1600\/jcoltrane.jpg\"><img decoding=\"async\" border=\"0\" src=\"https:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/jcoltrane.jpg\" \/><\/a> <strong>It was a sound<\/strong>, a droning sound unlike anything he had heard. God met him, revealed Himself to Coltrane through a resonance. \u201cIt was so beautiful,\u201d he told his wife as he hopelessly tried to reproduce it on a piano. That is the key to Coltrane. <\/p>\n<p>\u201cWith this event, the search for the mysterious sound began. It was a search that would continue throughout his life and would cause him to create some of his most intense and emotional music.\u201d writes Fraim.<\/p>\n<p>After this experience he still played solo\u2019s with amazing speed but they were not frenzied rather they were searches for ultimate meaning. When he picked up his sax and played, he was trying to reproduce the sound of God. Sometimes <strong>he would solo for thirty minutes<\/strong>!<\/p>\n<p>The question is what was he doing? He was searching for that sound of God that was playing at his lowest and yet most transformational moment of life. That magnificent murmur, that melody that met him when he was at his weakest and yet somehow was becoming his strongest. He was searching for the sound of God not to play to him, but to have it played by him and through him as a witness to his audiences.<\/p>\n<p>When you listen to his music you either love it or hate it but <span style=\"text-decoration: underline\">remember the meaning is not found in what he was playing but in why he was playing the way he was playing.<\/span><\/p>\n<p><strong><em>Our lives will be meaningless to those around us until we are willing to tell them the story that reveals our search for God. Others will always baffle us until we are willing to pursue the meaning behind their music.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The key to Coltrane is found not in how or what he played but why he played the way, he did. Musically he was a genius and a trendsetter. Practicing for hours a day, he developed unprecedented speed that awed all who heard. But why did he play the way he did? What pushed him&hellip;<\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-138","post","type-post","status-publish","format-standard","hentry","category-finding-the-groove"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Talkin&#039; Trane - The Jazz Theologian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Talkin&#039; Trane - The Jazz Theologian\" \/>\n<meta property=\"og:description\" content=\"The key to Coltrane is found not in how or what he played but why he played the way, he did. 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What pushed him&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html\" \/>\n<meta property=\"og:site_name\" content=\"The Jazz Theologian\" \/>\n<meta property=\"article:published_time\" content=\"2009-04-28T22:54:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg\" \/>\n<meta name=\"author\" content=\"Robert Gelinas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Talkin' Trane - The Jazz Theologian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html","og_locale":"en_US","og_type":"article","og_title":"Talkin' Trane - The Jazz Theologian","og_description":"The key to Coltrane is found not in how or what he played but why he played the way, he did. 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What pushed him&hellip;","og_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html","og_site_name":"The Jazz Theologian","article_published_time":"2009-04-28T22:54:00+00:00","og_image":[{"url":"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg"}],"author":"Robert Gelinas","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html","name":"Talkin' Trane - The Jazz Theologian","isPartOf":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html#primaryimage"},"image":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html#primaryimage"},"thumbnailUrl":"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg","datePublished":"2009-04-28T22:54:00+00:00","dateModified":"2009-04-28T22:54:00+00:00","author":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01"},"breadcrumb":{"@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html#primaryimage","url":"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg","contentUrl":"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/320\/2002-%20Color%20Energy%20Portrait-JOHN%20COLTRANE.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/talkin-trane-pa.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian"},{"@type":"ListItem","position":2,"name":"Talkin&#8217; Trane"}]},{"@type":"WebSite","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#website","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/","name":"The Jazz Theologian","description":"Beliefnet Voices - Robert Gelinas on Composing a Jazz-Shaped Faith","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/5e3ecb360405bd8603a61c7115194e01","name":"Robert Gelinas","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/#\/schema\/person\/image\/","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","contentUrl":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-content\/wphb-cache\/gravatar\/fbe\/fbe4a8ffc24002390e969652fba5c72bx96.jpg","caption":"Robert Gelinas"},"description":"\"For more information visit: Jazztheologian.com Robert Gelinas is Lead-Pastor (and resident Jazz Theologian) of Colorado Community Church\u00e2\u20ac\u201da multi-cultural, interdenominational community of 3000+ followers of Christ in the Denver area. Author of Finding the Groove: Composing a Jazz-Shaped Faith (Zondervan) and the upcoming, Strange Fruit: The Cross as a Way of Life (2011). Founder of Project 127, a ministry dedicated to seeing the day when there are no children waiting for homes in Colorado's foster care system. Robert deeply desires to see the body of Christ mobilized to serve the least of these. The poor, the down and out, the disenfranchised and disabled, those deemed unimportant and the unborn. He believes that God loves all people yet he has a special heart for the poor and the poor in spirit, the miserable and the marginalized. A Contributing Editor for Leadership Journal and Urbanfaith.com. He acquired a B.A. in Bibilcal Studies from Colorado Christian University and a Master of Arts in World Christianity (Missiology) from Denver Seminary. Robert is married to the love of his life, Barbara, and they have six energetic children (3 boys &amp; 3 girls--one bio, five adopted--two from Ethiopia). Friend of God...Passionate about the Body of Christ...Lover of this thing called jazz! Please visit Jazztheologian.com for contact info., speaking schedule, videos, Facebook and Twitter.","url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/author\/rgelinas"}]}},"_links":{"self":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":0,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}