{"version":"1.0","provider_name":"The Jazz Theologian","provider_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian","author_name":"Robert Gelinas","author_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/author\/rgelinas","title":"Three Essential Concepts: Syncopation, Improvisation and Call &amp; Response (p3) - The Jazz Theologian","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xnh8p1H2HO\"><a href=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/three-essenti-2.html\">Three Essential Concepts:  Syncopation, Improvisation and Call &amp; Response (p3)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2009\/04\/three-essenti-2.html\/embed#?secret=xnh8p1H2HO\" width=\"600\" height=\"338\" title=\"&#8220;Three Essential Concepts:  Syncopation, Improvisation and Call &amp; Response (p3)&#8221; &#8212; The Jazz Theologian\" data-secret=\"xnh8p1H2HO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Call &amp; Response are a part of jazz because jazz was conceived, birthed and incubated in the church before the church abandoned IT, rejected IT and forgot IT. If improvisation highlights the fact that every person has a unique contribution to the group, call and response is the understanding that every person needs the group.&#160;&hellip;"}