{"version":"1.0","provider_name":"The Jazz Theologian","provider_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian","author_name":"Robert Gelinas","author_url":"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/author\/rgelinas","title":"Jazz Theology 101 with visiting professor Carl Ellis (Session 3) - The Jazz Theologian","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uWLoz9Wzs0\"><a href=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2005\/11\/jazz-theology-1-1.html\">Jazz Theology 101 with  visiting professor Carl Ellis (Session 3)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.beliefnet.com\/columnists\/jazztheologian\/2005\/11\/jazz-theology-1-1.html\/embed#?secret=uWLoz9Wzs0\" width=\"600\" height=\"338\" title=\"&#8220;Jazz Theology 101 with  visiting professor Carl Ellis (Session 3)&#8221; &#8212; The Jazz Theologian\" data-secret=\"uWLoz9Wzs0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Ellis puts it this way, \u201c\u2026God is not just classical. God is jazz. Not only does he have an eternal and unchanging purpose, but he is intimately involved with the difficulties of sparrows and slaves. Within the dynamic of his eternal will, he improvises. God\u2019s providential jazz liberates slaves and weeps over cities. Jazz can&hellip;","thumbnail_url":"http:\/\/photos1.blogger.com\/blogger\/3236\/922\/400\/lwcI_cc_islam_carl-ellis.jpg"}