{"id":989,"date":"2007-04-30T13:57:00","date_gmt":"2007-04-30T13:57:00","guid":{"rendered":"http:\/\/blog.beliefnet.com\/idolchatter\/2007\/04\/in-land-of-women-avoid-at-all-costs.html"},"modified":"2007-04-30T13:57:00","modified_gmt":"2007-04-30T13:57:00","slug":"in-land-of-women-avoid-at-all-costs","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/idolchatter\/2007\/04\/in-land-of-women-avoid-at-all-costs.html","title":{"rendered":"&#8216;In the Land of Women&#8217;: Avoid at All Costs"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/media.beliefnet.com\/imgs\/tout\/story\/meg_idol.jpg\" align=\"right\" border=\"0\" \/>I should have listened to New York Times film critic Stephen Holden, who called <a href=\"http:\/\/movies2.nytimes.com\/2007\/04\/20\/movies\/20wome.html\" target=\"_new\">&#8220;In the Land of Women&#8221; meek and mopey<\/a>, &#8220;the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.&#8221; The film stars Meg Ryan in a relatively new role&#8211;down and out mom-figure rather than romantic lead&#8211;and <a href=\"http:\/\/www.myspace.com\/itlow\" target=\"_new\">Adam Brody (formerly of &#8220;The O.C.&#8221;<\/a>) as the all-purpose confidante for quite literally every woman in the film: ex-girlfriend, grandmother, and next door neighbors (Ryan as the mother and her daughter).<\/p>\n<p>Despite the reviews, I figured&#8211;how bad could a movie be that stars Meg Ryan <em>and <\/em>Olympia Dukakis (who I love)? As it turns out, <em>really bad<\/em>. It&#8217;s the worst movie I&#8217;ve seen in years. And I see a lot of movies.<\/p>\n<p>Adam Brody&#8211;playing Carter Webb&#8211;is utterly unappealing in what I guess is the romantic lead&#8211;though there is nothing romantic about him or the part he plays. Nor is there anything comedic about Carter&#8217;s character. Why so many beautiful, talented women are drawn to baring their souls to him is inexplicable. He doesn&#8217;t do anything in the film aside from stumbling in and out of these women&#8217;s lives. It&#8217;s painfully clear is that Adam Brody can not carry a film. And since Brody is the epicenter of this &#8220;land of women,&#8221; the movie falls on this fatal flaw.<\/p>\n<p>Then there is the fact that though the movie is billed as a romantic comedy, it is an incredibly depressing film. The dominant themes are despair, death, cancer, and infidelity. I know&#8211;what fun on a warm spring afternoon!<\/p>\n<p>I confess: I never watched &#8220;The O.C.,&#8221; so perhaps I didn&#8217;t enter the theater with the right sympathetic-to-Brody attitude like the rest of the &#8220;O.C.&#8221; fans who made up the bulk of the audience around me. But even they shared my dismay. As the credits rolled and I got up to leave, one of the girls behind me quipped loudly and in appropriately high school melodramatic fashion: &#8220;<em>That<\/em>. Was <em>the worst<\/em>. Movie. <em>Ever.<\/em>&#8220;<\/p>\n<p>Yes, I silently agreed. Enough said. Brody gets a failing grade as confessor. I actually left the theater feeling angry. Save your money. There&#8217;s nothing redeemable about this one.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I should have listened to New York Times film critic Stephen Holden, who called &#8220;In the Land of Women&#8221; meek and mopey, &#8220;the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.&#8221; The film stars Meg Ryan in a relatively new role&#8211;down and&hellip;<\/p>\n","protected":false},"author":105,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fbia_status":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-989","post","type-post","status-publish","format-standard","hentry","category-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;In the Land of Women&#039;: Avoid at All Costs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/idolchatter\/2007\/04\/in-land-of-women-avoid-at-all-costs.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;In the Land of Women&#039;: Avoid at All Costs\" \/>\n<meta property=\"og:description\" content=\"I should have listened to New York Times film critic Stephen Holden, who called &#8220;In the Land of Women&#8221; meek and mopey, &#8220;the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.&#8221; The film stars Meg Ryan in a relatively new role&#8211;down and&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.beliefnet.com\/columnists\/idolchatter\/2007\/04\/in-land-of-women-avoid-at-all-costs.html\" \/>\n<meta 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