{"id":1230,"date":"2007-08-14T12:55:15","date_gmt":"2007-08-14T12:55:15","guid":{"rendered":"http:\/\/blog.beliefnet.com\/idolchatter\/2007\/08\/mxpx-gets-burned.html"},"modified":"2007-08-14T12:55:15","modified_gmt":"2007-08-14T12:55:15","slug":"mxpx-gets-burned","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/idolchatter\/2007\/08\/mxpx-gets-burned.html","title":{"rendered":"MxPx&#8217;s Latest Album Fizzles Out"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/wp-media.beliefnet.com\/sites\/87\/import\/burnorburn.gif\"><a href=\"http:\/\/www.mxpx.com\/\" target=\"_new\">MxPx<\/a>&#8216;s first album, 1994&#8217;s &#8220;Pokinatcha,&#8221; was one of the first releases on <a href=\"http:\/\/www.toothandnail.com\/\" target=\"_new\">Tooth and Nail Records<\/a>, a label which has since become the juggernaut of Christian indie imprints. A few years back, MxPx and the label&#8217;s owner, Brandon Ebel, had a public falling out over the band&#8217;s contract, which led the band to jump ship to A&amp;M Records for three albums, then one with &#8220;secular&#8221; indie label SideOneDummy.<br \/>\nSo the band&#8217;s just-released &#8220;Secret Weapon&#8221; finds them back home in more ways than one: MxPx is back with producer Aaron Sprinkle (who discovered the band and produced &#8220;Pokinatcha&#8221;), back with Tooth and Nail (they&#8217;ve patched things up), and back, sort of, in the &#8220;Christian music&#8221; camp.<\/p>\n<p><!--more--><br \/>\n<img decoding=\"async\" alt=\"MxPx_idol.jpg\" src=\"https:\/\/wp-media.beliefnet.com\/sites\/87\/import\/MxPx_idol.jpg\" width=\"144\" height=\"144\" style=\"float:right;margin: 5px\">Even when they were ensconced in the Christian scene, MxPx were never evangelists in tattooed sheep&#8217;s clothing. Their early records dealt with Christian faith in a fairly straightforward way, but they were also more angry and explicitly political than most Christian bands. &#8220;Teenage Politics&#8221; featured the lines &#8220;I look to you\/Jesus yes I do&#8221; and &#8220;Americanism, nationalism, bow to the flag-ism\/militaristic, egotistic, high class and capitalistic.&#8221; This was pretty exciting stuff&#8211;a punk band that had both righteous anger and a sincere faith.<br \/>\nBut MxPx&#8217;s best album from that era, &#8220;Life in General,&#8221; though it was catchy, was mostly about girls and growing up&#8211;with scant mention of God or anarchy. And since then, their lyrical spirituality has shifted towards a more general optimism.<br \/>\nOn &#8220;Secret Weapon&#8221;&#8216;s final song, a hidden track, bassist and songwriter Mike Herrera asks. &#8220;What if I wrote a song about nothing?&#8221; Actually, he&#8217;s kind of been doing that for a while, and most of the new songs are vague paeans to seizing the day and making the most of life, like &#8220;Here&#8217;s to the Life&#8221; and &#8220;Never Better Than Now.&#8221; There&#8217;s a lot about self-reliance: The title track reveals that &#8220;you are\/your own\/secret weapon.&#8221; The spiritual references, too, are pretty oblique. Hererra briefly mentions that he &#8220;met the master of the never ending promises,&#8221; and &#8220;Angels&#8221; is not lyrically unlike Amy Grant&#8217;s song of the same name.<br \/>\nThere was a certain spark of youthful insouciance and dangerous faith that drove MxPx&#8217;s early records. &#8220;Secret Weapon&#8221; comes close to this at times&#8211;&#8220;Shut it Down&#8221; and &#8220;Bass So Low&#8221; feel exhilarating, and &#8220;Punk Rawk Celebrity&#8221; is a vigorous 21st century answer to the band&#8217;s classic &#8220;Punk Rawk Show.&#8221; But unfortunately, MxPx no longer seems to be among the most innovative and passionate Christian punk bands, even if they remain a solid choice for teenagers who need cheering up.<br \/>\nSo I&#8217;m going to suggest you burn&#8211;the kind with fire, as in take a pass on&#8211;this record, with the caveat that the three songs mentioned above are worth saving from the flames.<br \/>\n<em>&#8211;Joel Hartse<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MxPx&#8216;s first album, 1994&#8217;s &#8220;Pokinatcha,&#8221; was one of the first releases on Tooth and Nail Records, a label which has since become the juggernaut of Christian indie imprints. A few years back, MxPx and the label&#8217;s owner, Brandon Ebel, had a public falling out over the band&#8217;s contract, which led the band to jump ship&hellip;<\/p>\n","protected":false},"author":109,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fbia_status":"","footnotes":""},"categories":[29],"tags":[],"class_list":["post-1230","post","type-post","status-publish","format-standard","hentry","category-burn-or-burn"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MxPx&#039;s Latest Album Fizzles Out<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beliefnet.com\/columnists\/idolchatter\/2007\/08\/mxpx-gets-burned.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MxPx&#039;s Latest Album Fizzles Out\" \/>\n<meta property=\"og:description\" content=\"MxPx&#8216;s first album, 1994&#8217;s &#8220;Pokinatcha,&#8221; was one of the first releases on Tooth and Nail Records, a label which has since become the juggernaut of Christian indie imprints. 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