{"id":78,"date":"2011-07-15T04:50:00","date_gmt":"2011-07-15T08:50:00","guid":{"rendered":"http:\/\/blog.beliefnet.com\/commonwordcommonlord\/?p=78"},"modified":"2011-07-15T04:50:00","modified_gmt":"2011-07-15T08:50:00","slug":"kareem-salama-muslim-rock-at-its-finest","status":"publish","type":"post","link":"https:\/\/www.beliefnet.com\/columnists\/commonwordcommonlord\/kareem-salama-muslim-rock-at-its-finest\/","title":{"rendered":"Kareem Salama: (Muslim) Rock At Its Finest"},"content":{"rendered":"

In the Name of God, the Compassionate, the Most Merciful<\/em><\/p>\n

“Hesham’s iPod” is an occasional post about what’s hot, what’s spiritual, and what’s buzzworthy in Muslim music, and about the nature of Muslim artists. <\/em><\/p>\n

\"20110715-034420.jpg\"<\/a><\/p>\n

Every once in a while, a popular musical group comes out with a heartfelt song full of wonderful, inspiring messages. One such example is “Where is the Love?” by the Black Eyed Peas. When I hear songs like this, I think to myself: Why don’t more musicians sing more songs like this? <\/em>Well, folks, we have such a musician: American (Muslim) country singer Kareem Salama<\/a>.<\/p>\n

I have been a fan of Kareem Salama ever since he burst on the scene <\/a>a few years ago. His first album, Generous Peace, was great, with many wonderful, heartfelt tracks. My absolute favorite on that album is “Lady Mary,” <\/a>which is about the Virgin Mary. It almost always makes me cry. Salama’s newest album, “City of Lights,” is even better.<\/p>\n

This album is intended to be much more “mainstream” than “country,” so to speak, and it is. That is especially true for the first track, “Makes Me Crazy.” But what strikes me most about this album is the varied subject matter of his songs, and how each of them is truly uplifting and spiritually fulfilling. Take this line from the track “Heavenly Dreams”:<\/p>\n

Some of us do believe\/God gave us heavenly dreams<\/p><\/blockquote>\n

Those two lines of verse are so profound that I can write so much about it (which I plan to do). The love songs on his album – “We Could Be Friends,” “Beat In My Heart,” and others – are so pure and meaningful. Salama proves that one can sing about love and not have to go after our base nature. That is one of his strongest suits.<\/p>\n

Yet, hands down, the runaway hit on this album is the rock re-make of “Baby, I’m a Soldier.” He originally released the song on his first album and that version was very nice. But this version is AWESOME.<\/p>\n

The song is about war and the experience of soldiers. It tells the amazing story of two soldiers on either side of a conflict, and the amazing thing that happens when they meet each other in battle. It is such an uplifting story, and everyone – especially our elected leaders – should listen to this song and learn from its many lessons (I will write about this one, too).<\/p>\n

The bridge of this song is fantastic: he keeps the listener on edge, endlessly wondering about what thing “shocked” both soldiers. While waiting for the answer, the listener is treated with the best bit of electric guitar I have ever heard. It moves me so much, and I have listened to this specific part of the song over and over again without tiring. I was never really a rock\/country fan, but Kareem Salama has made me a convert. Moreover, he is blazing the trail of (Muslim) rock\/country, and I am forever grateful for it.<\/p>\n

If you haven’t already noticed, I placed the word “Muslim” in parenthesis because, the fact that he is Muslim is wholly parenthetical. If you listen to the album without knowing the name of the singer, you would think it is an average rock\/country album. The fact that Kareem is Muslim is irrelevant. I actually performed this “experiment,” if you will, with my neighbor, and he was shocked when I told him the singer is Muslim.<\/p>\n

But that is the whole point: one can sing “Muslim rock” without once saying “Allah,” or “Islam,” or “Muhammad.” What I love most about Kareem Salama’s work is that he is not a singer who says “Allah” in a cowboy hat. He infuses his music with Islamic themes and spirituality, and the listener does not know it. And that is also the whole point: Islamic themes are universal and in common with the themes of all faiths and traditions, and Kareem weaves them in masterfully.<\/p>\n

I will say again what I said with Muslim hip-hop group Native Deen<\/a>: Go get this album. You will not regret it.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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Hassaballa","description":"Hesham A. Hassaballa is a Chicago doctor and writer. He has written extensively on a freelance basis, being published in newspapers across the country and around the world. He has been a Beliefnet columnist since 2001, and has written for the Religion News Service. He is also a columnist for Patheos. His articles have been distributed worldwide by Agence Global, and he was also a guest blogger for The Chicago Tribune and has blogged on ChicagoNow\" . In addition, Dr. Hassaballa has appeared as a guest on WTTW (Channel 11) in Chicago, CNN, Fox News, BBC, and National Public Radio. Dr. Hassaballa is co-author of The Beliefnet Guide to Islam (Doubleday), and his essay, \u201cWhy I Love the Ten Commandments,\u201d was published in the award-winning book Taking Back Islam (Rodale). His latest book, Noble Brother, is the story of the Prophet Muhammad told entirely in poetry, and it is now published in its second edition. In 2007, his blog \"God, Faith, and a Pen\" was nominated for a Brass Crescent Award for a blog that is \u201cthe most stimulating, insightful, and philosophical, providing the best rebuttals to extremist ideology and making an impact whenever they post.\u201d \"God, Faith, and a Pen\" has also received an award for being one of the \"Top Muslim Blogs for 2010\" by Awarding The Web. In addition to writing, Dr. Hassaballa helped found the Chicago Chapter of the Council on American Islamic Relations and currently serves on their board of directors. He also co-founded the Bayan H. 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