From the Book: "Sacred Contracts" by Caroline Myss. Copyright (c) 2001 by Caroline Myss. Reprinted by permission of Harmony Books, a division of Random House, Inc.
It is about meaning what you say.
(physician, poet, and humorist)
When I was a young girl, my father always told me, "I don't care what you do when you grow up, so long as you're a nurse or a teacher." I can still remember my fury when he would say that, because I was interested only in writing. The very idea of teaching school was out of the question. Yet today, in spite of all my efforts to avoid life in the classroom, I am a teacher--of workshops, of theology, of motivation--and what's more, I love it. I feel distantly connected to the nursing part of my dad's directive too through the healing effects my work has had on many people.
My father passed away in 1989, and in the early 1990s, as my mom and I were discussing my work, I said to her, "Well, he won after all." Then I realized that Dad hadn't "won" some sort of game or struggle to control what I did with my life. My Contract had won. My father had been able to glimpse aspects of it, as many parents can, although their vision is often clouded by their own expectations and wishes for their children. Even without knowing about archetypes, Dad had seen something in me that evoked his understanding of the greater function and meaning of a nurse and teacher, and he related it to the career choices that were common for young women at the time.
Still, my Contract does contain the archetypes of the Teacher and Healer, which have manifested through the events of my life, even though I have never formally studied healing or teaching. My higher education has been in journalism and theology, but my work in medical intuition simply "happened." I did my first intuitive reading almost by accident, and then another, and another. Word spread through the neighborhood, and soon I was doing ten to 15 a week. My growing reputation led to invitations to lecture on my work, which in turn led to invitations to teach workshops.
The most extraordinary feature about how I learned energy anatomy was the precision with which my education was organized. Again, it simply "happened." Within a period of seven to ten days, three people with the same illness would approach me for help. Each one would prove to be coping with similar but slightly different life problems that had contributed to the development of their illness. By the time I read all three individuals, I felt I had grasped the major energy stress factors behind their conditions. Shortly after I completed one trio, another three people in quick succession would contact me for help. Again, each would prove to have the same illness. Gradually my understanding of energy anatomy led me to realize that our biography becomes our biology.
Once I understood that principle, my education seemed to move in another direction. Whereas my previous readings had focused on assessing an individual's physical and emotional chronology, I suddenly began to perceive images that had no apparent connection to the person. In reading a woman who wanted to understand her neck pain, for instance, I got the image of a pirate in her energy field. She was a housewife from the Midwest, so this information meant absolutely nothing to her. Yet while subsequently undergoing relaxation and visualization exercises with a hypnotherapist, she also sensed the pirate energy in her field. She "saw" him slashing her throat with his sword. Curiously, she also felt more positive associations, including wild lawlessness and liberated sexuality. These conflicting impressions of the pirate energy indicated to her that she was being choked or controlled by her life circumstances while yearning for a freedom that she could not consciously voice.
Reading another woman a short time later, who complained of severe arthritis in her hands, I kept seeing the image of an artist. When I mentioned this, however, she was baffled, insisting that she had no artistic talent whatever. Nonetheless I suggested that she take up pottery as therapy for her arthritis. She began by making simple clay vases and in time flowered into a gifted potter who now produces artistically sophisticated pieces.
Finally, while reading an Australian salesman named Jimmy who had been seriously depressed for several years, I saw a strong actor in his energy field. But Jimmy had never done any acting even though he did want to, because, he said, he was still "in the closet" and was afraid that if he acted, it would "come out" that he was gay. He was, in fact, already acting--as if he were straight--but the blocking of his talent and identity had made him implode emotionally. A few years later I was thankful to hear from Jimmy that he had pulled out of his depression and now acts in summer stock. He takes his stage work seriously, and he is no longer hiding his sexuality.