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Dancing to Flannery

posted by awelborn

Bill T. Jones has a new dance piece. The NYTimes reports:

Starting on Tuesday, at the Brooklyn Academy of Music, the Bill T. Jones/Arnie Zane Dance Company will present the New York premiere of a 45-minute work provocatively titled “Reading, Mercy and the Artificial Nigger.” It is based on “The Artificial Nigger,” a complex and beguiling short story by Flannery O’Connor, which is read aloud during the performance. (Susan Sarandon and Mr. Jones will be the readers on opening night.)

The story opens with its main characters, Mr. Head and his 10-year-old grandson, Nelson, who live together in rural Georgia, preparing for a trip to Atlanta. Mr. Head sees the trip as an opportunity to teach his grandson a lesson about the sinful ways of the city, in hopes that he will never want to return. Nelson views the trip as a chance to see the place where he believes he was born. As Nelson becomes more infatuated with the wonders of the city, Mr. Head grows more distressed, and eventually abandons his grandson, both physically and emotionally. On their way to the train for the trip home, they encounter a mysterious plaster figure, a black boy about Nelson’s size from which the story takes its title, and in a moment of revelation, they find the grace to restore the bond between them.

Mr, Jones, 51, discussed the work with Fletcher Roberts, an Arts & Leisure editor, after a recent rehearsal at a Manhattan studio.



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James Freeman

posted February 1, 2004 at 1:43 am


Good on them.
Count on it not being performed at any Catholic school in the Diocese of Lafayette (La.). Flannery O’Connor has been banned there.
http://www.catholiceducation.org/articles/arts/al0074.html
Idiots.



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Jayson Franklin

posted February 1, 2004 at 1:38 pm


With a name like that I’m surprised the NAACP isn’t all over it.
Wonderful story though. Flannery has characters like no other; she really breathes life into them.



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WRY

posted February 2, 2004 at 11:41 am


Funny, I never saw the story as a confirmation of grace but sort of the exact opposite, an “artificial” grace. I saw it as a metaphor for the traditional South’s use of hatred for blacks as a way to unify the population and keep many of the real issues off the table. (BTW, I’m a Southerner)



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