Peanuts and Popcorn

Peanuts and Popcorn

Hospital Documentary, ‘Code Black’ is Intriguing

posted by jtotey
Dr. Ryan McGarry sits and comforts a patient. (Photo: Ryan McGarry)

Dr. Ryan McGarry sits and comforts a patient. (Photo: Ryan McGarry)

Running at just 82 minutes in length, the hospital documentary, “Code Black” is already getting the attention it deserves. Unlike other documentaries, “Code Black” is at times interesting, sobering and frustrating, but never is it dull. During the film festival circuit, the movie has received numerous awards including Best Documentary Feature (Los Angeles Film Festival and Hamptons International Film Festival), the Audience Award (Aspen FilmFest) and the People’s Choice Award (Starz Denver Film Festival).

Physician-turned filmmaker, Ryan McGarry escorts viewers through Los Angeles County Hospital, home of America’s busiest Emergency Department. The “stars” of the movie are fellow residents who thrive at their jobs but are also frustrated by the limitations of it. The bulk of their training has come from working in the “C-Booth,” a trauma bay and “birthplace” of Emergency Medicine in general. Each of them takes a turn in front of the camera to describe details of their job and their life in general. One has lost a father to Alzheimer’s; another personally had stage 4 cancer, but was cued. Some of the footage shows the doctors in action. They are students in their fourth year ready to embark into medicine full time.

Most hospitals operate on a color-code system where different colors represent the business and stress level of that day. Code Black refers to the highest level of stress.

McGarry and his friends acknowledge their lack of understanding all of the issues and red tape that surrounds today’s healthcare system, but that doesn’t stop them from coming up with new and unique ways to come up with better systems and processes to speed up waiting time for patients. They each long for a time when people can focus on the importance of healing people, not focusing on the money it takes to do it.

For a first-time director, McGarry does a fantastic job of showing us what it is that we want to see and implores the audience to not see healthcare through political eyes. He expects them to help find creative solutions to today’s healthcare crisis. The film ends on a positive note as well.

‘Apes’ Movie Surprises Again

posted by jtotey

 

(20th Century Fox)

(20th Century Fox)

Do you remember the ending credits to Rise of the Planet of the Apes from three years ago? It showed graphics on how a deadly virus was sweeping across America and around the globe. The beginning credits for Dawn of the Planet of the Apes begins with those same graphics and then the story is fast-forwarded ten years.

Though technically a sequel, “Dawn” is actually a stand-alone film with only a few of the original cast members from the first movie. It is a whole new story based on the events that happened in the first film. Ten years have passed and the apes are living in peace in their own community that they built in the forest just on the other side of San Francisco’s Golden Gate Bridge. Their leader is Caesar (Andy Serkis), who is celebrating another son being born to him and his mate, Cornelia (Judy Greer). Some of the primate’s younger generation does not really know about they even got there in the first place and all they really know about humans are legends. It’s been at least two years since any ape has seen a human. Koba (Toby Kebbell) is still angry over the mistreatment he endured by the humans years ago while Caesar still has good memories of the human who smuggled him out of the testing lab and taught him how to read. It is an interesting message on how one can see the same world differently depending on how one is raised

On the other side of the bridge, the remaining humans, who were somehow immune to the deadly virus, live together in an uncertain world. Their leader of sorts is Dreyfus (Gary Oldman), the former Chief of Police for San Francisco. The younger residents too are uncertain about the community living across the bridge. And just like the younger apes, all they know about local history is what they are told from the older ones. The community’s power sources are dwindling and the only hope for human survival is to start up the power station located at the river dam…up in the woods. A brave Malcolm (Jason Clarke) offers to go and try to negotiate with the apes to allow the humans to start up the power station once again. A small group of volunteers join him including a nurse (the never-aging Keri Russell), Carver (Kirk Acevedo) who is just as untrusting of the apes as Koba is of the humans and Malcolm’s son, Alexander (Kodi Smit-McPhee).

Like the first movie, Dawn is tension-filled and yet it has a lot of messages about family. There are even shades of The Lion King. Both come to realize how similar the others are to their own families. Both humans and apes struggle with what they know in their hearts and what others tell them about the other community. It is a story about trust and deception. The movie raises the question, “Can both men and apes live together in harmony?” and explores whether it is wiser to try to negotiate with others or is it better to show force and conquer the others before problems start? Some in the religious community can also see the story as an example about how we see others outside of the church. Is it better to welcome them in or smile at them from a safe distance?

The scenes shown of the urban jungle forest are beautiful while the scenes of destruction of what is left of San Francisco are quite sobering. It isn’t exactly Mad Max, but it is getting there. The first twenty minutes or so feels as if one is watching a foreign film. The apes communicate with each other with hand gestures and what not. Subtitles are shown below. The 3D effect adds a nice touch. For a movie with such an unbelievable story line, Dawn is quite smart. Overall, it is very enjoyable. The violence isn’t especially bloody and swearing is kept to a minimum, but It may be too intense at times for younger viewers.

 

66th Emmy Awards Nominations Announced

posted by jtotey
Seth Meyers will host the 66th Primetime Emmy Awards on August 25th. (NBC)

Seth Meyers will host the 66th Primetime Emmy Awards on August 25th. (NBC)

Just when you thought that the award show season has ended, it starts up all over again. This morning in North Hollywood, actress Mindy Kaling and Carson Daly helped announce the nominees for the 66th Primetime Emmy Awards at Leonard H. Goldenson Theatre.

This year, a lot of familiar names appear on the list including Amy Poehler, Lena Dunham, Melissa McCarthy, Julia Louis-Dreyfus, Allison Janney,  Jim Parsons, Ricky Gervais, Ty Burrell, Louie C.K., Jesse Tyler Ferguson. Shows receiving the most nominations include: “Orange is the New Black” (8), “Fargo” (8), “Downton Abbey” (7), “Saturday Night Live” (7), “Modern Family” (6) and “Veep” (6). ABC and NBC are tied for the most nominations for the tradition television networks (14 each) while FOX is at the bottom with just three.

This year’s show will air live from the Nokia Theatre in Los Angeles on Monday, August 25th on NBC. The show will be hosted by NBC’s golden child, Seth Meyers.

The list of nominees include:

Outstanding Comedy Series: “The Big Bang Theory,” “Louie,” “Modern Family,” “Orange is the New Black,” “Silicon Valley” and “Veep”

Outstanding Lead Actress in a Comedy Series: Lena Dunham, “Girls”; Edie Falco, “Nurse Jackie”; Julia Louis-Dreyfus, “Veep”; Melissa McCarthy, “Mike & Molly”; Amy Poehler, “Parks and Recreation”; Taylor Schilling, “Orange is the New Black”

Mindy Kaling and Carson Daly were on hand to read the nominees for this year Emmy Awards. (Socialite)

Mindy Kaling and Carson Daly were on hand to read the nominees for this year Emmy Awards. (Socialite)

Outstanding Lead Actor in a Comedy Series: Louie C.K., “Louie”; Don Cheadle, “House of Lies”; Ricky Gervais, “Derek”; Matt LeBlanc, “Episodes”; William H. Macy, “Shameless”; Jim Parsons, “The Big Bang Theory”

Outstanding Supporting Actress in a Comedy Series: Mayim Bialik, “The Big Bang Theory”; Julie Bowen, “Modern Family”; Anna Chlumsky, “Veep”; Allison Janney, “Mom”; Kate Mulgrew, “Orange is the New Black”; Kate McKinnon, “Saturday Night Live”

Outstanding Supporting Actor in a Comedy Series: Fred Armisen, “Portlandia”; Andre Braugher, “Brooklyn Nine-Nine”; Ty Burrell, “Modern Family”; Adam Driver, “Girls”; Jesse Tyler Ferguson, “Modern Family”; Tony Hale, “Veep”

Outstanding Guest Actor in a Comedy Series: Steve Buscemi, “Portlandia”; Louie C.K., “Saturday Night Live”; Gary Cole, “Veep”; Jimmy Fallon, “Saturday Night Live”; Nathan Lane, “Modern Family”; Bob Newhart, “The Big Bang Theory”

Outstanding Guest Actress in a Comedy Series: Uzo Aduba, “Orange is the New Black”; Laverne Cox, “Orange is the New Black”; Joan Cusack, “Shameless”; Tina Fey, “Saturday Night Live”; Natasha Lyonne, “Orange is the New Black”; Melissa McCarthy, “Saturday Night Live”

Outstanding Drama Series: “Breaking Bad,” “Downton Abbey,” “Game of Thrones,” “House of Cards,” “Mad Men,” and “True Detective”

Outstanding Lead Actress in a Drama Series: Lizzy Caplan, “Masters of Sex”; Claire Danes, “Homeland”; Michelle Dockery, “Downton Abbey”; Julianna Margulies, “The Good Wife”; Kerry Washington, “Scandal”; Robin Wright, “House of Cards”

Outstanding Lead Actor in a Drama Series: Bryan Cranston, “Breaking Bad”; Jeff Daniels, “The Newsroom”; Jon Hamm, “Mad Men”; Woody Harrelson; “True Detective”; Matthew McConaughey, “True Detective”; Kevin Spacey, “House of Cards”

Outstanding Supporting Actress in a Drama Series: Christine Baranski, “The Good Wife”; Joanne Froggatt, “Downton Abbey”; Anna Gunn, “Breaking Bad”; Lena Headey, “Game of Thrones”; Christina Hendricks, “Mad Men”; Maggie Smith, “Downton Abbey”

Outstanding Supporting Actor in a Drama Series: Jim Carter, “Downton Abbey”; Josh Charles, “The Good Wife”; Peter Dinklage, “Game of Thrones”; Mandy Patinkin, “Homeland”; Aaron Paul, “Breaking Bad”; Jon Voight, “Ray Donovan”

Outstanding Guest Actor in a Drama Series: Dylan Baker, “The Good Wife”; Beau Bridges, “Masters of Sex”; Reg E. Cathey, “House of Cards”; Paul Giamatti, “Downton Abbey”; Robert Morse, “Mad Men”; Joe Morton, “Scandal”

Outstanding Guest Actress in a Drama Series: Kate Burton, “Scandal”; Jane Fonda, “The Newsroom”; Allison Janney, “Masters of Sex”; Kate Mara, “House of Cards”; Margo Martindale, “The Americans”; Diane Rigg, “Game of Thrones”

Outstanding Reality-Competition Program: “The Amazing Race,” “Dancing with the Stars,” “Project Runway,” “So You Think You Can Dance,” “Top Chef,” and “The Voice”

Outstanding Structured Reality Program: “Antiques Roadshow,” “Diners, Drive-Ins and Dives,” “MythBusters,” “Shark Tank,” “Undercover Boss” and “Who Do You Think You Are?”

Outstanding Unstructured Reality Program: “Alaska: The Last Frontier,” “Deadliest Catch,” “Flipping Out,” “Million Dollar Listing New York,” “Wahlburgers” and “Wild Things With Dominic Monaghan”

Outstanding Host For A Reality Or Reality-Competition Program: Betty White, “Betty White’s Off Their Rockers”; Tom Bergeron, “Dancing With The Stars”; Jane Lynch, “Hollywood Game Night”; Heidi Klum & Tim Gunn, “Project Runway”; Cat Deeley, “So You Think You Can Dance”; Anthony Bourdain, “The Taste”

The Rise and Fall of the 4th of July Box Office

posted by jtotey
Universal

Universal

It is a firmly held belief that Steven Spielberg’s Jaws was the beginning of the summer movie blockbuster trend. Before 1975, movies were not considered a big draw during the summer months. That all changed on June 20th of that year when Jaws was released. Over the years, the benchmark to reach for big ticket sales was over the 4th of July weekend. For a while, it even appeared that in order to have a successful blockbuster opening on the 4th, you would need Will Smith to have a starring role. He has appeared in five of the biggest summer hits.

Reports from all over are suggesting that this last weekend’s sales were down 40% from last year. Some are blaming the lower numbers on the weather, however, beautiful weather has not kept moviegoers from seeing such hits as Independence Day  or Spider-Man in years past. Even some of Hollywood’s worst bombs did fairly well on 4th of July weekend. This isn’t to say that all financially successful films are good. Many are just “so-so” or even downright offensive.

This year, the “winner” was the 4th installment of the Transformers series and its second week in for Age of Extinction ($55 million) followed by Tammy ($32 million), 22 Jump Street and Deliver Us from Evil (both about $14 million). Those numbers don’t sound that bad until you compare them to the top 12 of previous years:

Transformers: Dark of the Moon  is the top grossing 4th of July movie of all time. (Universal)

Transformers: Dark of the Moon is the top grossing 4th of July movie of all time. (Universal)

1              Transformers: Dark of the Moon – $97,852,865 (2011)

2              Spider-Man 2 – $88,156,227 (2004)

3              Despicable Me 2 – $83,517,315   (2013)

4              Transformers – $70,502,384         (2007)

5              War of the Worlds – $64,878,725 (2005)

6              The Twilight Saga: Eclipse – $64,832,191  (2010)

7              Hancock – $62,603,879 (2008)

8              The Amazing Spider-Man – $62,004,688  (2012)

9              Superman Returns – $52,535,096 (2006)

10           Men in Black II – $52,148,751 (2002)

11           Men in Black – $51,068,455 (1997)

12           Independence Day – $50,228,264 (1996)

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