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In “Alex Cross,” Tyler Perry is called upon to: show devastating grief, show incendiary fury, make threats, throw punches, and take over a part played twice on screen by Morgan Freeman.  He is not up to any of those things. […]

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Tyler Perry’s films frustrate critics and commentators, who are bothered by the awkward mash-ups of high melodrama and low humor and by what many people think is an exaggerated and biased portrayal of men as abusive, neglectful, incompetent, and/or disloyal. […]

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Tyler Perry’s movies are review-proof. Not just because he does not let critics see them before they are released, knowing that his audience won’t care about reviews, but because they do not lend themselves to the usual kind of analysis. […]

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Tyler Perry’s latest film is more traditional and with a more consistent tone than his “Medea” movies, but it has his trademark trio: sincerity, spirituality, and story. And if he passes on that other “s” — subtlety, that’s all right. […]

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