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“Spotlight” is about the ultimate betrayal of trust from an institution that literally represented the Word of God to many people. And it is about whether we will continue to have institutions that serve the essential function of monitoring the […]

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Didactic and unabashedly manipulative, “Southpaw” borrows from almost every boxing movie ever made. It telegraphs every development and then, in case we missed it, tells us what just happened. The dialogue is purplish and melodramatic. The filmmaking is self-consciously arty, […]

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Writer/director Cameron Crowe presents us with an attractive and talented but messy and compromised hero in “Aloha,” and asks us to root for him. The problem is that the film itself is attractive, talent-filled, messy, and compromised, and harder to […]

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Richard Curtis perfected the art of the 21st century romantic comedy in “Four Weddings and a Funeral,” “Notting Hill,” and “Love Actually.”  They were witty and sophisticated and had posh British accents that made them seem twice as witty and […]