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Slate’s Heather Schwedel notes that Rachel McAdams has now appeared in four movies where her job is to sweetly (well, one of them not so sweetly) stand by as the man in her life travels through time, while she herself […]

If they ever give a Best Supporting Prop Oscar, it should go to Doctor Strange’s Cape of Levitation, the most endearing magical implement/sidekick since Sorceror Mickey’s brooms in “Fantasia.” And if they ever give out a Best Superhero Movie Producer […]

“Spotlight” is about the ultimate betrayal of trust from an institution that literally represented the Word of God to many people. And it is about whether we will continue to have institutions that serve the essential function of monitoring the […]

Didactic and unabashedly manipulative, “Southpaw” borrows from almost every boxing movie ever made. It telegraphs every development and then, in case we missed it, tells us what just happened. The dialogue is purplish and melodramatic. The filmmaking is self-consciously arty, […]

Writer/director Cameron Crowe presents us with an attractive and talented but messy and compromised hero in “Aloha,” and asks us to root for him. The problem is that the film itself is attractive, talent-filled, messy, and compromised, and harder to […]

I love Cameron Crowe movies, and this looks like one of the best.

Richard Curtis perfected the art of the 21st century romantic comedy in “Four Weddings and a Funeral,” “Notting Hill,” and “Love Actually.”  They were witty and sophisticated and had posh British accents that made them seem twice as witty and […]

More than halfway through the year, we have not seen a single high-profile romantic comedy.  Once a reliable staple of the cineplex, the “we know they are destined to be together before they do” movie starring America’s sweethearts like Meg […]

I wonder if Rachel McAdams has a sense of deja vu — this feels a lot like “The Time Traveler’s Wife.”  And a lot like “Groundhog Day.”  But, coming from the guy who wrote “Notting Hill” and “Love Actually,” it […]

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