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Why why why why why make the popular series for children into a PG-13 movie? Why emphasize that decision in the very first scene with a crude joke about bovine body parts? Why drag the origin story on for an […]

If you go to see “Why Him?” you will ask yourself, “Why Me?” Some of the people behind “Meet the Parents” had the idea of basically making the same movie all over again. Of course they made it all over […]

“We’ve been following the drugs to get to the bad guys. What if we follow the money?” That simple suggestion from FBI undercover agent Bob Mazur (Bryan Cranston) led to an unprecedented massive series of arrests that brought down key […]

Bryan Cranston plays federal agent Bob Mazur in this fact-based story. He goes deep undercover in 1986 to infiltrate Pablo Escobar’s drug trafficking operation. John Leguizamo plays his impulsive colleague and Diane Kruger plays a rookie agent posing as his […]

The only panda more “aw-worthy” than Po (Jack Black), is the National Zoo’s Tian Tian rolling in the snow.  In this third outing, the roly poly martial arts hero is still kind, humble, brave, and wiser than he knows. And, […]

Jay Roach is best known for wild comedies like the Austin Powers and “Meet the Parents” films, but he also directed the sharp, fact-based political films “Recount” (about the Bush-Gore election) and “Game Change” (about Sarah Palin) for HBO. He […]

The post-WWII era was one of great relief and great fear. The Nazis had been defeated, but at the cost of bringing into the world the horror of atomic weapons. It was a certainty that the next war would be […]

Screenwriter Dalton Trumbo’s acclaimed career comes to a crushing halt in the late 1940s when he and other Hollywood figures are blacklisted for their political beliefs. Directed by Jay Roach, Trumbo recounts how Dalton used words and wit to win […]

Bryan Cranston plays Dalton Trumbo, the brilliant screenwriter whose experiences during the McCarthy era inspired some of the greatest movies ever made about freedom. Trumbo was blacklisted but continued to write screenplays by having them attributed to “fronts,” men who […]