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Washington Post critic Ann Hornaday has a thoughtful piece about the violence in two end-of-the-year western-style frontier stories, “The Revenant,” from the director of last year’s Best Picture “Birdman,” Alejandro González Iñárritu and Quentin Tarantino’s “The Hateful Eight.” Both “The […]

Washington Post movie critic Ann Hornaday wrote a brave and very moving essay about being a writer sustained by Christian faith and how that affects the way she approaches all films and especially those with religious themes. As a critic, […]

Washington Post movie critic Ann Hornaday has a very good piece in today’s paper about video on demand.  Like Ann, I would much rather see a movie in a theater.  The experience of taking the actual journey to a special […]

I like Ann Hornaday’s piece in the Washington Post about ambiguous endings. In “The Film Snob’s Dictionary,” writers David Kamp and Lawrence Levi cheekily chart out the differences between Movies and Films (“It’s a Movie if it’s black-and-white because it’s […]

The Washington Post’s Ann Hornaday has a terrific year-end round-up about an unusual trend in 2010 movies, tough teen girls. From gritty dramas like “Fish Tank” and “Winter’s Bone” to ultra-violent fantasies like “Kick-Ass” and “Let Me In” (both starring […]

Ann Hornaday has a marvelous article in the Washington Post about one of the most popular themes in movies: weddings. And why shouldn’t Hollywood love a good wedding? With its swirl of heightened emotions, its simmering leitmotifs of love and […]

Ann Hornaday has a fascinating article in the Washington Post about the impact that an editor has on a film. You’ve heard the expression “the cutting room floor?” That comes from the days when film editors used real scissors and […]