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THE ULTIMATE HANNAH MONTANA MOVIE QUIZ!
Sweet niblets! Think you know Miley and her new movie better than anyone in the world? Well, put yourself to the test with this ultimate Hannah Montana: The Movie quiz. These questions are toughies, so make sure you brush up on your film knowledge before you put pen to paper. Good luck!hannah_montana_the_movie31.jpg
ROUND ONE: MOVIE MANIA!
These questions are all about Miley’s mega musical movie. Ready, set, go…
QUESTION ONE
Who is the first Hannah Montana character to appear on screen at the start of the film?
QUESTION TWO
What’s the name of the first song Hannah sings at the opening concert?
QUESTION THREE
What’s the name of the British tabloid magazine trying to get a big scoop on Hannah?
QUESTION FOUR
Which famous TV star has a fight with Hannah over a pair of shoes?
QUESTION FIVE
What is written on the sign above the entrance to Lilly’s birthday party?
QUESTION SIX
On which pier is Lilly’s party held?
QUESTION SEVEN
What color is Lilly’s skateboarding helmet?
QUESTION EIGHT
What color is the top layer of Lilly’s birthday cake?
QUESTION NINE
True or False? The drums at Lilly’s party are pink.
QUESTION TEN
What song does Hannah sing at Lilly’s party?
QUESTION ELEVEN
What’s the name of the town where Miley grew up in the movie?
QUESTION TWELVE
What animal can be heard when Hannah touches down in Tennessee?

Molly Ringwald has a touching tribute to John Hughes in today’s New York Times. While she had not spoken to the very private writer-director for 20 years, she and co-star Anthony Michael Hall spoke on the phone about the way he had influenced and inspired them both.

I still believe that the Hughes films of which both [Anthony Michael Hall] and I were a part (specifically “Sixteen Candles” and “The Breakfast Club”) were the most deeply personal expressions of John’s. In retrospect, I feel that we were sort of avatars for him, acting out the different parts of his life — improving upon it, perhaps. In those movies, he always got the last word. He always got the girl.

Ringwald gave one of the best performances of the 1980’s in “Sixteen Candles” as the girl whose family was so caught up in her sister’s wedding that they forgot her birthday. At a time of life when most people are protective, internal, and very concerned about looking cool, Hughes coaxed her to show her vulnerability but also to create a character who knew who she was. Ringwald writes about how he gave her confidence.

John saw something in me that I didn’t even see in myself. He had complete confidence in me as an actor, which was an extraordinary and heady sensation for anyone, let alone a 16-year-old girl. I did some of my best work with him. How could I not? He continually told me that I was the best, and because of my undying respect for him and his judgment, how could I have not believed him?

Thanks to Laine Kaplowitz for bringing this to my attention.

The full trailer premieres before “Bandslam” this Friday!

Slate has put together a magnificent compilation of some of Meryl Streep’s best accents but what I think of when I watch this is the astonishing range of the performances behind them. It is almost impossible to imagine that it is the same person playing the steely nun, the Holocaust survivor, the Australian mother accused of killing her child, the Danish writer, the barfly. Look at the difference between her portrayals of two women with Irish accents, one Irish, one Irish American. The stunning achievement of her performance as Julia Child is not the accent, or even her ability to appear to add six inches of height, but the way she creates a complete and true character within the larger-than-life and very caricature-able personal characteristics so familiar to so many people. It is a clever trick of writer/director Nora Ephron to include in “Julie & Julia” a clip of Dan Ackroyd’s “Saturday Night Live” parody of Child’s television persona as a compelling contrast to the subtle and endearing character Streep is able to create from the same raw material. Charlie Rose had a marvelous interview with Ephron and Streep about the film, where Ephron said that two of the movie’s best moments, so immediate and effective that both appear in the trailer, were both improvised by Streep. I was also very interested that Streep said she found it liberating when she decided her job was not to re-create the actual historical figure of Julia Child but to portray Child the way she was seen by blogger Julie Powell half a century later. This enabled her to bring in to the portrayal not just Child’s mannerisms but Streep’s own mother’s expansive and generous sense of joy.