Advertisement

Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

The Age of Adaline
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for a suggestive comment
Release Date:
April 24, 2015

 

Cake
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language, substance abuse and brief sexuality
Release Date:
January 24, 2015

The Water Diviner
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for war violence including some disturbing images
Release Date:
April 24, 2015

 

Big Eyes
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014

Monkey Kingdom
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

New in Theaters

grade:
B

The Age of Adaline

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for a suggestive comment
Release Date:
April 24, 2015
grade:
B-

The Water Diviner

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for war violence including some disturbing images
Release Date:
April 24, 2015
grade:
B+

Monkey Kingdom

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015

Advertisement

New to DVD

pick of the week
grade:
B+

Cake

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language, substance abuse and brief sexuality
Release Date:
January 24, 2015
grade:
B+

Big Eyes

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014
grade:
B+

Wild

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

Advertisement

The Family Stone

posted by jmiller
B
Lowest Recommended Age:High School
MPAA Rating:Rated PG-13 for some sexual content including dialogue, and drug references.
Movie Release Date:2005
DVD Release Date:2006
B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for some sexual content including dialogue, and drug references.
Movie Release Date: 2005
DVD Release Date: 2006

If you believe the previews or have seen the poster of an aggressively extended and bejeweled ring finger, then you might presume that “The Family Stone” is going to be a light-hearted romp of a comedy. Boy brings home uptight girl to meet his kooky and free-spirited family, amusing and embarrassing behavior follows, family and girl all learn important lessons about one another, then the movie ends on a wacky but upbeat note.

No, nope and not even.

There are embarrassments, humorous moments and lessons here as well as some physical gags, but the movie is a much more ambitious work that jumps all over the emotional spectrum before settling on quirky tear-jerker.


Meredith (Sarah Jessica Parker), as tightly wrapped as her hair and as annoying as the constant ringing of her cell phone, tries to hide her insecurities behind a brittle facade of confidence but ends up broadcasting every thought and perceived offense. That might be fine when she is in her element but going to the Stone home for Christmas as the girlfriend of beloved-son Everett Stone (Dermot Mulroney) makes her the square peg in this close-knit family circle. What Meredith doesn’t know is that Stone matriarch Sybil (Diane Keaton, who chomps through this role like it was cotton candy) is ill and that the interloper will make a handy punching-bag on which the family can take out their frustrations.


Stoner and truth-speaker Ben (Luke Owen), bitter Amy (Rachel McAdams), distracted mom Susannah (Elizabeth Reaser) and sunny, deaf Thad (Tyrone Giordano) round out the Stone siblings collected around the catalogue-perfect living room and mellowed by relaxed dad Kelly (Craig T. Nelson). When Meredith manages to offend nearly everyone in the liberal household, she calls in back-up in the form of lovely little sister Julie (Claire Danes who glows sufficiently to compensate for not having much in the way of a character to inhabit).


The strengths of this movie are top-notch performances, several more-than-a-bundle-of-quirks believable characters and plenty of space for the audience to have their own thoughts. Relative newcomer director Thomas Bezucha does a good job framing Diane Keaton’s scene-devouring energy and using an understated Luke Owen as the emotional anchor onscreen. However, these two cannot compensate for the movie’s lack of self-knowledge and forced sentimentality. Like the character of Meredith, the film’s bravado cannot mask a messy soul but should be given respect for showing up and sticking it out.


Parents should know that this movie has mature themes, including the illness of a family member, the projection of anger from something that causes pain to someone on the outside and the hypocrisy implicit in embracing acceptance but rejecting someone who does not think like you. A tender and committed interracial gay couple adopts, leading to discussions of race and sexual orientation that include some remarks interpreted as bigotry. Brothers tussle and try to hurt each other. An emotional character gets into a fender-bender off-screen. A character’s illness is the elephant in the room, about which nobody will speak. A character gets drunk and loses inhibitions, social drinking and references to pot smoking. There is brief profanity.


Families might wish to discuss the different ways the characters have of showing support and understanding, from Sybil’s discussions with Everett related to her mother’s ring to the scenes where Kelly and Sybil are alone. How is your family like — or not like — to the Stones and how would you react to a newcomer to the family who seemed different?


Families looking for more movies that highlight messy familial tensions around holidays might wish to watch the thoughtful Pieces of April, What’s Cooking or Home for the Holidays. Those who wish to see Diane Keaton demonstrating her comedic chops should watch Something’s Gotta Give or Annie Hall.


Thanks to guest critic AME.

The Ringer

posted by jmiller
C+
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for crude and sexual humor, language and some drug references.
Movie Release Date:2005
DVD Release Date:2006
C+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for crude and sexual humor, language and some drug references.
Movie Release Date: 2005
DVD Release Date: 2006

The single most interesting aspect of this movie about a man who pretends to be disabled so that he can compete in the Special Olympics is that the movie was made in cooperation with and with the endorsement of the Special Olympics organzation, and 150 Special Olympics athletes appear in the film.


Unfortunately, the story of how the movie got made is much more interesting than the formulaic story of the movie itself. Steve (Johnny Knoxville), a nice non-disabled guy who needs money to help someone get an operation pretends to be “high-functioning developmentally disabled” to compete in the Special Olympics. He assumes that as a former high school track athlete, he will have no trouble winning, so that his gambler uncle (Brian Cox) can win a huge bet, paying off his own gambling debts and getting the money for the operation. Of course Steve (1) learns that he is the one with the more serious disabilty, and (2) meets a very pretty volunteer at the Special Olympics (Katherine Heigl as Lynn). You know the rest.


The one thing that is not formula in this movie is its portrayal of the developmentally disabled athletes as loyal, dedicated, smarter than most people think, and very funny. While the non-disabled people in the movie are often clueless, inept, or corrupt, the Special Olympians are on to Steve almost immediately, and they don’t just out-smart him; they out-nice him, too. They become the first real friends he has ever had.


This aspect of the movie provides some fresh and funny moments, but too much of the film is taken up with sub-par “jokes” like Steve’s uncle registering him for the competition under the name of a notorious serial killer and a man having three of his fingers cut off in a lawnmower. The developmentally disabled cast members show considerable charm, especially Edward Barbanell as Steve’s roommate, Billy. Barbanell contributed the movie’s funniest line and delivers it with exquisite comic timing. But a lackluster script and charm-free performances by Knoxville and Cox don’t do justice to the Special Olympians in the story or in the cast. Furthermore, despite its best intentions, the use of non-disabled actors to play disabled characters in many of the key roles gives the film an air of condescension that is never fully overcome. I’m glad the Special Olympians have been recognized in a mainstream Hollywood movie; I just wish it was the movie they deserved.

Parents should know that the movie has some crude language and crude humor, including getting hit in the crotch. Characters drink (scenes in a bar) and smoke (Steve’s uncle is constantly chewing on a cigar).
Families who see this movie should talk about friends and family members with disabilties and how to prevent prejudice against them.

Families who enjoy this movie will also enjoy an old movie called Miss Tatlock’s Millions, in which a man pretends to be a long-lost heir who is developmentally disabled so that he can get the money. They will also enjoy Stuck on You (some mature material), directed by the Farrelly brothers, who produced this film. They cast disabled performers in all of their movies and the credit sequence in Stuck on You has a lovely speech by one of them about how much the experience meant to him. A scholarly article from Disability Studies Quarterly explores the portrayal of disabled people in the Farrellys’ movies.

Families who see this movie should talk about what Steve learned from his experience and why.

Families who want to learn more about how this movie was made can read this report from the magazine of the Special Olympics organization and this statement from the heads of the organization about what they hoped the film would accomplish:

“Laughing at a person and laughing with a person are very different forms of humor, and it is our belief that this comedy will give audiences the chance to laugh with Special Olympics athletes while appreciating their joy and wisdom. Equally importantly, we believe that the stigmas presented in the early scenes of the movie will be seen as folly by the end of The Ringer. Many of us know all too well how hurtful insensitive words can be. Special Olympics hopes people seeing the movie will be inspired to reach out to people with intellectual disabilities and say, to quote Special Olympics athlete Troy Daniels, ‘Come sit by me’ – a simple gesture that reflects a world of acceptance and mutual respect.” The Special Olympics, founded by Eunice Shriver, the sister of President John F. Kennedy, now serves more than 1.7 million developmentally disabled athletes in more than 200 programs in more than 150 countries.

Rumor Has It

posted by jmiller
F+
Lowest Recommended Age:High School
MPAA Rating:Rated PG-13 for mature thematic material, sexual content, crude humor and a drug reference.
Movie Release Date:2005
DVD Release Date:2006
F+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for mature thematic material, sexual content, crude humor and a drug reference.
Movie Release Date: 2005
DVD Release Date: 2006

In the savage satire The Player, actor/screenwriter Buck Henry makes a hilarious pitch for a sequel to The Graduate, something of a savage satire itself, though cloaked in the garb of a romantic fantasy of rebellion and authenticity. The thing about Henry’s pitch is that no one wants to see a squel to The Graduate; it is such a patently stupid idea that it is funny to see him try to pitch it.


I would love to see a movie of the pitch that got this sort-of-sequel made, one of the very worst ideas for a movie since they decided to try to make a horror movie about rabbits.


So, here’s the pitch — a young woman named Sarah (Jennifer Anniston) discovers on the eve of her sister’s wedding that the movie The Graduate was inspired by her own family. Before her parents got married, her mother briefly ran away with a young man in her class at school named Beau Burroughs (Kevin Costner) who had had an affair with her mother (Sarah’s grandmother, played with bite by Shirley Maclaine). Sarah decides that Beau must be her biological father, so she flies to San Francisco to meet him. When it turns out he was not her father, she becomes the third generation in her family to sleep with him. And when her fiance (Mark Ruffalo) finds out about this, he is not happy.


I want to take a shower just writing those words. I wanted to take two showers watching it on the screen.


In other words: Ew.


Ew. Ew. Ew.


There is actually something very twisted about all of this and perhaps John Waters could make it work, but Rob Reiner directs it as though it was a very traditional light romantic comedy, albeit one with overtones of incest and jokes about testicular injuries.


Plus, it has a lot of annoying logical inconsistencies. For example, Sarah, a journalist, instantly recognizes the very obscure name of the author of the book The Graduate (Charles Webb) but registers nothing about the name of one of the wealthiest dot.com entrepreneurs at the height of the boom era? The movie is also set in the 1990’s (to make the timing work with the publication of the book), but makes no use whatsoever of the era except to put in random details like big cell phones and television clips of President Clinton. A character has an anxiety attack on an airplane for no purpose other than to have her back home again and then, as soon as we no longer need her, she is somehow all better. No one behaves in a way that makes any sense, even within the genre of farce, which means no one is worth caring about. It’s a terrible shame to waste some of the most talented light-comedy performers in Hollywood on a script that is not just not funny, not just not engaging, but downright gross.


Parents should know that this is a movie that presents a man’s sexual encounters with three generations of women in the same family as material, including infidelity to a husband and two fiances as material for a light-hearted comedy. Characters use some strong language. They drink (including getting drunk) and there is a reference to drug use.


Families who see this movie should talk about why Sarah did not feel more connected to her father and sister and what Jeff saw in Sarah that made him want to be with her.

Families who enjoy this movie should watch The Graduate. They might also enjoy 40 Carats.

Fun With Dick and Jane

posted by jmiller
B-
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for brief language, some sexual humor and occasional humorous drug references.
Movie Release Date:2005
DVD Release Date:2006
B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for brief language, some sexual humor and occasional humorous drug references.
Movie Release Date: 2005
DVD Release Date: 2006

The first “Fun with Dick and Jane” was the popular reader that millions of first graders used to sound out words like “Oh” and “Run!” Dick and Jane were perfect suburban children in an idealized world of smiling parents, sunny lawns, and purring kittens.


The second Fun with Dick and Jane was a satire that introduced us to a married couple who were victims of the economic recession so decided to turn to a life of crime. Its most memorable scene had the couple’s lawn being repossessed — it was rolled up and carted away.


And now we have the third version, updated for the post-dot.com bubble, post-Enron era. This time, Dick (Jim Carrey) works for a huge conglomerate that “consolidates media properties.” Jane (Tea Leoni) is a travel agent. Dick is overjoyed to receive a sudden promotion to Vice President for Communcations until, in his first day on the job, he is appears on a television program to announce the company’s projected earnings, only to be attacked by Ralph Nadar because the CEO (Alec Baldwin) has been secretly selling his stock and the company is under investigation for financial shenanigans. The company tanks. Soon, Dick and Jane are failing at various efforts to earn money, and finally — the lawn repossessed and living off of all-you-can-eat buffets and visits to the soup kitchen, they take up a life of crime. See Dick steal. See Jane drive the getaway car.


In corporate terms, here is the movie’s balance sheet: On the asset side we have two exceptionally talented and attractive performers in Carrey and Leoni. His loopy physical humor in the rendition of “I Believe I Can Fly” in an elevator and the portrayal of a marionette are perfectly matched by her more understated but equally precise comic timing. Further assets are some sly pokes at contemporary life — Dick and Jane have a son who speaks with a Spanish accent (like the nanny) — and some surreal detours (as when Jane signs up as a guinea pig for a new beauty treatment that goes very wrong and when Dick tries to get work as an illegal immigrant and is deported).

On the liability side is a script that relies too much on easy jokes like silly costumes and expects us not to notice that, for example, Dick and Jane are completely incompetent as crooks (hello, fingerprints?). If they had just had to rely in some way on the skills they had learned on the job — if they had just been clever instead of lucky, this would have been a better, funnier movie.


But if it isn’t an Enron-style spectacular failure of a 2005 holiday comedy (that would be Rumor Has It…) it has enough smiles in it to keep the family feeling cheerful. Dick and Jane are still fun to be around.

Parents should know that this is a movie in which some characters feel a sense of entitlement, in part because they feel cheated and stolen from, that they believe justifies stealing from others. There is brief strong language, and the movie includes sexual references and non-explicit sexual references. Characters drink and one abuses alcohol to help numb his feelings.


Families who see this movie should talk about the corporate scandals listed at the end, including WorldCom, Enron, Adelphia, HealthSouth, Global Crossing, and Tyco. What is the difference between a corporate crook and a bank robber? What will Dick and Jane do next?


Families who enjoy this movie will also enjoy the original, starring Jane Fonda and George Segal and Woody Allen’s Take the Money and Run.

Previous Posts

Trailer: The Little Prince
The beloved book The Little Prince has been gorgeously animated, with voices including Jeff Bridges, James Franco, and Rachel McAdams.  I love this trailer. [iframe frameborder="0" width="480" height="270" ...

posted 8:00:24am Apr. 26, 2015 | read full post »

Trailer: Samuel L. Jackson is the President in "Big Game"
https://www.youtube.com/watch?v=DKThy0cipVA ...

posted 8:00:34am Apr. 25, 2015 | read full post »

Trailer: Song from the Forest
https://www.youtube.com/watch?v=ekirhw2MMwQ I was delighted to see that there is a documentary about Louis Sarno, whose work I have admired since I saw the wonderful film Oka! directed by Lavinia ...

posted 8:00:43am Apr. 24, 2015 | read full post »

The Age of Adaline
Be careful what you wish for.  You think it would be great to stay 29 forever?  Adaline (Blake Lively) finds out that it is not great to become unstuck from time, to watch everyone you love grow old and die, to hurt those you care about ...

posted 5:59:10pm Apr. 23, 2015 | read full post »

The Water Diviner
Before it detours into not one, not two, but at least three preposterous Hollywood twists, "The Water Diviner" is an absorbing drama about ...

posted 5:58:54pm Apr. 23, 2015 | read full post »

Advertisement


Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.