Movie Mom

Movie Mom

Movie Mom™


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Fury
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for strong sequences of war violence, some grisly images, and language throughout
Release Date:
October 17, 2014

 

Moms' Night Out
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating:
Rated PG for mild thematic elements and some action
Release Date:
May 9, 2014

St. Vincent
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated PG-13 For mature thematic material including sexual content, alcohol and tobacco use, and for language
Release Date:
October 17, 2014

 

Earth to Echo
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating:
Rated PG for some action and peril, and mild language
Release Date:
July 3, 2014

Dear White People
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language, sexual content and drug use
Release Date:
October 17, 2014

 

Snowpiercer
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for violence, language and drug content
Release Date:
July 2, 2014

X2: X-Men United

posted by rkumar
A-
Lowest Recommended Age:4th - 6th Grades
Movie Release Date:2003

It’s bigger, badder, and better than the first one, but in essence, what I said the first time applies to this one, too:


Let’s get right to the point. Extremely cool special effects? Check. Highly overqualified actors bringing Shakespearian line readings to comic book dialogue? Check. Highly attractive young stars bringing sensational bodies to skin-tight costumes? Check. Really fun action sequences, at least one involving a national landmark? Check. Just the right balance of irony, self-awareness, and oh, what the heck, check your brains at the door, grab some popcorn and let’s just go with it? Check. And did I mention the extremely cool special effects? Check!!

In other words, this is the summer movie for teenagers and anyone who’d like to pretend to be one, which is just what summer movies are all about.

This time it is the ubiquitous Brian Cox (of “Adaptation,” “The 25th Hour,” “The Ring,” and “The Rookie” in 2002 alone) as Colonel Stryker who wants to wipe out the mutants. Stryker and his soldiers invade the school run by wise and benevolent mutant Professor Xavier (Patrick Stewart). They capture Xavier and some of the students. Stryker plans to use Xavier’s brain and the machine he developed to track down and destroy every mutant.

Meanwhile, Magneto (Ian McKellan) is in an enormous plastic prison, unable to use his powers because they require metal. The way metal is smuggled into him is highly original, to say the least. Once he is out, he has to work with Xavier’s mutants (the X-Men), his former enemies, to defeat Stryker.

This movie is all about the action, so it seems unfair to quibble about the fact that there are so many characters it is hard to include them all in anything meaningful, giving parts of the movie the feel of a prolongued introduction. The fans of the comics want to see every character up on the screen, and the movie tries to make it happen. But the result is that it is hard for people who are not familiar with the stories to keep everyone straight or develop much of a commitment to any of them. Halle Berry and Anna Paquin in particular are still criminally underused. The most memorable character is Mystique, played by Rebecca Romjin-Stamos, who is so good that she can even act under all that blue paint and those sequin-like scales. Alan Cummings is a welcome addition as Nightcrawler, but his German accent and Biblical references seem out of place and attracted some laughter from the audience. This is handled with more sensitivity in the comic books, where he is portrayed as a devout Catholic.

Parents should know that the movie has intense and graphic comic-book-style violence, including injury and death of characters. There are some mild sexual situations and references.

Families who see this movie should talk about the way the story uses the fights over the mutants as a metaphor for struggles over racism and other forms of bigotry. What are some of the real-life examples most like the debates over the mutants? Which characters and which powers are most appealing to you? They may also want to discuss the sacrifice one character makes to save the others.

Families who enjoy this movie should see the first one and they should read the comics as well as some of the classic comics that inspired them. It used to be that only comic books could create the kinds of fantasy stories that included superpowers and other worlds, and the comics of the 1930’s-40’s have some of the most imaginative and striking images ever created. They were an important influence on the movies, which did not catch up to them until the development of computer graphics in the 1990’s.

Families who like this movie will also enjoy other comic book-based movies like the “Batman” series and “Spiderman.”

The Real Cancun

posted by rkumar
D
Lowest Recommended Age:Mature High Schooler
Movie Release Date:2003

This is not your parents’ spring break. There is no sign of Gidget at the bump-and-grind dances or the topless-but-for-whipped-cream contest. The bands on stage are singing lyrics explicit to a different order of magnitude than those of the Beach Boys. However, as with any ode to spring break, certain features seem timeless, including the boozy fumes and the fog of pheromones that float down from the screen in a palpable haze. Even for the genre, “The Real Cancun” seems as thin as the bikini straps worn by sunburned girls, an unreal little peep show which will leave some viewers with hangovers and others with a longing for the responsibility-free days of young adulthood.

In line with its other successful “real” –i.e. unscripted— shows including “Road Rules” and “Sorority Life”, MTV is aiming at its key 18 – 25 year old male demographic with a sensory overload of attractive youths seeking the ultimate party. As with its “Real World” series, “The Real Cancun” involves filming “real” people –meaning attractive, insecure youths, not actors—in everyday situations such as tropical locations where they are forced to interact with carefully selected roommates and the resulting antics are craftily edited for greatest effect. In this case, the cushy location is a color-saturated, beach-front hotel, sporting the most tolerant of cleaning staffs, and the lovely, young strangers are filmed in almost every aspect of their lives (bathrooms are thankfully off limits but everything else is pretty much laid out) for the duration of their showy but finally forgettable spring break.

The days of non-stop filming have been reduced to a handful of vignettes about who is going to sleep with whom. If there is a main character, it is the geeky, sober Alan who –thanks to peer pressure— finds booze and then a girlfriend, as he takes on a new, more confident personality like a modern day Sandra Dee transforming from bobby socks to black leather at the end of Grease. While there is quite a bit of raw, often unintentional, humor in laughing at their antics, the hangover of the movie comes from the sour aftertaste of watching people getting genuinely hurt by one another.

In this place where belly buttons are the shot glasses of choice and it is usually enough to know someone’s first name before having sex, “The Real Cancun” reminds everyone over the age of 24 that they are no longer invited to the party, but that it is the same party that has existed since the invention of the teenager. Ninety minutes of partying with these 16 college-age kids will be enough to send most parents home with a hangover and a strong desire to send their kids to labor in the fields during all future spring breaks.

Parents should know that this movie has a alcohol-content level high enough to make the audience feel drunk. Characters rely heavily upon alcohol, with several individuals doing things while under the influence that they clearly would not do under other circumstances. The movie does not show what must have been the other effects of all that drinking, skipping the vomiting and hangovers for the more voyeur-friendly hooking-up and suggestive dancing.

Parents should know that sex is a major theme of this movie and that the camera follows several couples into the bedroom to record their activities. While many movies have explicit scenes of couples who are acting, there is a notable line being crossed here, where the audience is watching actual intercourse albeit thinly veiled under a blanket.

Families who see this movie should talk about why peer pressure can be an influence on an individual no matter what age they are. Also, they might discuss how insecurities often make us act in a way that overcompensates for a weakness that we see in ourselves. Some of the individuals in this movie are callow, selfish and superficial, hurting those around them while preying on the insecurities of others. Who are the people in this movie who seem to be happy with themselves? Which people make choices that you respect?

Families who enjoyed this movie might be interested in MTV’s “Real World” series or their annual coverage of “MTV’s Spring Break”. For those who would like to visit (or revisit) the college party scene, movies like “Animal House” and “Back to School” provide lots of laughs with no hangover. And for those who would like to think about how far we have come (or how far we have fallen) it might be fun to take a look at the original spring break movie, “Where the Boys Are.”

It Runs in the Family

posted by rkumar
C+
Lowest Recommended Age:Mature High Schooler
Movie Release Date:2003

You keep hoping for this movie to be better than it is. But it never is.

I wanted to like it a lot. First, I am a sucker for family dramas, where people confront each other for not saying “I love you” enough and withholding approval and everyone cries and hugs and learns lessons. But the real reason I wanted this to work was the story behind the movie. Not only do Oscar-winning father and son Kirk and Michael Douglas star (as a father who does not say “I love you” enough, etc. etc. and the son who was wounded by him, etc. etc.), but the cast also includes grandson Cameron Douglas (as the son/grandson) and even mother-of-Michael, grandmother of Cameron and ex-wife of Kirk Diana Douglas, playing the mother/grandmother. Wouldn’t it be great if this was up there with such other family productions as “Prizzi’s Honor” or even “On Golden Pond?” But instead it is impossible to leave the theater without thinking that it would have been much more satisfying to see a documentary about the making of the film than to watch the movie itself.

The Douglas family plays members of the Gromberg family, who do not communicate very well. Michael Douglas is Mitchell, now working at the law firm his father co-founded, but with no heart for the corporate work. He is happier working at a soup kitchen and organizing a rent strike. When another volunteer at the soup kitchen makes a pass at him, he is conflicted but almost willing to become involved with her. His wife Rebecca (Bernadette Peters) is a therapist, warm and loving but they are not connecting as much as they both need to. Their son Asher (Cameron Douglas) is a slacker, failing in college and selling marijuana. Their younger son, Eli (Rory Culkin) does not feel that he can talk to his parents. Instead of telling them that he needs more allowance, he prints off a spreadsheet showing them his expenses.

Kirk Douglas plays the family patriarch, who, like the actor who portrays him, is recovering from a stroke and has impaired speech. But what really impairs his communication is his irascible nature.

Michael Douglas is clearly enjoying himself, and brings a great warmth to his performance. His son Cameron cannot act and has little star quality, but Michael himself wasn’t much better in his “Streets of San Francisco” days, so he may deserve another chance. The real star of the movie is Michael’s on and off-screen mother, Diana, who brings a marvelous elegance and humor to her role. When she dances with her husband, there is real history between them, magnificently so.

The script is terribly weak. It has the requisite ingredients for a family story, including the death of not one but two family members, a family holiday celebration (Passover), and grandfatherly advice that pays off surprisingly well. It keeps going off in too many different directions including a do-it-yourself Viking funeral that is completely batty.

Parents should know that the movie has a lot of mature material for a PG-13, including sexual situations and references. There is one casual sexual encounter in which a girl introduces herself to the boy just as they are about to go to bed together. An older brother nags his 11-year-old brother about kissing (or more) the girl he likes. A grandfather gives his grandson tips about seducing a girl. An adulterous encounter is halted because someone comes into the room. A character uses and deals in drugs, and characters turn to alcohol to numb their feelings.

Families who see this movie should talk about why it was so hard for the people in this family to talk to each other, even though many of them wanted to. How do different families communicate in different ways?

Families who enjoy this movie will also enjoy “I Never Sang for My Father,” “The Holly and the Ivy” and some of the other movies with Kirk and Michael Douglas, especially their Oscar-winning performances in “Spartacus” and “Wall Street.”

Raising Victor Vargas

posted by rkumar
A+
Lowest Recommended Age:Mature High Schooler
Movie Release Date:2003
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