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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Tomorrowland
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating:
Rated PG for sequences of sci-fi action violence and peril, thematic elements, and language
Release Date:
May 22, 2015

 

American Sniper
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
R for strong and disturbing war violence, and language throughout including some sexual references
Release Date:
January 16, 2015

I'll See You in My Dreams
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated PG-13 for sexual material, drug use and brief strong language
Release Date:
May 22, 2015

 

Strange Magic
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for some action and scary images
Release Date:
January 23, 2015

Mad Max: Fury Road
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for intense sequences of violence throughout, and for disturbing images
Release Date:
May 15, 2015

 

Mortdecai
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for some language and sexual material
Release Date:
January 23, 2015

New in Theaters

grade:
B+

Tomorrowland

Lowest Recommended Age:
4th - 6th Grades
MPAA Rating:
Rated PG for sequences of sci-fi action violence and peril, thematic elements, and language
Release Date:
May 22, 2015
grade:
B+

I'll See You in My Dreams

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated PG-13 for sexual material, drug use and brief strong language
Release Date:
May 22, 2015
grade:
B+

Mad Max: Fury Road

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for intense sequences of violence throughout, and for disturbing images
Release Date:
May 15, 2015

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New to DVD

pick of the week
grade:
B+

American Sniper

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
R for strong and disturbing war violence, and language throughout including some sexual references
Release Date:
January 16, 2015
grade:
C

Strange Magic

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for some action and scary images
Release Date:
January 23, 2015
grade:
D

Mortdecai

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for some language and sexual material
Release Date:
January 23, 2015

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The Bourne Ultimatum

posted by Nell Minow
B+
Lowest Recommended Age:High School
MPAA Rating:Rated PG-13 for violence and intense sequences of action.
Movie Release Date:August 3, 2007
DVD Release Date:December 11, 2007
B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for violence and intense sequences of action.
Movie Release Date: August 3, 2007
DVD Release Date: December 11, 2007

There is not much story here. The set-up was two movies ago, when a man with a gunshot wound was fished out of the water. He had no memory but when it came to the tricks of the spy trade, he had mad skills. Now, three movies later, he is beginning to put it all together and that is something that the bad guys do not want and will do anything to stop. So, the whole movie is just cat and mouse — that is, if the cat and mouse were equipped with some serious ordnance, the combat skills of an Ultimate Fighting Champion, and the resilience of The Terminator. This movie has no pretence of being about anything but the action scenes. Fortunately, the action scenes are choice.

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Harry Potter and the Order of the Phoenix

posted by Nell Minow
B+
Lowest Recommended Age:Middle School
MPAA Rating:PG-13 for sequences of fantasy violence and frightening images.
Movie Release Date:July 11, 2007
DVD Release Date:December 11, 2007
B+
Lowest Recommended Age: Middle School
MPAA Rating: PG-13 for sequences of fantasy violence and frightening images.
Movie Release Date: July 11, 2007
DVD Release Date: December 11, 2007

Everything is changing again for Harry Potter. Back when Hagrid explained to him for the first time at age 11 that his parents had not died in a car crash but in a battle with an evil wizard and that he was not an ordinary muggle but a wizard himself, Harry first began to learn that the world was not what he thought. Those lessons become more painful this time as in the fifth chapter of his saga he learns that the father he has idealized may not have been everything he thought, that the girl he has idealized may not be everything he hoped, that sometimes life is not fair and grown-ups can be cruel or unwilling to listen or unable to help him. In other words, Harry is 15 and that means that most of the time he is confused or angry or both.


Oh, and Voldemort is back, and stronger. Harry is getting stronger, too, but is he strong enough?

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Washington Area Film Critics pick Coen Brothers movie

posted by Nell Minow

The Washington, DC Area Film Critics Association (WAFCA) today announced its selection of the gritty thriller No Country for Old Men as Best Film of 2007. In total, the Miramax/Paramount Vantage film won four awards including Best Director for Joel Coen and Ethan Coen, Best Acting Ensemble and Best Supporting Actor for Javier Bardem.
Earning his first accolade from WAFCA, George Clooney was named Best Actor for his intense portrayal of an ethically challenged lawyer in Warner Brothers’ Michael Clayton, while Julie Christie was awarded Best Actress for her heartbreaking turn as an Alzheimer’s patient in Lionsgate’s Away From Her.
“In the year of the big-budget sequel, The Coen Brothers, Clooney and Christie proved a well-written, expertly directed and amazingly acted movie is just as important to filmgoers as special effects and loud explosions,” said Tim Gordon, president of WAFCA.
In other categories, Disney/Pixar’s uproarious and inspiring Ratatouille was named Best Animated Feature, and Paramount’s macabre tale of vengeance, Sweeney Todd: The Demon Barber of Fleet Street, was honored for Best Art Direction.
Amy Ryan walked away with Best Supporting Actress kudos for her show-stopping performance in Gone Baby Gone. Meanwhile, Juno’s Ellen Page was awarded Best Breakthrough Performance for her acerbic portrayal of a pregnant teen in Juno.
The Washington, DC Area Film Critics Association is comprised of thirty-nine DC-based film critics from television, radio, print and the internet. Voting was conducted from December 8 – 9, 2007.
Best Film: No Country for Old Men/Miramax & Paramount Vantage
Best Director: Joel Coen and Ethan Coen (No Country for Old Men)
Best Actor: George Clooney (Michael Clayton)
Best Actress: Julie Christie (Away From Her)
Best Ensemble: No Country for Old Men/Miramax & Paramount Vantage
Best Supporting Actor: Javier Bardem (No Country for Old Men)
Best Supporting Actress: Amy Ryan (Gone Baby Gone)
Best Breakthrough Performance: Ellen Page (Juno)
Best Adapted Screenplay: Aaron Sorkin (Charlie Wilson’s War)
Best Original Screenplay: Diablo Cody (Juno)
Best Animated Feature: Ratatouille/Disney & Pixar
Best Foreign Language Film: The Diving Bell and the Butterfly/Miramax
Best Documentary: SiCKO/The Weinstein Company
Best Art Direction: Sweeney Todd: The Demon Barber of Fleet Street/Paramount

More thoughts on “The Golden Compass”

posted by Nell Minow

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Very worthwhile readings on “The Golden Compass” and the controversy:
In the LA Times, Laura Miller talks about the emailed claims that author Philip Pullman is anti-relgion.

Snopes lists this particular rumor as “true,” presumably because the e-mails use a few genuine, if cherry-picked, quotations from Pullman’s writings and press interviews. But that doesn’t keep the whole thing from being fundamentally ridiculous.
Most preposterous, of course, is the idea that anyone would make a $180-million movie with the purpose of tricking children into reading a seditious book. What self-respecting kid ever needed that much encouragement to ferret out whatever the adults are trying to hide?
Also — whoops! — no one’s been hiding “His Dark Materials.” To date, 15 million copies of Pullman’s books have been sold worldwide. “The Golden Compass” won not only the 1995 Carnegie Medal, a prize awarded by British children’s librarians, but also the “Carnegie of Carnegies,” as the public’s favorite book in the prize’s 70-year history. The final novel in the trilogy, “The Amber Spyglass,” won the Whitbread Book of the Year award in 2001, the first children’s book ever to do so. It’s safe to say that copies of the trilogy reside in every decent children’s library in the nation. If there is indeed a “deceitful stealth campaign” afoot to lure children to Pullman’s books — as William Donohue, spokesman for the Catholic League, insists — it’s remarkably short on stealth….I first met Pullman in England, at an annual lecture sponsored by a trust dedicated to the furthering of religious education. I buttonholed Simon Pettitt, an Anglican priest and the trust’s chairman, to marvel at this; his counterparts in the United States, I said, would never have invited a figure like Pullman to speak at a flagship public event. And yet, Pettitt is no renegade. Rowan Williams, the archbishop of Canterbury, has enthused about “His Dark Materials” and participated in an onstage discussion with Pullman when a stage version of “His Dark Materials” was produced by the National Theatre in London.
“In America,” I told Pettitt, “religious groups gain political advantage and rally their followers by presenting themselves as embattled. Actually listening to the other side is tantamount to admitting you’re not really being persecuted.” With a look of mild pity, he replied, “In order to come to views, you don’t just listen to people you agree with. Education is a good thing, and, therefore, so is openness to different views.”
Although Pullman has some vehement detractors among Britain’s Christians, the liberal clergy there have more often valued his books for tackling the great questions of existence: life, death, morality and humanity’s role in the universe. They regard his fiction as a springboard for discussion, the kind of discussion that does sometimes lead people to embrace God. They recognize him not as an enemy but as an ally in a society increasingly colonized by the vapid preoccupations of consumer culture.

And the Economist’s UK magazine More Intelligent Life has an interview with Pullman. He talks about his experiences as a teacher of middle-school-age children and how that helped him develop the character of 12-year-old Lyra. And he talks about his reaction to the fundamentalists who call him anti-religious:

Pullman says that people who are tempted to take offence should first see the film or read the books. “They’ll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence. It’s very hard to disagree with those. But people will.”
How will he respond to those attacks? “A soft answer turneth away wrath, as it says in my favourite book.” (Proverbs 15:1.) So he won’t argue back? “It’s a foolish thing for the teller of a story to answer critics. If you’re putting forward an argument, you can argue back and demonstrate why your argument is better than theirs. But if someone doesn’t like a story you’ve written, what are you going to say? ‘Well, you should’?”

And here Jeffrey Overstreet, who reviews movies for Christianity Today Movies, gives his view:

He’s not really undermining Christian belief as he thinks he is; he is undermining the abuse of authority, something altogether contrary to the gospel.
No, don’t be afraid. The gospel will survive the publishing phenomenon of Pullman’s trilogy, His Dark Materials, without so much as a scratch. It’s not worth getting all worked up about it.
If Pullman’s work shakes up people’s faith, then their faith was poorly developed to begin with.

Overstreet also refers readers to two other reviews from Christian critics, Steven D. Greydanus and Peter T. Chattaway.

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