Advertisement

Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Grandma
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015

 

Iris
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015

We Are Your Friends
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015

 

Aloha
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015

Z for Zachariah
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

 

Big Game
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

New in Theaters

grade:
B+

Grandma

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015
grade:
B-

We Are Your Friends

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015
grade:
B+

Z for Zachariah

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

Advertisement

New to DVD

pick of the week
grade:
B+

Iris

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015
grade:
B

Aloha

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015
grade:
B

Big Game

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

Advertisement

J.K. Rowling’s Harvard Speech

posted by Nell Minow

One of my favorite authors spoke about one of my favorite subjects when Harry Potter author Joanne Rowling addressed the graduating class at Harvard University. rowlingspeech.jpg Many commencement speakers urge the new graduates departing from the ivory tower to succeed in the real world, but Rowling encouraged them to fail and not to neglect the importance of fantasy.

I have wracked my mind and heart for what I ought to say to you today. I have asked myself what I wish I had known at my own graduation, and what important lessons I have learned in the 21 years that has expired between that day and this.

I have come up with two answers. On this wonderful day when we are gathered together to celebrate your academic success, I have decided to talk to you about the benefits of failure. And as you stand on the threshold of what is sometimes called ‘real life’, I want to extol the crucial importance of imagination.

Graduates are usually applauded for their achievements, but Rowling advised the hyper-performing graduates that it is a mistake to measure success or failure based on grades and awards. She was frank about the pain of her own failures and about what she learned from them.

Continue Reading This Post »

Movie Mom on The Takeaway

posted by Nell Minow

My brief podcast review of “Sex and the City” appears on The Takeaway, a co-production of WNYC Radio and Public Radio International, in collaboration with The BBC World Service, New York Times Radio and WGBH Boston.

The Happening

posted by Nell Minow

happening.jpgHere’s a spooky story: a talented storyteller mesmerizes his audience and then loses his way in a thicket of self-regard so that no matter how hard he tries, each of the stories he tells becomes less powerful than the one before.

M. Night Shyamalan is one of the most talented film-makers working today. But he seems to be running out of ideas. He still knows how to use a camera brilliantly and he is still a master of images that are disturbing in an intriguing way. But so much of this movie seem greatest hits cut and pasted from his other, better films, as generic as the title (anyone else here humming the Supremes song?). There is a train as in “Unbreakable.” There is a scene in a schoolroom as in “The Sixth Sense.” A child is important to the story as in “The Sixth Sense” and “Signs.” Like “Signs” there is a scary scene with characters trapped in a beautiful old house in a remote location.

“There appears to be an event happening.” All at once, without warning, people in New York City’s Central park become disoriented and then self-destructive. They begin to kill themselves. Bodies come hurtling from the girders of a construction project. A cop pulls out his gun and kills himself. Others grab the gun lying near his body to shoot themselves with the remaining bullets. Have terrorists released toxins into the air? Is it some kind of alien attack? No one knows.

In Philadelphia, high school science teacher Elliot Moore (Mark Wahlberg) is called out of class. The students are being sent home. He and his best friend Julian (John Leguizamo), a math teacher, decide it will be safer away from the city. Julian’s wife is out of town but will meet up with them. Elliot’s slightly estranged wife Alma (Zooey Deschanel) comes along but insists on sitting alone. Then, in the middle of nowhere, the train stops. “We’ve lost contact,” the conductor tells them. “With whom?” “Everyone.”

Julian goes in search of his wife, leaving his shy daughter with Elliot. And so Elliot, Alma, and the little girl go on the run, not knowing anything about what it is they are running from or where they are running to.

Many of the individual scenes deliver. Shyamalan knows how to create an eerie mood and when to pepper the story with release, whether a gasp or a laugh. But there is some unintentional humor as Elliot and Alma pause to resolve their marital conflicts, natter about a mood ring, and Elliot tries to make conversation with a potted plastic plant. The talented Wahlberg and Deschanel do their best but cannot make much of an impression with cardboard characters and clunky exposition. Wahlberg manages some warmth now and then but Deschanel has little do to but open her eyes wide. Those blue eyes seem to be Shyamalan’s favorite special effect. The exposition is intrusively inserted and clumsily handled. And in the last half hour, just as things should be ramping up, all of the air rushes out like a stuck balloon. Shyamalan does not always have to deliver a twist, but he does have to deliver an ending better than this one.

Parents should know that this movie has a good deal of violence, some graphic, multiple suicides, shooting death of teenagers, mauling by an animal, some grisly images of wounds and dead bodies, disturbing themes including the deaths of hundreds of people, and brief strong language. There is a sexual joke and there are some mild references to infidelity.

Family discussion: Julian has to make a very difficult choice between protecting his wife and protecting his daughter. What were the reasons for the decision he made and do you agree? What other choices made by the people in this movie seemed right or wrong to you?

If you like this, try: Alfred Hitchcock’s “The Birds,” the classic thriller “Invasion of the Body Snatchers” (the original and first remake) and M. Night Shyamalan movies “The Sixth Sense” and “Signs”

Daddies on YouTube (Soulja Boy)

posted by Nell Minow

Every so often a dance comes along that is just tricky enough to take a little practice but with individual steps simple enough that anyone can do it. Think “Macarena.” Soulja Boy’s eponymous song and dance is in that category and I have been charmed by the way it has inspired an entire category of YouTube videos of dads doing the dance for their kids. Some of the videos are posted by teenagers who think it is funny to see their dads try to be cool. But if you watch them you can see that these are dads who know that what really is cool is jettisoning any sense of dignity to make your children laugh. There is even a group of YouTube videos showing brides dancing with their fathers to tender songs about love and leaving home and then breaking into duo versions of “Soulja Boy” together. You go, Dad!

Previous Posts

Worst Accents in Movies
Thanks to Indiewire for including me in this great rundown of the all-time worst movie accents. Critics vented frustration and fury, many picking Quentin Tarantino and Dick van Dyke, but I went with two actors who played Robin ...

posted 2:13:18pm Aug. 28, 2015 | read full post »

Grandma
Lily Tomlin is cranky, feisty, tough, and utterly irresistible in this story of a grandmother who has to visit past decisions about her own life in order ...

posted 5:50:55pm Aug. 27, 2015 | read full post »

We Are Your Friends
Director Max Joseph brings some of the "Catfish" sensibility to "We Are Your Friends," with an intimate, documentary feel and a storyline ...

posted 5:35:22pm Aug. 27, 2015 | read full post »

Z for Zachariah
In 1959, a movie called The World, The Flesh And The Devil imagined a post-apocalyptic world with three surviving humans. In the words of the 1960's television series, "The Mod Squad," they could be described as "one black, one white, one ...

posted 5:31:48pm Aug. 27, 2015 | read full post »

Being Evel
Evel Knievel was an international celebrity in the 1960's-70's, known for three things: showmanship, stunts that succeeded, and stunts that failed. He was recognized for jumping over 19 cars in his motorcycle, for crash-landing after trying to ...

posted 5:13:51pm Aug. 27, 2015 | read full post »

Advertisement


Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.