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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Southpaw
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, and some violence
Release Date:
July 25, 2105

 

Home
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015

Paper Towns
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some language, drinking, sexuality and partial nudity -- all involving teens
Release Date:
July 25, 2015

 

The Second Best Exotic Marigold Hotel
Lowest Recommended Age: High School
MPAA Rating:
Rated PG for some language and suggestive comments
Release Date:
March 6, 2015

Pixels
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some language and suggestive comments
Release Date:
July 24, 2015

 

The Longest Ride
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some sexuality, partial nudity, and some war and sports action
Release Date:
April 10, 2015

New in Theaters

grade:
B

Southpaw

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language throughout, and some violence
Release Date:
July 25, 2105
grade:
B+

Paper Towns

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some language, drinking, sexuality and partial nudity -- all involving teens
Release Date:
July 25, 2015
grade:
C-

Pixels

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some language and suggestive comments
Release Date:
July 24, 2015

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New to DVD

pick of the week
grade:
B+

Home

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015
grade:
B+

The Second Best Exotic Marigold Hotel

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG for some language and suggestive comments
Release Date:
March 6, 2015
grade:
C

The Longest Ride

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for some sexuality, partial nudity, and some war and sports action
Release Date:
April 10, 2015

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While We’re On the Subject of Disabilities

posted by Nell Minow

The disability advocates who are picketing “Tropic Thunder” should take a look at “The House Bunny.” It is a much more worthwhile target for their complaints. In that movie, the title character becomes the house mother for a sorority of dorks and losers. She transforms them all with a little mascara, some skimpy clothes, and some tips on how to talk to boys. A few free drinks and an “Aztec virgin sacrifice” party blow-out later, and they’re the most popular girls on campus. One of characters is a young woman wearing a brace for scoliosis, played by Rumer Willis, daughter of Bruce Willis and Demi Moore (far right in the photo).house bunny.jpg The movie also includes a character whose only characteristic is being very short, another defining condition played only for laughs. You can see only a portion of her arm in this publicity photo, which tells you everything you need to know about the role she plays in the movie.
As usual with a disabled character like the girl in the brace, the disability is her only characteristic and we never learn anything else about her. SPOILER ALERT: Incredibly, the plot resolution for this character is that the brace simply falls off of her as she runs (like “Forrest Gump”), with a little help from the former bunny. It turns out she has not needed the brace for four years but kept it on because she was shy. Instead of taking the opportunity to show us a disabled character who is comfortable with her disability and is able to have a full life of studies and friends, the movie implies that no one can be popular and confident with a back brace.

Interview: Jodi Benson of ‘The Little Mermaid’

posted by Nell Minow

It was a great pleasure to speak again with Jodi Benson, the voice of Ariel in “The Little Mermaid.” jodi.jpg Jodi returns to the role for a new DVD called “The Little Mermaid: Ariel’s Beginning,” in stores this week.
Tell me a little bit about the new DVD and what it was like to return to the character you created for the original film.
This story is about the essence of who she is when she is a little girl from age five to the original movie. it has the backstory of her mother, father, sisters, her issue with her mom, all of her relationships. It’s great to do this again because it’s in my blood. It’s been 20 plus years. Throughout the time in between the movies I have worked on a lot of a products, the princess DVDs, singalongs and story books, so she gets to live on between the years. Its nice that there’s not a huge lapse for me, but you really get to delve into it when it’s a movie. The people at Disney really gave their hearts to this project so that made it extra special for me.
How were you cast in the original film?
I was doing a Broadway show called “Smile” in 1984. It closed very quickly, which was quite sad for everybody. But [writer-lyricist] Howard Ashman had established this relationship with Disney — Mickey Mouse came to the opening night party — and they invited all the girls in the cast to audition for “The Little Mermaid.” It was kind of like a consolation prize, About a year to a year and half later I got a call that my tape had been selected. I had never done voiceover work before, but Howard told them, “She won’t be difficult.” It was challenging because I had to learn to use the microphone correctly. I was nervous the first couple of days. He really directed me through the project like it was a stage show.
Little_Mermaid.jpg
I know your spiritual life and religious devotion are very important to you and your family.
I am a follower of Jesus. My husband really brought me to the Lord when I was 18 and I am so lucky to have a platform through the studio. They have been so kind and loving and supportive. I homeschool so the start of the day is reading Bible scripture, memorization and prayer. It is the number one thing in our lives for our family. It sends us every way. That makes it less pressure for me because I don’t have that stress, knowing I am just led by the Lord. We have tried to make our lives a blessing and tried to be an open vessel to pour out whenever the Lord gives us the opportunity. When I share a song or walk the red carpet, I always say, “let us do the loving thing.” My husband has a gift for reaching out to people in need. I always look over and see him connecting to someone who needs to talk or needs some support. The important thing is telationships, making connections, loving on them. We live in a broken world and we are here to help it heal.
Is there a passage of scripture that is especially significant for you?
John 15:5 — “I am the vine; you are the branches. If a man remains in me and I in him, he will bear much fruit; apart from me you can do nothing.” It is so true. I can’t sing, perform, do anything apart from Christ. I have no power or strength of my own. The scripture for this week is Psalm 46:10 — “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth.” That is such a good thought for where I am right now.

Miss Pettigrew Lives for a Day

posted by Nell Minow
B+
Lowest Recommended Age:High School
MPAA Rating:Rated PG-13 for some partial nudity and innuendo.
Movie Release Date:March 7, 2008
B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for some partial nudity and innuendo.
Movie Release Date: March 7, 2008

miss%20pettigrew.jpgA delicious retro romp about a failed nanny who finds her true calling when she transforms the life of a flighty singer, this film is designed around two fabulously entertaining stars, Frances McDormand and Amy Adams.
McDormand is Miss Pettigrew, who begins her day fired from her umpteenth nanny position and with absolutely no prospects. When the placement agency refuses to send her on another interview (“She found you rather difficult and that is, I am afraid, a recurring theme”), Miss Pettigrew steals the address of a prospective employer and shows up to find herself immediately in the midst of complete chaos. Delysia (as in Delicious) Lafosse (Amy Adams) is a singer who is currently involved with three different men. One of them is asleep in her bed, and another is on his way over. Miss Pettigrew’s calm demeanor, resourcefulness, and ability to think fast in a crisis make her immediately indispensable to Delysia, who rewards her with a makeover.

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What Happens in Vegas…

posted by Nell Minow
C
Lowest Recommended Age:Mature High Schooler
MPAA Rating: Rated PG-13 for some sexual and crude content, and language,including a drug reference.
Movie Release Date:May 9, 2008
DVD Release Date:August 26, 2008
C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for some sexual and crude content, and language,including a drug reference.
Movie Release Date: May 9, 2008
DVD Release Date: August 26, 2008

A romantic comedy needs to get us on the side of its couple as individuals and on the side of romance. This one fails by giving us characters so crude and unlikeable that even the star wattage of Cameron Diaz and Ashton Kutcher cannot make us care. Most of the movie centers on their attempts to torture each other during a six-month court-ordered period of living together and marital counseling (from Queen Latifah, whose no-nonsense diagnosis of what is wrong should have been applied to the screenplay). The audience may feel that they are being tortured as Joy (Diaz) and Jack (Kutcher) battle over sweaty socks and whether the toilet seat is left up.

what-happens-in-vegas-photos-032408-10.jpgJoy is humiliatingly dumped by her fiancee (SNL’s Jason Sudeikis) in front of all of their friends. Jack is fired by his father (Treat Williams) for not taking the job seriously. They meet when they both take off for Vegas to get away from their disasters. So, of course, they create an even bigger one. They get completely drunk and wake up the next morning married. They quickly agree to an annulment until they win a $3 million jackpot. A judge (Dennis Miller) orders them to live together (“I sentence you to six months hard marriage”) to try to make the marriage work before he will decide how to allocate the money. And so Joy and Jack scheme to get each other to give up, then to give cause for divorce by cheating. And then, just as they begin to appreciate each other, there is time for one more setback.

Screenwriter Dana Fox was also responsible for “The Wedding Date,” which suffered from a similarly ugly premise. Romantic comedies can be sexy, even naughty, but they have to have a charm and buoyancy that is quickly deflated by crude, gross humor. It makes the main characters unlikeable. There is no reason to believe in either their enmity or their growing affection so we never connect to them or care about the outcome. It is supposed to be endearing that this couple gets blind drunk and gets married, that he pees on the dirty dishes in the sink and removes the bathroom door to annoy her, that she shows a cab driver one breast (she negotiates him down from two) to get a free ride. It is not. It is supposed to make sense that Jack’s vulgar jokes endear him to the executives at Joy’s company. It does not. We are supposed to see why Joy and Jack begin to care about each other. We don’t. It isn’t funny enough and it isn’t romantic enough. In other words, what should have stayed in Vegas is this movie.

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