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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Grandma
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015

 

Iris
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015

We Are Your Friends
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015

 

Aloha
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015

Z for Zachariah
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

 

Big Game
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

New in Theaters

grade:
B+

Grandma

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015
grade:
B-

We Are Your Friends

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015
grade:
B+

Z for Zachariah

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

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New to DVD

pick of the week
grade:
B+

Iris

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015
grade:
B

Aloha

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015
grade:
B

Big Game

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

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The MPAA rating system turns 40

posted by Nell Minow

Defamer revisits the first 40 years of MPAA ratings. In the first days of film there were no ratings or limits. After outcries over the spicy content of some of the early talkies, Hollywood adopted the Hays Code in 1930. The studios agreed to its voluntary but highly restrictive terms not just about sex and language (the only proviso for violence was that it had to be in good taste). But it prohibited portrayals of clergy that made them appear corrupt or foolish and depictions of inter-racial relationships. There are legendary stories of battles over whether Rhett Butler would be allowed to say “I don’t give a damn” in “Gone With the Wind” (he was) or whether Bette Davis could get away with murder in “The Letter” (she wasn’t). And writer-directors like Ernst Lubitsch and Preston Sturges prided themselves on getting past the censors with subtle double entendres.
In November of 1968, MPAA head Jack Valenti created the ratings code at a time of cultural upheaval. The studios wanted to be able to tell stories about and for adults. At first, the ratings were G, PG, R, and X. But when X was appropriated by the porn industry, the MPAA switched to NC-17 (no children under the age of 17). And the PG-13 rating was added after objections to some of the grisly images in the second Indiana Jones film, like the eyeball soup.
Defamer lists some of the ratings system’s worst and most absurd moments, including the R rating for the original “Thomas Crown Affair” based only on a sensual (and fully clothed,ending only with a kiss) chess game and the PG rating for “Facing the Giants” for evangelical themes.
The documentary This Film Is Not Yet Rated documented the failures of the rating system but mostly focused on its secrecy and favoritism in applying the ratings to studio films over independents. Under Valenti’s successor, Dan Glickman, there have been some small improvements.
For me, the most frustrating aspects of the rating system have been the inconsistency of the treatment of material based on whether it is in a comedy or a drama (permitting PG-13 ratings for the extremely raunchy “Austin Powers” films when the same material in a drama would get an “R”), the outright stupidity in the treatment of the f-word (permitted once or twice in a PG-13 as long as it does not refer to sex, a rule you’d need a PhD in semiotics to understand and interpret), and the continual ratcheting-down of the ratings so that what would have received a PG-13 a few years ago now gets a PG. Here’s hoping for many more improvements before its next anniversary.

Tribute: Michael Crichton

posted by Nell Minow

I was very sorry to hear about the loss of author/director Michael Crichton. He was a man of astonishing range and accomplishment. He wrote best-selling novels, including Jurassic Park and the The Andromeda Strain. A graduate of Harvard Medical School, he created the television show ER. He became an accomplished director. One of my favorite of his films was the period heist story The Great Train Robbery. I am also a fan of his non-fiction book Travels, in part because his tireless curiosity and imagination were so engaging. His 1993 essay on the future of media was recently recognized in Slate as stunningly prescient. He was master of entertainment and a fresh and provocative thinker and will be much missed.

Lip Dubs

posted by Nell Minow

As usual, I only find out about something after it has passed from cool and edgy to “so yesterday,” but I think lip dubs are adorable, my favorite viral video project since the complaints choirs.

These are short videos made by people in offices, lip-synching to pop and rock songs. It has to involve a group and appear spontaneous and most of them are made in one bravura continuous take.

Lip dubs have been made by schools and families. Even a movie star or two get into the act:

I love the creativity and spirit and I especially love the way you get a sense of these different office environments. Makes me wish I was still a Cub Scout Den Mother — we would be all over this!

David Thomson’s top 1000 Films

posted by Nell Minow

David Thomson is one writer whose appraisals are as riveting and entertaining as the films and performances he describes. His The New Biographical Dictionary of Film is one of the dozen or so indispensable reference works every film fan needs.

His latest book is “Have You Seen . . . ?”: A Personal Introduction to 1,000 Films. He does not waste time trying to be too specific or consistent about his guidelines (okay, so “Monty Python” and “The Sopranos” are television programs, not movies, they’re still must watching) and thank goodness he does not try to rank anything. That does not mean you won’t find something to argue with. But it does mean that the arguments it sparks will be a lot of fun. Critics are cranky. But crankiness can be a lot of fun. Whether he included or dissed your favorites, it cannot be denied that every movie on his list is worth seeing and every entry in this book is worth reading.

Previous Posts

Worst Accents in Movies
Thanks to Indiewire for including me in this great rundown of the all-time worst movie accents. Critics vented frustration and fury, many picking Quentin Tarantino and Dick van Dyke, but I went with two actors who played Robin ...

posted 2:13:18pm Aug. 28, 2015 | read full post »

Grandma
Lily Tomlin is cranky, feisty, tough, and utterly irresistible in this story of a grandmother who has to visit past decisions about her own life in order ...

posted 5:50:55pm Aug. 27, 2015 | read full post »

We Are Your Friends
Director Max Joseph brings some of the "Catfish" sensibility to "We Are Your Friends," with an intimate, documentary feel and a storyline ...

posted 5:35:22pm Aug. 27, 2015 | read full post »

Z for Zachariah
In 1959, a movie called The World, The Flesh And The Devil imagined a post-apocalyptic world with three surviving humans. In the words of the 1960's television series, "The Mod Squad," they could be described as "one black, one white, one ...

posted 5:31:48pm Aug. 27, 2015 | read full post »

Being Evel
Evel Knievel was an international celebrity in the 1960's-70's, known for three things: showmanship, stunts that succeeded, and stunts that failed. He was recognized for jumping over 19 cars in his motorcycle, for crash-landing after trying to ...

posted 5:13:51pm Aug. 27, 2015 | read full post »

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