I am thrilled to have been asked to attend the Tallgrass Film Festival in Wichita, Kansas, later this month and especially looking forward to spending time with my beloved B98 buddies, Brett and Tracy and am forever grateful to them for making it possible for me to be there.
I am very excited about the line-up of screenings, including a preview look of a work in progress, the documentary “What’s the Matter with Kansas,” based on the best-selling book by Thomas Frank about shifting political priorities and coalitions. The film features former Kansas Congressman and Secretary of Agriculture Dan Glickman, who now serves as the head of the Motion Picture Association of America. And I am really looking forward to introducing the family film program, featuring “Alice Upside Down.”
The program is filled with enticing choices from exotic international releases to heartland American stories. I can’t wait.
According to Entertainment Weekly, Hollywood has figured out that critics are important in helping audiences find good movies that are not pre-sold through familiar characters or special effects. It cites an Advertising Age article that concludes the studios are starting to see a correlation between the disappearance of movie critics from newspapers and the slumping ticket sales for the kind of movies that depend on critics to publicize and champion them — not just art-house movies from independent and foreign-language filmmakers, but also expensive, year-end Oscar hopefuls from the major studios.
The collateral damage may be the closing down of the studio divisions that make quieter, more ambitious films. Just as in nature, it’s a complicated ecosystem and any loss can affect the survival of all.
Thanks very much to all who entered. I wish I had DVD sets for all of you! The winners are:
Send me your addresses at firstname.lastname@example.org and I’ll put them in the mail!
And stay tuned for my biggest contest EVER!
Somewhere inside this Adam Sandler slacker silliness there is a fierce and provocative little satire trying to get out. Sandler is so busy with his usual shtick that at times it seems that even he hardly notices the subversive political humor bubbling up around him.
Sandler plays Zohan, a top Israeli assassin, who can slaughter terrorists with one hand while he scoops hummus with the other. He is commando as rock star, universally admired and adored by all women. But Zohan dreams of peace and hairdressing. He decides to fake his own death and move to the United States where he can spend his days making hair shiny and silky. Soon he has transformed himself with an 80’s haircut and has a job sweeping up hair in a beauty salon on the Palestinian side of the street in a middle Eastern neighborhood of New York and is happily having sex with all of the elderly patrons and his landlady (all-purpose ethnic hot mama Lainie Kazan).
Comedians most often rely on ineptitude at work or with women to get laughs, but Sandler’s characters are often very successful in both. That leaves only gross-outs and silliness for humor, and that is what Sandler gives us, over and over. Lots of jokes about sex with old ladies (who are all thrilled with his prowess), bare tushes (male and female), the consternation of his landlady’s nerdy son over his mother’s unabashed sexual encounters, the ability to withstand pain, made-up euphemisms for sex, random pop star cameos, and of course one of Sandler’s theme moves — a sharp implement being thrust into the body of someone who feels no pain. We’ve seen most of this before.
But the movie also has moments of surreal humor, some remarkably adept and surprisingly understated political satire, and better roles than usual for Sandler’s frequent co-stars John Turturro and Rob Schneider. Its (almost) even-handed jibes at just about everyone are refreshing. Of course the real bad guy is a white American, but the movie’s notion that this is a place where people may hate and do crazy things but they can all agree on the importance of shiny hair, good Chinese food, and the other things that really matter in life is sweetly hopeful. All the crotch-rubbing and hummus humor feels tired and shrill when we see would-be terrorists put on hold from the bomb-building line, cheerfully reassured by the recorded voice that “we will resume service as soon as negotiations break down” or a bunch of enemies interrupting a confrontation to speculate on the, uh, appeal of Hillary Clinton.
The outrageous stereotyping and stereotype tweaking of characters on the basis of race, culture, religion, and nationality may be softened or even sanitized by the content that falls into the “normally offensive” category, the stereotyping and stereotype tweaking of old ladies (sexually voracious or addled, often both), the constant vulgarity, Sandler’s annoying idea of an accent. Or it may be that it is just a distraction that lets the political satire sneak in under the radar. But this glimpse of something a little more ambitious, a little more substantive adds a level of freshness and interest that is a welcome change from Sandler’s increasingly stale snigger-fests.
The Oldest Living Movie Stars The Film Experience has a put together a list of the 200 oldest movie stars, from age 82-105. It includes two-time Oscar winner Olivia de Havilland ("Gone With the Wind"), John Wayne c0-star Maureen O'Hara, and century-old Norman Lloyd, who ...
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You Can Help Support This new Ed Asner Film on Indiegogo https://www.youtube.com/watch?v=YAY_sMucKl4
Ed Asner stars in this new film about a young man who finds a book at his grandmother’s memorial, with a series of fantastical tales that his grandfather wrote for his grandmother. Each is a ...
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