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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Monkey Kingdom
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015

 

Cake
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language, substance abuse and brief sexuality
Release Date:
January 24, 2015

Ex Machina
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015

 

Big Eyes
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014

True Story
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

New in Theaters

grade:
B+

Monkey Kingdom

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015
grade:
A-

Ex Machina

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015
grade:
B

True Story

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

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New to DVD

pick of the week
grade:
B+

Cake

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language, substance abuse and brief sexuality
Release Date:
January 24, 2015
grade:
B+

Big Eyes

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014
grade:
B+

Wild

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

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Can Hatred be Funny?

posted by Nell Minow

Dave Itzkoff of the New York Times has an article in today’s paper about the forthcoming Adam Sandler movie, “Don’t Mess with the Zohan,” about “an Israeli assassin who flees to the United States to become a hairdresser.”

Trailers for the film promise plenty of broad farce, physical comedy and at least one lewd dance routine. What the ad campaign for “Zohan” does not emphasize is that the film also attempts to satirize the continuing tensions between Israel and its Arab neighbors, and provide humorous commentary on one of the least funny topics of modern times with a comedian who is not exactly known for incisive political wit.

Movies have always been more willing to take on sensitive and especially politically incendiary subjects through comedy earlier and more incisively than they have in drama. Two movies that came out the same year were both reactions to the Cold War. Hardly anyone remembers “Failsafe,” the compelling but very earnest dramatic version anymore, but the comedy, “Dr. Strangelove,” is considered a classic. Charlie Chaplin (“The Great Dictator”) and German immigrant Ernst Lubitsch (“To Be or Not to Be”) had the courage to be critical of Hitler while dramatic films like “Watch on the Rhine” were just beginning to catch up.

The Times reports that the filmmakers had a hard time getting ethnically Arab actors to even try out for the film. But the article also says that those who did accept parts engaged in some very frank but friendly exchanges between shots.

[Egyptian-born actor Sayed] Badreya, who was recently seen playing an Afghan terrorist in “Iron Man,” said that by offering Arab or Muslim characters that are in any way divergent from the usual Hollywood stereotypes, “Zohan” is a step in the right direction.

“The movie presents what happened to me,” said Mr. Badreya, who grew up in Port Said, Egypt, during the 1967 and 1973 wars and emigrated to the United States in 1979. “Since it happened to me, it will work for someone like me.”

Mr. Badreya said that the comedy in “Zohan” was not quite evenly divided between ridiculing Arabs and ridiculing Jews. “The jokes are not 50-50,” he said. “It’s 70-30. Which is great. We haven’t had 30 for a long time. We’ve been getting zero. So it’s good.”

From the trailer, it appears that the movie creates some humor from gender stereotypes and that it casts longtime Sandler friend Rob Scheider, whose ethnic background is part European-Jewish and part Filipino, as an Arab, providing even more opportunities for offense — and comedy.

Baderya said he was persuaded to try out for the part by his daughter, a fan of Sandler’s films. That may be the most hopeful sign of common ground of all.

Meerkat Manor returns!

posted by Nell Minow

Meerkat Manor: The Next Generation” starts on Animal Planet June 6. And tonight, families can prepare by watching “Meerkat Manor: The Story Begins,” a feature film narrated by Whoopi Goldberg about the early story of Flower, before she became the Manor’s famous first lady, from her birth and early years as a young, inexperienced meerkat to a family leader, guiding her mob (family) in one of the harshest deserts on the planet.

As with March of the Penguins and other nature documentaries, some of the harsh realities of life and death are confronted by these wonderfully alert little creatures. Parents should be prepared to talk to children about these issues and about the way that the meerkat mob (a community of families) works together to take care of each other.

Red Band Trailers

posted by Nell Minow

Most movie trailers shown in theaters are “green band” trailers. Even though the movies they advertise may be rated PG-13 or R, the trailers themselves have been approved for all audiences by the MPAA Ratings Board, as they make clear with an advisory at the beginning. But there are also “red band” trailers for R films, so called because they begin with a red background, that include mature material. These trailers are only shown before R-rated films, the idea being that since those films are for audiences 17 and older only, there is little likelihood that underage audiences will see them.
Of course, the Internet has changed all of that. Red band trailers are available online with the flimsiest of protections. All anyone has to do to access them is type in a name and birth date that match driver’s license records. A middle-schooler who knows his parents’ birthdays has everything he needs. In some cases, unauthorized versions of the red band trailers are added to blogs and myspace pages without any age restrictions.
This week’s “Saturday Night Live” had a commercial for the R-rated “Tropic Thunder,” starring teen favorites Ben Stiller and “Iron Man’s” Robert Downey, Jr., that invited viewers to access the red band trailer online and conveniently provides the URL.
Parents should make sure that their conversations with older children and young teens about their use of the Internet include discussions of family rules about material like red band trailers.

Is Indy too old? (and what about Marian?)

posted by Nell Minow

My friend and fellow movie critic Christian Toto has a terrific article in Moviemaker about aging actors like Sylvester Stallone (“Rocky” and “Rambo”), Bruce Willis (“Die Hard”), and Harrison Ford (“Indiana Jones”) keeping their franchise series going over the decades.

Some of the recent aging action stars have hedged their bets by injecting their casts with younger stars. “Live Free or Die Hard” featured Justin Long (the Mac guy) to banter with Willis’ hero, and Ford will have teen sensation Shia LaBeouf (“Transformers”) to pal around with this spring.

[Film historian Patricia King] Hanson says today’s stars in general tend to shine longer, if not as bright, as their cinematic peers from earlier eras. Actors who ruled Hollywood in the 1940s all but disappeared as major attractions 30 years later.

Yet the actors who broke through in the 1960s and ’70s, like Jack Nicholson, Clint Eastwood and Robert De Niro, still command above-the-title respect today. Maybe it’s just that today’s actors are savvier about the roles they choose and how they navigate the press gauntlet to keep their names in the public’s mind. Or, offers Hanson, it could be that audiences realize the older stars look more and more like they do.

“I do believe that the demographics of the U.S. population help people accept older stars in action roles,” Hanson says.
One of the highlights of the new movie is the reappearance of Indiana Jones’ best leading lady, Karen Allen as Marian. Allen is 56 years old and has been living in Vermont as a fiber artist. She admitted that as soon as she got the call about being in the movie she went to the gym but she has not had the usual Hollywood “work” done — no Botox, no face lift. She is completely authentic and radiantly lovely.

Previous Posts

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posted 8:00:06am Apr. 20, 2015 | read full post »

The Hobbit: The Definitive Movie Posters
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Ebertfest #3 -- The "Ida" Panel
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posted 8:59:24am Apr. 19, 2015 | read full post »

Movies vs. Science -- The Worst Science Mistakes on Film
The Smithsonian's Air and Space Museum used to have a great little video with a claymation Albert Einstein shaking his head over the many mistakes in sci-fi movies. "They're breaking my rule!" he exclaimed. As the animated genius went on to ...

posted 8:00:59am Apr. 19, 2015 | read full post »

Trailer: Ant-Man
Okay, I admit I was skeptical. I was thinking along the lines of Teeny Little Super Guy from Sesame Street. But I love Paul Rudd, Evangeline Lilly, and Corey Stoll and this trailer has me sold. [iframe width="560" height="315" ...

posted 3:25:31pm Apr. 18, 2015 | read full post »

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