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The Woman in Gold
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some thematic elements and brief strong language
Release Date:
April 1, 2015

 

The Imitation Game
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some sexual references, mature thematic material and historical smoking
Release Date:
November 21, 2014

The Wrecking Crew
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG for language, thematic elements and smoking images
Release Date:
March 27. 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

Home
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015

 

Interstellar
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some intense perilous action and brief strong language
Release Date:
November 7, 2014

American Film Institute competition for young film-makers

posted by Nell Minow

The American Film Institute has invited 13-18-year-olds to submit entries for their ScreenNation website, which will:

– Build an online community of empowered 7–12th grade student filmmakers who give voice to their creativity while sharing ideas and feedback.
– Provide a focused online portal for millions of students using video in creative and educational ways, as well as thousands of schools, and other organizations which support these activities.
– Inspire and support students with instruction, challenges and tips from top movie professionals;
– Provide avenues of recognition for quality work;
– Become the definitive site for young people who create movies in the classroom and beyond;
– Provide educators with a safer online video posting and sharing site that integrates well with the increasing use of video in the classroom and related educational endeavors;
– Provide a tasteful, exciting media site for a select group of sponsors who wish to support the increased use of quality production by young people.

Submissions for AFI ScreenNation’s 1st Challenge Hometown Claim to Fame are being accepted now thru June 30th, with the winner announced July 15th.

The winning video entry will receive a Sony DCR-SR45 ~ HDD Handycam Camcorder w/ 30 GB Hard Disk Drive and Tripod.

Why and when do we pray? — “Then She Found Me”

posted by Nell Minow

Oscar-winner Helen Hunt returns to the screen in the upcoming “Then She Found Me,” adapted from the book by Elinor Lipman. Hunt not only stars — she co-wrote and directed the film, which is about a teacher who tries to cope with the immature husband who abandons her (Matthew Broderick), the sensitive single father of one of her students who cares about her (Colin Firth), the sudden appearance of her biological mother (Bette Midler) after the death of her adoptive parents, and overpowering desire to have a baby.

Hunt’s character, April, is an observant Jew, like her adoptive parents. Her biological mother, Bernice, is not observant in any religion. At the doctor’s office, about to undergo artificial insemination, Bernice suggests that April pray. April refuses. And then, almost unheard of in a Hollywood film (and not in the book, either), the two of them have a private discussion of the meaning and importance of prayer. Do we pray when we feel closest to and most trusting of God or when we feel most lost and bereft? One reason April cannot bring herself to pray at this moment is that it will require her to think about just how much it means to her and to think about the role the connection that God plays in her life. She does not want to think about either. She does not want to give up the notion that this thing she is doing is human — and therefore controllable, not divine. We see for the first time how sensitive Bernice can be and how much she cares about April, how well she understands how much April needs to be more honest with herself about what is going on.

April does pray. But I wonder if the prayer she says is the one a real-life observant Jew would say in those circumstances. I guessed she would say Mishaberach, a prayer of healing, or Shehekianu, a prayer of gratitude and being in the moment. Instead, she says the oldest and holiest of prayers, the Shema. Perhaps the screenwriters use that prayer because it is the most widely recognized. Or perhaps, in her moment of greatest hope and anguish, April would reach back to the first prayer she learned, the one that reminds us that God is One.

The Great Debaters

posted by Nell Minow
B+
Lowest Recommended Age:High School
MPAA Rating:Rated PG-13 for depiction of strong thematic material including violence and disturbing images, and for language and brief sexuality.
Movie Release Date:December 25, 2007
DVD Release Date:May 13, 2008

Great%20Debaters.jpg In 1935, the debate team from a tiny all-black college took on the top white team in the country and they won. This is that story, Oprah-fied to be sure (Winfrey’s company produced the film), but powerfully told by director Denzel Washington, who also stars as the team’s coach, distinguished poet Melvin B. Tolson.

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Mad Money

posted by Nell Minow
C
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for sexual material and language, and brief drug references.
Movie Release Date:January 18, 2008
DVD Release Date:May 13, 2008

What force on earth is strong enough to unite an upper middle class suburban housewife, a poor African-American single mother and a young, spaced-out rock n’ roll fan living in a trailer? Why, the opportunity to steal from the government, of course.
“Mad Money” is a conventional heist comedy about a plot to steal money from the Bureau of Printing and Engraving. Diane Keaton, Queen Latifah and Katie Holmes star as low-level employees of the Bureau who come up with a complicated plan to get around the elaborate security procedures. Working together beneath the notice of government officials, the three women combine their roles to walk off with bags of used money that has been returned to the Bureau to be destroyed. Each of them has a different justification for their decision to steal — a special need or a past injustice that the money will cure. mad_money.jpg

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Previous Posts

April 2015: Movies Opening This Month
Happy April!  Here's what I'm looking forward to in theaters this month.  It's very intriguing that three movies opening in April have themes about eternal

posted 3:37:58pm Apr. 01, 2015 | read full post »

The Woman in Gold
The very title is a form of theft. When Gustav Klimt painted the portrait that gives this film its name, he called it "Portrait of Adele Bloch-Bauer." She was a warm, vibrant young woman who was a vital part of the extraordinary period of intellectual and cultural life in Vienna known as the Sacred

posted 5:58:01pm Mar. 31, 2015 | read full post »

Interview: The Woman in Gold's Simon Curtis and E. Randol Schoenberg
Director Simon Curtis told me, "My last film was My Week with Marilyn, and this one is my century with Maria."  He is referring to "The Woman in Gold," with Helen Mirren as Maria Altmann, who brought a lawsuit to get back the portrait of her aunt Adele, painted by Gustav Klimt, which had been stole

posted 3:37:47pm Mar. 31, 2015 | read full post »

Faith-Based Movie Picks -- The Today Show
In honor of Easter and Passover, the Today Show has some good suggestions for faith-based movies, from the very serious and respectful to the light-hearted.

posted 3:13:29pm Mar. 31, 2015 | read full post »

Another "Star is Born" Movie? Possibly, with Bradley Cooper as Director and Beyonce to Star!
A movie that's already been done three times (at least) may just get yet another remake if the rumors are true that Bradley Cooper will direct and Beyoncé will appear in "A Star is Born."  The original 1937 version, said to be inspired by (among others) the marriage of aging vaudeville star Al Jol

posted 3:54:02pm Mar. 30, 2015 | read full post »


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