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40 years ago today, I watched the very first episode of “Sesame Street” and I have been a big fan ever since. My dad, Newton Minow, helped the show’s creator, Joan Ganz Cooney, get the funding for its first season, and we spent many family dinners talking about how exciting and revolutionary it would be. But what made me fall in love with it on that very first broadcast was how much fun it was, how imaginative, how respectful of its audience.

Here is one of my favorite moments from “Sesame Street.” It still inspires me.

Here’s a classic moment:

And here’s a treat from the new season:

It is every parents’ worst fear. Look away for just a split second and a child is gone. You have to swallow the terror to create a sense of calm for those around you and help you think through the best way to find the child. But it is impossible to keep away from memories of what you have shared and fears about what might have happened.
That is the simple but moving story of The Way Home, with Dean Cain as Randy Simpkins, a loving but often distracted father of three boys whose two-year-old son, Joe, disappears as the family is getting ready to go on a vacation. The very things Randy loved most about his home — its remote setting, the vast surrounding space of woods and ponds — instantly become sources of dread as the hours went by and twilight approached, Joe still not found.
The police arrived, and the news cameras. But so did the entire community as word went out from one church group to another and 400 people showed up to help.
The film is based on the true story of the real Randy Simpkins and his son, Joe, filmed where it actually took place. As a movie, it is uneven — Cain’s performance is at a far higher level than anyone else in the cast. But it is sincerely done and undeniably touching.
I have copies of the DVD to give away to the first two people to write to me at moviemom@moviemom.com with “The Way Home” in the subject line. Don’t forget to include your address!

HBO’s new documentary, premiering on Veteran’s Day, is the story of “the invisible wounds of war.” What we now call post-traumatic stress disorder was once called “shell shock.” Actor James Gandolfini, who produced Wartorn: 1861-2010, speaks to members of the military and veterans of WWII, Viet Nam, Desert Storm, and other conflicts to explore our growing understanding of the emotional and spiritual impact of battle.

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Dorothy Dandridge was one of the most beautiful and talented movie stars of the early 1950’s, a woman of mesmerizing star power as a singer and actress. She was the first African-American woman to be nominated for an Oscar as Best Actress (for Carmen Jones). Like her contemporary, Marilyn Monroe, she was a sex symbol whose own life was filled with loss and betrayal, and she died young of an accidental drug overdose.

On her birthday, let’s remember her at her best, as the fiery Carmen Jones, as the devoted teacher at a segregated school in “Bright Road,” and opposite Sidney Poitier in “Porgy and Bess.” And be sure to see Halle Berry’s magnificent performance in Introducing Dorothy Dandridge, with Bret Spiner as her devoted manager, Earl Mills.