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New in Theaters
  New to DVD

Vacation
Lowest Recommended Age: Mature High Schooler
MPAA Rating:

Release Date:
July 29, 2015

 

Home
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015

Southpaw
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, and some violence
Release Date:
July 25, 2105

 

The Second Best Exotic Marigold Hotel
Lowest Recommended Age: High School
MPAA Rating:
Rated PG for some language and suggestive comments
Release Date:
March 6, 2015

Paper Towns
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some language, drinking, sexuality and partial nudity -- all involving teens
Release Date:
July 25, 2015

 

The Longest Ride
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some sexuality, partial nudity, and some war and sports action
Release Date:
April 10, 2015

New in Theaters

grade:
D

Vacation

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Release Date:
July 29, 2015
grade:
B

Southpaw

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language throughout, and some violence
Release Date:
July 25, 2105
grade:
B+

Paper Towns

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some language, drinking, sexuality and partial nudity -- all involving teens
Release Date:
July 25, 2015

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New to DVD

pick of the week
grade:
B+

Home

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015
grade:
B+

The Second Best Exotic Marigold Hotel

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG for some language and suggestive comments
Release Date:
March 6, 2015
grade:
C

The Longest Ride

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for some sexuality, partial nudity, and some war and sports action
Release Date:
April 10, 2015

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Role Models

posted by Nell Minow
B-
Lowest Recommended Age:Mature High Schooler
MPAA Rating:Rated R for crude and sexual content, strong language and nudity.
Movie Release Date:November 7, 2008
B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for crude and sexual content, strong language and nudity.
Movie Release Date: November 7, 2008

It takes some brains to make a good dumb comedy. Paul Rudd, who has been the best thing in too many films that ranged from dumb, to awful, to wildly uneven, has co-created a film that manages to insult the intelligence of its characters without insulting the intelligence of its audience too badly.

I could have done with less emphasis on the inherent hilarity of hearing an angry little kid use bad language and make sexually precocious comments. And some of the double entendres were so nudge-nudge obvious they were closer to single and a fraction. But some good lines and sharply observed characters make it above average for its genre.

Rudd and Seann William Scott play Danny and Wheeler, who work for a company that sells a soft drink called Minotaur by visiting schools for a phony “don’t do drugs” talk that is really just a way to push their soda. Wheeler wears a Minotaur suit and Danny half-heartedly tells the kids to drink Minotaur instead of doing drugs and then they drive off in their Minotaur-obile. This is all just fine with Wheeler, a walking id who just wants to get high and have sex. But Danny once wanted more from life and when his increasing bitterness causes his lawyer girlfriend to leave him, seeing the Minotaur-obile towed away is just one indignity too many. He objects, leading to arrests, leading to community service at Sturdy Wings, a Big Brother-style place run by a former drug addict (Jane Lynch). Each is assigned a “Little.” Wheeler gets a precocious kid (Bobb’e J. Thompson) who swears all the time and accuses everyone of racism and child abuse. He is also way too fascinated with feminine anatomy, a trait they manage to bond over. And Danny gets Augie (“Superbad” McLovin’s Christopher Mintz-Plasse), a cape-wearing nerd whose life revolves around a Medieval-ish role-playing game

Director David Wain manages the tricky balance between having some fun with the conventions of the genre without getting mean about it. Yes, everyone learns a few lessons about self-respect and relationships (and sword-fighting) but when they do it in medieval role-playing gear inspired by a rock band, it’s a lot of fun to watch. Note, however, that a child actor’s bad language and sexual obsessions are more disturbing than funny and raise serious questions about whether the laws protecting child performers are adequate and adequately enforced.

The MPAA rating system turns 40

posted by Nell Minow

Defamer revisits the first 40 years of MPAA ratings. In the first days of film there were no ratings or limits. After outcries over the spicy content of some of the early talkies, Hollywood adopted the Hays Code in 1930. The studios agreed to its voluntary but highly restrictive terms not just about sex and language (the only proviso for violence was that it had to be in good taste). But it prohibited portrayals of clergy that made them appear corrupt or foolish and depictions of inter-racial relationships. There are legendary stories of battles over whether Rhett Butler would be allowed to say “I don’t give a damn” in “Gone With the Wind” (he was) or whether Bette Davis could get away with murder in “The Letter” (she wasn’t). And writer-directors like Ernst Lubitsch and Preston Sturges prided themselves on getting past the censors with subtle double entendres.
In November of 1968, MPAA head Jack Valenti created the ratings code at a time of cultural upheaval. The studios wanted to be able to tell stories about and for adults. At first, the ratings were G, PG, R, and X. But when X was appropriated by the porn industry, the MPAA switched to NC-17 (no children under the age of 17). And the PG-13 rating was added after objections to some of the grisly images in the second Indiana Jones film, like the eyeball soup.
Defamer lists some of the ratings system’s worst and most absurd moments, including the R rating for the original “Thomas Crown Affair” based only on a sensual (and fully clothed,ending only with a kiss) chess game and the PG rating for “Facing the Giants” for evangelical themes.
The documentary This Film Is Not Yet Rated documented the failures of the rating system but mostly focused on its secrecy and favoritism in applying the ratings to studio films over independents. Under Valenti’s successor, Dan Glickman, there have been some small improvements.
For me, the most frustrating aspects of the rating system have been the inconsistency of the treatment of material based on whether it is in a comedy or a drama (permitting PG-13 ratings for the extremely raunchy “Austin Powers” films when the same material in a drama would get an “R”), the outright stupidity in the treatment of the f-word (permitted once or twice in a PG-13 as long as it does not refer to sex, a rule you’d need a PhD in semiotics to understand and interpret), and the continual ratcheting-down of the ratings so that what would have received a PG-13 a few years ago now gets a PG. Here’s hoping for many more improvements before its next anniversary.

Tribute: Michael Crichton

posted by Nell Minow

I was very sorry to hear about the loss of author/director Michael Crichton. He was a man of astonishing range and accomplishment. He wrote best-selling novels, including Jurassic Park and the The Andromeda Strain. A graduate of Harvard Medical School, he created the television show ER. He became an accomplished director. One of my favorite of his films was the period heist story The Great Train Robbery. I am also a fan of his non-fiction book Travels, in part because his tireless curiosity and imagination were so engaging. His 1993 essay on the future of media was recently recognized in Slate as stunningly prescient. He was master of entertainment and a fresh and provocative thinker and will be much missed.

Lip Dubs

posted by Nell Minow

As usual, I only find out about something after it has passed from cool and edgy to “so yesterday,” but I think lip dubs are adorable, my favorite viral video project since the complaints choirs.

These are short videos made by people in offices, lip-synching to pop and rock songs. It has to involve a group and appear spontaneous and most of them are made in one bravura continuous take.

Lip dubs have been made by schools and families. Even a movie star or two get into the act:

I love the creativity and spirit and I especially love the way you get a sense of these different office environments. Makes me wish I was still a Cub Scout Den Mother — we would be all over this!

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Vacation
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posted 6:44:58pm Jul. 28, 2015 | read full post »

Bugs Bunny Turns 75
https://www.youtube.com/watch?v=kHpXle4NqWI A fascinating look at what made Warner Brothers cartoons work. Surprisingly, within these anarchic worlds, there were a lot of rules. This video has some very thoughtful commentary, including ...

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4 Family DVD Giveaway! A Little Game, Horse Camp, Justin and the Knights of Valor, and An Evergreen Christmas
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