Movie Mom

Movie Mom

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Laggies
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language, some sexual material and teen partying
Release Date:
October 31, 2014

 

Begin Again
Lowest Recommended Age: High School
MPAA Rating:

Release Date:
July 2, 2014

Birdman (The Unexpected Virtue of Ignorance)
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, some sexual content and brief violence
Release Date:
October 24, 2014

 

Wish I Was Here
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some sexual content
Release Date:
July 18, 2014

John Wick
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for strong and bloody violence throughout, language and brief drug use
Release Date:
October 24, 2014

 

Earth to Echo
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating:
Rated PG for some action and peril, and mild language
Release Date:
July 3, 2014

Love in the Time of Cholera

posted by Nell Minow
B-
Lowest Recommended Age:Adult
MPAA Rating:Rated R for sexual content/nudity and brief language
Movie Release Date:November 16, 2007

rlove-cholera.jpg
In the most incongruous mismatch of literature and movie treatment since Demi Moore flounced around in “The Scarlet Letter,” director Mike Newell has taken a lyrical meditation on love, patience, devotion, loss, betrayal, and fever and turned it into a South American version of a Hugh Grant movie. He seems to think it is supposed to be a lightweight romantic comedy. The result is not without its pleasures, but every so often there is something so out of synch, so dissonant that it takes you out of the movie entirely.

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Shrek the Third

posted by Nell Minow
B
Lowest Recommended Age:Kindergarten - 3rd Grade
MPAA Rating:PG
Movie Release Date:May 18, 2007
DVD Release Date:2007

Did you ever wonder what happens to the villains while the hero and heroine are living happily ever after? We get to find out in this third chapter in the saga of Shrek. In the previous episode, Prince Charming failed in his attempt to marry Princess Fiona (voice of Cameron Diaz) and take over the Kingdom of Far Far Away. Now he has been consigned to the vile dust from whence he sprung, unwept, unhonor’d, and unsung. In other words, he’s doing dinner theater.


Meanwhile, over in Far Far Away, Shrek (voice of Michael Meyers) and Fiona are a few happilys short of an ever after themselves. Fiona’s father, the king (voice of John Cleese), transformed back into a frog at the end of the second film, is very ill. And after he, uh, croaks, Shrek and Fiona will have to take over, unless they can find the next in line for the throne, cousin Arthur (voice of Justin Timberlake). And just as the journey to find Arthur begins, Shrek is presented with an even more terrifying new responsibility. He’s going to be a father.


Shrek, Donkey (voice of Eddie Murphy), and Puss in Boots (voice of Antonio Banderas) find Arthur in a terrifying environment filled with pain beyond measure — high school. Meanwhile, Prince Charming and all the other villains decide that they are entitled to some happily ever after, too. Captain Hook, the Wicked Witch, the Cyclops, some enchanted trees, and the rest of the baddies take over Far Far Away capture Fiona and the Queen (voice of Julie Andrews) along with the princesses who are visiting for a baby shower, Snow White, Cinderella, Sleeping Beauty, and Rapunzel (voices of Amy Poehler, Amy Sedaris, Maya Rudolph, and Cheri Oteri). And Prince Charming gets ready to settle things with Shrek once and for all — in front of an audience.


It’s still funny and even a little heartwarming, but it isn’t fresh anymore and — it has to be said — the character of Arthur isn’t very interesting. Because he is at the center of much of the story, for the first time the Shrek saga drags. The new voices and characters add very little. When Regis Philbin joins Larry King as the voice of the ugly step-sisters, there’s a joke about Merlin’s robe not quite covering all it is supposed to, and Donkey and Puss switch bodies, it feels like they’re running out of ideas.


The animation continues to get better and better and the faces are marvelously expressive, especially Arthur’s dimple and the frog king’s…croaking. The fairy-tale high school is a hoot, it is fun to see the princesses learn to rescue themselves, and it is a treat to see how cleverly the film avoids much of the predictable violence. The po-mo humor sensibility continues to stay on the safe side of snarky, though one has to wonder in the midst of all this grrrl power why it is that no one ever thinks of making Fiona the ruler after her father’s death. But by the time Shrek and Arthur are learning that it is okay for them to be themselves, it is starting have that “very special episode” feeling that even a kickin’ rendition of “Thank You (Falettinme Be Mice Elf Agin)” can’t make work and we’re wondering if Shrek wasn’t a little more fun when he was a little more ogre-ish.

Parents should know that, like the earlier films, this one has some mildly mature material, including some schoolyard crude humor (the gingerbread man poops a gumdrop), some potty humor, and a mild drug joke (reference to puffing on “frankincense and myrrh”). There is some cartoon violence and some drinking (scenes in a bar, references to alcoholic drinks). Parents should also know that while the Shrek character is being used by the Department of Health and Human Services to promote healthy eating and exercise, he has also been licensed to promote more than seventy different products, including many different kinds of candy and junk food.

Families who see this movie should talk about why some people might think it is scary to be a parent. Why did Arthur change his mind about Shrek? Do you ever feel that people want you to be something different from what you are?

Families who enjoy this film will also enjoy Shrek and Shrek 2, as well as Ella Enchanted, Hoodwinked, and The Best of Fractured Fairy Tales, Vol. 1 (1961). They will also enjoy books like Outspoken Princess and the Gentle Knight, Tatterhood and Other Tales: Stories of Magic and Adventure, and the original book by William Steig that inspired the series, though its Shrek is not as cuddly.

Best Video Clips: Singing complaints

posted by Nell Minow

Two hilarious You Tube hits put complaints to music.

Complaints Choirs started in Birmingham, England and are popping up all over the world. Here, the Helsinki Complaints Choir combines the universal and the very particular in a hilarious and harmonic tribute to the things that drive people crazy:

(Thanks to Salon’s Broadsheet for the tip.)

And Anita Renfroe became a media sensation with this tribute to mothers set to the tune of the “William Tell Overture” — any mom who has not said everything on this list deserves a whole day without a carpool:

List: Best Movie Hitmen (and Hitwomen)

posted by Nell Minow

In honor of the release of the Coen brothers’ “No Country for Old Men,” Entertainment Weekly created a list of the greatest hired killer characters in movies. As with all lists, it’s a conversation-starter, not ender. Some good choices, of course, especially Jean Reno in “The Professional” and Travolta and Jackson in Pulp Fiction. The choices are classic, I suppose, but a little obvious. Some of the lesser-known movie hitmen who are well worth a look include William H. Macy in Panic and Lee Marvin’s Oscar-winning performance in Cat Ballou.

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Laggies
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Disney's Headless Horseman, Sung by Bing Crosby
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