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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Monkey Kingdom
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015

 

Wild Kratts: Shark-Tastic
Lowest Recommended Age: All Ages
MPAA Rating:
NR
Release Date:

Ex Machina
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015

 

Big Eyes
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014

True Story
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

New in Theaters

grade:
B+

Monkey Kingdom

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015
grade:
A-

Ex Machina

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015
grade:
B

True Story

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

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New to DVD

pick of the week
grade:
B+

Wild Kratts: Shark-Tastic

Lowest Recommended Age:
All Ages
MPAA Rating:
NR
Release Date:
grade:
B+

Big Eyes

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014
grade:
B+

Wild

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

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Nick and Norah’s Infinite Playlist

posted by Nell Minow

There is no question that Nick (Michael Cera) and Norah (Kat Dennings) are destined for True Love. For one thing, they have the same taste in music. Nick is still making mixes for the girl who dumped him (Alexis Dziena as Tris, who doesn’t want Nick but REALLY doesn’t want him to want anyone else) because that is the best way for him to express how he feels. He does not know that Norah snags them because she may not know who he is, but she knows he is her musical soulmate. When Tris threw the most recent one into the trash (“Road to Closure: Volume XII”), Norah retrieved it and loved it.

And they share names with the most adorable couple in the history of movies, Nick and Nora Charles, played by William Powell and Myrna Loy in the “Thin Man” series. Powell and Loy, who appeared together more than any on-screen team in the sound era, were always magic together (I am especially partial to “I Love You Again”), but what made their “Thin Man” couple so unusual was that they were already married when they began. The original Nick and Nora made marriage look like fun; they were better evidence that there is such a thing as happily ever after than a hundred movies that end with a wedding.

This Nick and Norah have a way to go to get to happily ever after, but it is a journey we enjoy taking with them. First, the characters are played by two of the most endearing young performers in films today, Michael Cera (from “Juno” and “Superbad”) and Kat Dennings (“40 Year Old Virgin” and “The House Bunny”). Second, the script is fresh, funny, and real, and third it is superbly directed by Peter Sollett, whose Raising Victor Vargas showed great skill at telling stories about teenagers that feel true, immediate, and intimate.

It all takes place on one night in the small town that is New York City, or at least the part of New York that is cool for high school seniors, who cruise around and run into each other pretty much constantly except when they are trying to find each other. Nick, Norah, Tris and her new date, Nick’s kind-hearted gay bandmates, and Norah’s very drunk friend Caroline (Ari Graynor, whose dazzling smile almost completely de-tawdrifies her character’s situation, even when she’s barfing into a bus station toilet that was already plenty disgusting enough).

The film adroitly sidesteps the expected teen movie cliches. Nick and Norah are tentative about their feelings for one another but they each know who they are and they both have a level of confidence about interacting in the world and understanding what is important to them. I liked the way Norah talked about “tikkun olam,” the Jewish imperative to heal the world.” It is very nice to see a movie character, especially a young one, who draws something meaningful from religion and to see something Jewish in a movie that is not “oy vay,” bagels, or guilt. The movie also draws from the emerging world of cuddle puddles and technological omni-connectedness to move the story forward without being intrusive or showy or trying too hard to be hip. And it beautifully catches the way that falling in love at the same time transforms us and makes us our most authentic selves.

Hollywood’s Inaccurate Portrayal of Religious Practice

posted by Nell Minow

E! Online has a column about Hollywood’s inaccurate portrayal of religious practice. A reader wrote in to complain about the treatment of Mr. Eko, who pretends to be a priest in “Lost.”
According to E!, Tod Tamberg, communications director of the Los Angeles Archdiocese is the man who usually answers Hollywood’s questions about Catholicism ritual, belief, and practice, but no one checked with him about Mr. Eko.
Pretty much every religion offers at least one consultant to keep pertinent films honest. One of them happens to have served as Hebrew coach for an A-list star…But unless Hollywood actively reaches out to such people–and not at the last minute, either–there’s little that religious consultants can do to ensure authenticity.
It was heartening to see the faith-group-produced “Fireproof” do modestly well last weekend, but accurate portrayal of religious practice and sincere faith is rare in Hollywood movies. I was pleased to that in this week’s light teen romantic comedy, “Nick and Norah’s Infinite Playlist,” a character briefly but movingly explains the Jewish tradition of tikkun olam (“healing the world”) as the spiritual purpose of life. It is nice to see something Jewish in a movie that is not bagels, oy vey, or guilt!
For more about the portrayal of religion in the movies, see this bibliography and this religious studies syllabus.

A Month of Halloween Horror from The Movie Boy

posted by Nell Minow

The Movie Boy Dustin Putman knows horror, and he salutes it this month with a new review every day.
For the entirety of October, TheMovieBoy.com will be updated daily with all-new content, including at least thirty-one full-length reviews of horror pictures–a collection of classics, lesser-known gems, and longtime favorites–that I have never previously covered; an additional smorgasbord of fresh (but not necessarily positive) capsule reviews; and an ongoing blog where I will tackle any number of horror-related subjects. Maybe I can help readers come up with ideas on what’s worth watching this October. Or maybe I can help them get in the mood for a holiday filled with ghosts, goblins, costumes, candy, and things that go bump in the night. Either way, the goal is to entertain and inform both die-hard horror fans, as well as the heretofore uninitiated who are interested in taking that first dip into a too-frequently underappreciated category of cinema. And maybe, just maybe, we’ll all (myself included) learn a little something, too.
I am not a horror fan, but Putman’s first choice is perfect, the silent classic Nosferatu. As he says, it may not be the first horror film, but it is the first influential one. It is essentially “Dracula,” but director F.W. Murnau did not want to pay royalties, so they changed the names. The mysterious Max Schreck starred (there is an urban legend that he really was a vampire — amusingly explored in “Shadow of the Vampire” with Willem Dafoe as Schreck) and it is every bit as creepy as any CGI-enhanced state-of-the-art special effects horror movie made today, nearly 80 years later.

Thank You

posted by Nell Minow

The two most powerful words I know are “thank you.” A simple statement of acknowledgment and gratitude transforms the person who says it as well as the person who hears it. If every one of us just added five “Thank yous” to each day we could change the world. So many souls shrivel waiting for some recognition. I love this poem by Jan Struther:

Hard words will break no bones:
But more than bones are broken
By the inescapable stones
Of fond words left unspoken.

Watch this clip by Laura Trice from Ted Talks about the power of saying “Thank you.” Some people will object to her suggestion that we ask for thanks, but what she is saying is that it can be a gift to those closest to us to confide in them about what we are proud of. She is not telling us to be needy or demanding. She is suggesting that we share ourselves and let those we love share in return.

A similar idea comes from writer Carolyn See, who recommends writing a “charming note” every single day to help launch a writing career. She suggests you write to authors and editors whose work you like to let them know — specifically — how much you appreciate them. To be charming, a note must be hand-written on beautiful note paper and it must not ask for anything. It’s a good idea to leave out most details about you and your aspirations because that is an implied request for a favor.

I think a daily “charming note” is a great exercise for anyone with or without a specific ambition. The discipline of gratitude is essential for all of us but we often feel we are too busy or worry that it makes us too vulnerable.

So thanks to all of you who visit this site and especially to those who post comments, whether praise or complaint. I am very grateful to you all. And here is one more story I love about the importance of expressing appreciation.

Previous Posts

Trailer: Ant-Man
Okay, I admit I was skeptical. I was thinking along the lines of Teeny Little Super Guy from Sesame Street. But I love Paul Rudd, Evangeline Lilly, and Corey Stoll and this trailer has me sold. [iframe width="560" height="315" ...

posted 3:25:31pm Apr. 18, 2015 | read full post »

Movie Scenes in Grocery Stores -- Featuring Macaulay Culkin, Michael Keaton, Natalie Portman, Steve Martin, Ryan Gosling, and More
Check out Slate's compilation of movie scenes set in grocery stores.  It has a lot of my favorites, but leaves out this classic with Henry Fonda and Lucille Ball, from the fact-based "Yours, Mine, and ...

posted 8:00:01am Apr. 18, 2015 | read full post »

Ebertfest 2015, Part 2
It was a great honor to be included on today's panel of movie critics, along with superstars Godfrey Cheshire, Scott Foundas, Matt Zoller Seitz, Rebecca Theodore Vachon, Richard Roeper, Susan Wloszczyna, Michael Phillips, Brian Tallarico, and ...

posted 8:36:52pm Apr. 17, 2015 | read full post »

GI Film Festival -- Coming to DC May 19-24
I was very lucky to be able to attend a preview of the upcoming 9th annual GI Film Festival, coming to Washington, D.C. and Fairfax, Virginia May 19-24, 2015.  Brandon Millett and Laura Law-Millett started the festival, the first ever devoted ...

posted 3:40:40pm Apr. 17, 2015 | read full post »

Trailer -- Star Wars: The Force Awakens
[youtube]https://www.youtube.com/watch?v=ngElkyQ6Rhs[/youtube] ...

posted 8:11:36am Apr. 17, 2015 | read full post »

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