Movie Mom

Movie Mom

Movie Mom™


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The Wrecking Crew
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG for language, thematic elements and smoking images
Release Date:
March 27. 2015

 

The Imitation Game
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some sexual references, mature thematic material and historical smoking
Release Date:
November 21, 2014

Home
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Rated PG for mild action and some rude humor
Release Date:
March 27, 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

Jean-Michel Cousteau’s Secret Ocean 3D
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
Not rated
Release Date:
March 20, 2015

 

Interstellar
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some intense perilous action and brief strong language
Release Date:
November 7, 2014

The MPAA rating system turns 40

posted by Nell Minow

Defamer revisits the first 40 years of MPAA ratings. In the first days of film there were no ratings or limits. After outcries over the spicy content of some of the early talkies, Hollywood adopted the Hays Code in 1930. The studios agreed to its voluntary but highly restrictive terms not just about sex and language (the only proviso for violence was that it had to be in good taste). But it prohibited portrayals of clergy that made them appear corrupt or foolish and depictions of inter-racial relationships. There are legendary stories of battles over whether Rhett Butler would be allowed to say “I don’t give a damn” in “Gone With the Wind” (he was) or whether Bette Davis could get away with murder in “The Letter” (she wasn’t). And writer-directors like Ernst Lubitsch and Preston Sturges prided themselves on getting past the censors with subtle double entendres.
In November of 1968, MPAA head Jack Valenti created the ratings code at a time of cultural upheaval. The studios wanted to be able to tell stories about and for adults. At first, the ratings were G, PG, R, and X. But when X was appropriated by the porn industry, the MPAA switched to NC-17 (no children under the age of 17). And the PG-13 rating was added after objections to some of the grisly images in the second Indiana Jones film, like the eyeball soup.
Defamer lists some of the ratings system’s worst and most absurd moments, including the R rating for the original “Thomas Crown Affair” based only on a sensual (and fully clothed,ending only with a kiss) chess game and the PG rating for “Facing the Giants” for evangelical themes.
The documentary This Film Is Not Yet Rated documented the failures of the rating system but mostly focused on its secrecy and favoritism in applying the ratings to studio films over independents. Under Valenti’s successor, Dan Glickman, there have been some small improvements.
For me, the most frustrating aspects of the rating system have been the inconsistency of the treatment of material based on whether it is in a comedy or a drama (permitting PG-13 ratings for the extremely raunchy “Austin Powers” films when the same material in a drama would get an “R”), the outright stupidity in the treatment of the f-word (permitted once or twice in a PG-13 as long as it does not refer to sex, a rule you’d need a PhD in semiotics to understand and interpret), and the continual ratcheting-down of the ratings so that what would have received a PG-13 a few years ago now gets a PG. Here’s hoping for many more improvements before its next anniversary.

Tribute: Michael Crichton

posted by Nell Minow

I was very sorry to hear about the loss of author/director Michael Crichton. He was a man of astonishing range and accomplishment. He wrote best-selling novels, including Jurassic Park and the The Andromeda Strain. A graduate of Harvard Medical School, he created the television show ER. He became an accomplished director. One of my favorite of his films was the period heist story The Great Train Robbery. I am also a fan of his non-fiction book Travels, in part because his tireless curiosity and imagination were so engaging. His 1993 essay on the future of media was recently recognized in Slate as stunningly prescient. He was master of entertainment and a fresh and provocative thinker and will be much missed.

Lip Dubs

posted by Nell Minow

As usual, I only find out about something after it has passed from cool and edgy to “so yesterday,” but I think lip dubs are adorable, my favorite viral video project since the complaints choirs.

These are short videos made by people in offices, lip-synching to pop and rock songs. It has to involve a group and appear spontaneous and most of them are made in one bravura continuous take.

Lip dubs have been made by schools and families. Even a movie star or two get into the act:

I love the creativity and spirit and I especially love the way you get a sense of these different office environments. Makes me wish I was still a Cub Scout Den Mother — we would be all over this!

David Thomson’s top 1000 Films

posted by Nell Minow

David Thomson is one writer whose appraisals are as riveting and entertaining as the films and performances he describes. His The New Biographical Dictionary of Film is one of the dozen or so indispensable reference works every film fan needs.

His latest book is “Have You Seen . . . ?”: A Personal Introduction to 1,000 Films. He does not waste time trying to be too specific or consistent about his guidelines (okay, so “Monty Python” and “The Sopranos” are television programs, not movies, they’re still must watching) and thank goodness he does not try to rank anything. That does not mean you won’t find something to argue with. But it does mean that the arguments it sparks will be a lot of fun. Critics are cranky. But crankiness can be a lot of fun. Whether he included or dissed your favorites, it cannot be denied that every movie on his list is worth seeing and every entry in this book is worth reading.

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