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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Monkey Kingdom
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015

 

Wild Kratts: Shark-Tastic
Lowest Recommended Age: All Ages
MPAA Rating:
NR
Release Date:

Ex Machina
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015

 

Big Eyes
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014

True Story
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

 

Wild
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

New in Theaters

grade:
B+

Monkey Kingdom

Lowest Recommended Age:
Kindergarten - 3rd Grade
MPAA Rating:
G
Release Date:
April 17, 2015
grade:
A-

Ex Machina

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for graphic nudity, language, sexual references and some violence
Release Date:
April 17, 2015
grade:
B

True Story

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some disturbing material
Release Date:
April 17, 2015

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New to DVD

pick of the week
grade:
B+

Wild Kratts: Shark-Tastic

Lowest Recommended Age:
All Ages
MPAA Rating:
NR
Release Date:
grade:
B+

Big Eyes

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for thematic elements and brief strong language
Release Date:
December 25, 2014
grade:
B+

Wild

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for sexual content, nudity, drug use, and language
Release Date:
December 5, 2014

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Wanted

posted by Nell Minow
B
Lowest Recommended Age:Adult
MPAA Rating:Rated R for strong bloody violence throughout, pervasive language and some sexuality.
Movie Release Date:June 28, 2008
DVD Release Date:December 2, 2008
B
Lowest Recommended Age: Adult
MPAA Rating: Rated R for strong bloody violence throughout, pervasive language and some sexuality.
Movie Release Date: June 28, 2008
DVD Release Date: December 2, 2008
poster_wanted-jolie.jpg

Nasty, twisted, pulpy, and brutally violent, “Wanted” is like a cross between Kill Bill, The Matrix, and The Terminator. Angelina Jolie, smokey-eyed and a little bit leaner, plays the assassin who grabs cubicle galley slave Wesley (“Atonement’s” James McAvoy) when he is picking up a prescription for anti-anxiety pills just as a lot of gunfire is about to start wrecking havoc on the pharmacy aisles.

It turns out that our Wesley, who has been inwardly stewing and outwardly doing nothing as he is hounded by his supervisor and cuckolded by his best friend, is, in the grand tradition of heroes from King Arthur to Luke Skywalker to Neo to Harry Potter, the chosen one who must discover his hidden powers. The woman’s name is Fox (“Is that a call sign? Like Maverick in “Top Gun?” he asks) and she takes him to a secret citadel where textiles are woven and assassins are trained. Wesley learns to use guns, knives, and fists. He is often critically injured, but fortunately they have some nifty little healing tanks and a soak or two puts him back on his feet and learning how to shoot around objects and race along the top of the El train. He understands that learning how to do something that makes full use of his unique talents is the only way to know who he truly is.

And the director knows enough to get that part out of the way quickly and get to the good stuff, some low-down and nastily twisted action that includes some bullet-cam shots of bodies that are about to be hit very, very hard. Russian director Timur Bekmambetov of the very successful “Night Watch” movies knows how to make violence stylish without becoming overly stylized, nudging the pulpiest elements into myth.

James McAvoy shows himself as able at nerd-into-action-hero as he was at faun (“The Chronicles of Narnia”) and tragic romance (“Atonement”), and Jolie seems delighted to shake off the beatific Madonna role she has played on- and off-screen most recently. She moves like a panther, bringing an ecstatic grace to a ducking move on top of the El train just before it gets to a tunnel. Morgan Freeman is all gravelly exposition and Common has marvelous screen presence as members of The Fraternity. The plot twists are less successful onscreen than on the page and the violence goes over the top but by that time the fanboys will be so satisfied (did I mention that there’s a scene with Jolie getting out of the tub and showing off her tattoos?) that they might not mind, especially with the hint of a sequel.

Tribute: William Gibson

posted by Nell Minow

William Gibson, best known as the man who wrote The Miracle Worker, died this week at age 94.

Gibson’s sequel to “The Miracle Worker,” “Monday After the Miracle,” was not a success, but I thought it was a fine play. I also have a special fondness for Two for the Seesaw, about a mismatched couple, and for his play about the young William Shakespeare, A Cry Of Players. It does not have the scope and audacity of “Shakespeare in Love,” but it is a very appealing story of a young writer who is torn between art and love and between passion and responsibility.

I loved Gibson’s comment about the subjects of his most famous play, included in the Washington Post obituary by Adam Bernstein:


“I like to fall a little in love with my heroines, and the title — from Mark Twain, who said, ‘Helen is a miracle, and Miss Sullivan is the miracle-worker’ — was meant to show where my affections lay. This stubborn girl of 20, who six years earlier could not write her name, and in one month salvaged Helen’s soul, and lived thereafter in its shadow, seemed to me to deserve a star bow.”

Washington Jewish Film Festival 2008

posted by Nell Minow

The 2008 Washington Jewish Film Festival has released its schedule. Opening night is a film I have really been looking forward to, Hey Hey It’s Esther Blueburger. The festival, now in its 19th year, will have 59 features, documentaries & shorts representing 10 countries. Other films on the schedule include “Lemon Tree,” based on A the true story of a Palestinian widow who must defend her lemon tree field when a new Israeli Defense Minister moves next to her and threatens to have her lemon grove torn down, and “Like a Fish Out of Water,” a romantic comedy about an Argentinian immigrant to Israel who falls for his Hebrew teacher. One of the highlights of the schedule is a salute to the late documentarian Charles Guggenheim, featuring a presentation from his daughter, particularly apt as the schedule features a number of new documentary films. New Film Fest Director Susan Barocas explains this year’s trend, “We had so many good films to choose from, but the docs were exceptional. It’s exciting to see more and more filmmakers turning the cameras on themselves and the worlds around them, revealing untold stories in their own unique voices.”

Stairway to Heaven — on the iPhone ‘Ocarina’

posted by Nell Minow

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