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Movie Mom

Movie Mom

Movie Mom™


New in Theaters
  New to DVD

Grandma
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015

 

Iris
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015

We Are Your Friends
Lowest Recommended Age: Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015

 

Aloha
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015

Z for Zachariah
Lowest Recommended Age: High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

 

Big Game
Lowest Recommended Age: Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

New in Theaters

grade:
B+

Grandma

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language and some drug use
Release Date:
August 21, 2015
grade:
B-

We Are Your Friends

Lowest Recommended Age:
Mature High Schooler
MPAA Rating:
Rated R for language throughout, drug use, sexual content and some nudity
Release Date:
August 28, 2015
grade:
B+

Z for Zachariah

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for a scene of sexuality, partial nudity, and brief strong language
Release Date:
August 28, 2015

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New to DVD

pick of the week
grade:
B+

Iris

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for some strong language
Release Date:
May 1, 2015
grade:
B

Aloha

Lowest Recommended Age:
High School
MPAA Rating:
Rated PG-13 for some language including suggestive comments
Release Date:
May 30, 2015
grade:
B

Big Game

Lowest Recommended Age:
Middle School
MPAA Rating:
Rated PG-13 for sequences of intense action and violence, and some language
Release Date:
June 26, 2015

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Actors with Character, Part 1

posted by Nell Minow

You know them. That is, they look familiar, but you might not be sure if that is because you saw them in a movie or because you saw them on a train. These are character actors, the indispensible performers who are there for the leading men and ladies to talk to, fight with, run from, almost marry, rescue, punch, shoot, chase, or watch die so they can learn an important lesson. They provide comic relief and when it is necessary they die onscreen to give the main character a growth experience. And while they get paid a small fraction of those 7-figure salaries that go to the stars, their contribution to the movie’s power to entertain and inspire is often as great or greater.
I’m going to share some of my favorites in this and upcoming posts and you can learn more about them in Hey! It’s That Guy!.

The films of the 1930’s had some classic character actors who appeared over and over. Here we can see two of the best, Edward Everett Horton (specialty: silly upper class types) and Eric Blore (specialty: looking down on silly upper class types). Do their voices sound familiar? They both provided voice talent for the Rocky and Bullwinkle series.

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“Ball of Fire” is one of my all-time favorites, in part because of its wonderful collection of character actors playing Gary Cooper’s professor colleagues. You can see some of them here including Oscar Homolka, Henry Travers (the angel in “It’s a Wonderful Life”) and the hilariously nasal Richard Hayden.

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More character actors in future posts, and of course I’d love to hear about your favorites.

Slate’s Proposed Future Toy-Inspired Blockbusters

posted by Nell Minow

Slate’s movie critic, Dana Stevens, invited readers to propose “Transformers”-like summer blockbusters inspired by action figures and other toys. The result was hilarious. My favorites were “Night of the Cabbage Patch Kids–This Time, Your Vegetables Will Finish You” and “Lego Ship Apocalypse: Menace of the Mom Expecting Company.” And there was a whole category for the Transformers’ downmarket rivals.

The second-banana status of Go-Bots, a cheap Transformers knockoff, was highlighted by several titles: Jeff Ryan’s “Go-Bots: Revenge of the Trademark;” Shawn McKinnon’s “Go-Bots: Waiting for Our Loud Overlong Movie that Critics Hate;” and Joe Trabucco’s heartbreaking “Go-Bots: Revenge of the Poor Kids.”

Check it out yourself for the magnificent double-feature titles that won the top prize.

Michael Jackson: How Will He Be Remembered?

posted by Nell Minow

Michael Jackson was a complex and tragic figure. It seems that his memory is being splintered into a thousand shards. Always a showman and a shrewd manager of his brand, Jackson reputedly insisted that he be referred to on MTV as “The King of Pop,” and in today’s memorial, it is that part of his persona that will be saluted. But it is certain that we are in for an avalanche of sordid, inflammatory, and self-serving revelations from those around him.
I’ve seen two especially thoughtful commentaries that seem to me to be a counterweight to all of the fraught and overwrought media hysteria. The always-insightful Mark Jenkins wrote about the way the media has overplayed Jackson’s impact.

It’s been a long time since Michael Jackson penned a hit song, but he did write one last nationwide sensation: the script the mainstream media has followed since his death. Jackson, we’re told, was the “king of pop,” who had “the biggest selling album of all time,” and “broke MTV’s color line.” Every one of these dubious factoids was devised by Jackson or his agents.

And Stephen M. Weissman, the author of Chaplin: A Life, commented on Jackson’s fascination with Charlie Chaplin. The photo of Jackson dressed up as Chaplin is haunting.

Like Chaplin, Jackson also went on to literally become a world historical figure and iconically beloved to his worshipful fans and admirers. And, like Chaplin, Jackson eventually became enmeshed in scandals that nearly destroyed his career. And also like Chaplin, the nature of those scandals stemmed from their separate cases of arrested emotional development.

Knowing

posted by Nell Minow
D
Lowest Recommended Age:Mature High Schooler
MPAA Rating:Rated PG-13 for disaster sequences, disturbing images and brief strong language
Movie Release Date:March 20, 2009
DVD Release Date:July 7, 2009
D
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for disaster sequences, disturbing images and brief strong language
Movie Release Date: March 20, 2009
DVD Release Date: July 7, 2009

When MIT astrophysics professor John Koestler (Nicolas Cage in one-note mournful mode) looks distracted and thoughtful as he invites his class to debate randomness vs. determinism, you don’t have to be much of a determinist to figure out that as inevitably as night follows day, John is about to be hit with some Evidence of a Greater Plan. This isn’t determinism, the idea that events that may seem random are a part of some greater pattern. This is just predictable hogwash, and it gets even hogwashier until it arrives at an ending that manages to be inevitable, uninspired, and preposterous.

John’s son Caleb (a sincere Chandler Canterbury) attends a school that is celebrating its 50th anniversary. The ceremony involves opening a time capsule filled with drawings from children on its opening day. But the envelope Caleb is given to open does not have a drawing of spaceships. It has an apparently random string of numbers. John notices that one string is 09/11/2001 and the number killed that day. A night-long Google search later, he has assigned many of the numbers to known disasters — and figured out that the final three dates are still in the future.

And then this becomes just another big, dumb, loud, effects-driven movie. Forget determinism; if one character behaved in a rational manner, the movie would be 20 minutes long. Three dates in the future? That of course means that the first one is there to prove the theory. Next, John figures out that the next one will happen in NY. Instead of staying in Cambridge, he heads for the location so that he — and the audience — can be in the middle of a technically impressive but narratively brutal catastrophe. And then we are all headed for the big finish (and I mean FINISH), but first there is a lot of completely pointless racing around in a fruitless attempt to build some tension.

The movie sinks from dumb to offensive first when it devotes so much loving detail to the graphic, even clinical depiction of pointless calamity and second when it ultimately and cynically appropriates signifiers of religious import in an attempt to justify itself. Professor Koestler, in a world of rational determinism, this movie would never have gotten the green light. Case closed.

Previous Posts

Who is Surprised that a Faith-Based Film Beat Zac Efron and Owen Wilson?
The end of August is traditionally one of the year's low points when it comes to Hollywood releases. So it was not surprising that the powerhouse "Straight Outta Compton" lead the box office, far ahead of the two new releases, the Owen ...

posted 5:00:55pm Aug. 31, 2015 | read full post »

Interview: Alex Sheremet on Woody Allen (Part 1)
Alex Sheremet is the author of Woody Allen: Reel to Real, an in-depth exploration of the work of one of the most prolific and singular ...

posted 3:33:45pm Aug. 31, 2015 | read full post »

Opening this Week: A Walk in the Woods and Learning to Drive
This week, two movies are based on first-person accounts by writers telling their own real-life stories. In The New Yorker, Katha ...

posted 3:15:50pm Aug. 31, 2015 | read full post »

Tribute: Wes Craven
We mourn the loss of director Wes Craven, who knew what scared us and knew how much we loved being scared.  His series films included "Scream," "Nightmare on Elm Street," and "The Hills Have Eyes." My friend Simon Abrams interviewed Craven for ...

posted 10:53:30am Aug. 31, 2015 | read full post »

Interview: Rachel Hendrix of "77 Chances"
Rachel Hendrix plays Mac in the faith-based romantic film "77 Chances." It's a "Groundhog Day"-style story about a young man who feels lost ...

posted 3:39:15pm Aug. 30, 2015 | read full post »

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