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I love character actors, those utility infielders who have to create a complete character in seconds and hold a scene opposite a superstar.   They’re the ones who always seem vaguely familiar but are so chameleon-like that we never quite place them.

One of my favorites is the astoundingly versatile Denis O’Hare, who seems to be in everything these days.  He’s a testy judge in “The Good Wife” and the vampire King of Mississippi in “True Blood” (very mature material).  He has played officious bureaucrats in “The Proposal” (watch the closing credit outtakes) and “Charlie Wilson’s War” and a singing, dancing prince in “Once Upon a Mattress.”  He has appeared in “Brothers and Sisters” and “CSI: Miami.”  It is a pleasure to be able to pay tribute to such a versatile performer.

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As more original content is being created for the web, deaf and hard of hearing audiences are urging producers to include closed captions. The Washington Post reports:

Last year, President Obama signed into law the 21st Century Communications and Video Accessibility Act, requiring that captioned television shows must be captioned online. But there’s a loophole: The law does not require original online programming to be captioned.

The story reports on grass roots efforts to persuade producers and distributors of online content to include closed captions through social media and some lawsuits against Time Warner and Netflix, charging discrimination.  There is a petition calling on Netflix to improve and expand their closed captioning and search functions.

My dad, Newton Minow, was one of those who fought for closed captioning of television shows, in part because his older brother was hard of hearing but mostly because he has always worked for choice and accessibility.  The networks objected for years.  But once forced to comply, it turned out to be one of the best things that ever happened to them because the captions are what make it possible for TIVO and DVRs to find the shows they record.

Earlier this year, Regal and Cinemark made a commitment to full captioning in their movie theaters by the end of 2012.  Netflix and the producers of web series should do the same.

This week’s release of “Horrible Bosses” made me think of some of the other terrible bosses in movies.  Here are some of the bosses we love to hate on screen.  Who am I leaving out?  And which movie boss is most like your all-time worst boss?

The all-time bad movie boss champ has to be Kevin Spacey, who adds to his list by appearing in “Horrible Bosses” as a cruel, manipulative, and paranoid company president.  I’m going to limit him to two on this list, but could choose others as well.

1.  Kevin Spacey in Glengarry Glen Ross There’s no meaner workplace in cinema history than this brutal and back-stabbing real estate company.  Spacey’s electrifying performance shows that his self-loathing is only exceeded by his contempt for everyone around him.  (Special credit to Alec Baldwin for a stunning turn as a guy from the home office brought in to give a pep talk:  “Second prize is a set of steak knives. Third prize is you’re fired.”)

2. Kevin Spacey in Swimming With Sharks Reportedly, this screenplay was inspired by the author’s own experience.  The assistant in the story gets his revenge on his sadistic bully of boss by torturing him, but in real life he just put his most appalling behavior up on screen.

3.  Gary Cole in Office Space He doesn’t yell.  He does not insult his staff.  He is just massively inconsiderate, making inane and dehumanizing and agonizingly insincere “requests.”  I don’t know which is worse — the cover on the TPS reports or Hawaiian Shirt Day.  (Special credit to screenwriter Mike Judge, the movie’s screenwriter, as Jennifer Aniston’s boss at Chotchkie’s, who tells her she should have more than the minimum flair.)

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4. Sandra Bullock in The Proposal Everyone is terrified of this greyhound-slim and rattlesnake-mean editor, who can make the slightest error into a career-killer.

5.  Fred MacMurray in The Apartment Jack Lemmon discovers that the only way to get ahead in this enormous insurance company is to let the boss use your apartment for his assignations.

6. Sigourney Weaver in Working Girl She pretends to support her assistant’s dreams for advancement, but instead, she steals her ideas.  I love her line about why she is sure her boyfriend (Harrison Ford in a magnificent performance) will propose: “We’re in the same city now, I’ve indicated that I’m receptive to an offer, I’ve cleared the month of June… and I am, after all, me.”

7. Dabney Coleman in 9 to 5 Based on interviews with many working women, Coleman’s character was designed to exemplify just about every awful characteristic: lazy, sexist, dishonest, incompetent, and predatory.

8. Alistair Sim in A Christmas Carol Until he learns a lesson from the three Christmas ghosts, Scrooge is a demanding, nasty, and of course very cheap boss who keeps poor Bob Cratchit underpaid and shivering in the cold.

9. Charles Laughton in Mutiny on the Bounty Based on a real-life story, Laughton plays Captain Bligh, whose cruel treatment of his men led to a mutiny, putting him off the ship in a launch.  (The real-life Bligh was exonerated after making it back to England in what is still an un-matched feat of navigational skill.)

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10. Denzel Washington in Training Day Ethan Hawke plays a young police officer assigned to work with Washington’s character, a corrupt narcotics detective who manipulates and blackmails him, drawing him into a quagmire of corruption.  Washington won an Oscar for his dazzling performance of a man who loves control but is losing his capacity to maintain it.

Dishonorable mention: Paul Giamatti as Howard Stern’s boss in “Private Parts,” Meryl Streep in “The Devil Wears Prada,” Laura Linney in “The Nanny Diaries,” and Tom Cruise in “Tropic Thunder”

Many thanks to David Apatoff and Christopher Orr for sharing their suggestions.

Allen Zadoff‘s terrific new book is My Life, the Theater, and Other Tragedies, about a high school theater techie (he works lights in a production of “Midsummer Night’s Dream”) who likes to stay behind the scenes until he meets a pretty transfer student who is suddenly put into one of the starring roles. It is funny, smart, and filled with authentic details and a lot of heart. You can win prizes for your own school theater group by uploading a picture of the book in a theatrical setting to the contest page.  You might find yourself in the paperback edition!  Stay tuned for an interview with Zadoff coming soon.