Charlie Bartlett (Anton Yelchin) has been kicked out of so many posh prep schools that the only thing left to try is the local public school. At first, he shows up wearing his prep school blazer and carrying an attaché case, but he soon learns — around the time that a Mohawk-haired bully gives him a swirly — that this is not the way to fit in. And it only takes him a little bit longer to discover that he has what it takes to become truly popular: the willingness to listen to kids and the access to a wide range of prescription psychotropic drugs.
Charlie’s popularity is a concern to the harried principal (Robert Downey, Jr.), especially after Charlie attracts the attention of the principal’s daughter (Kat Dennings). And Charlie has some issues of his own to resolve. He will not speak to his father and feels responsible for his mother (Hope Davis), whose devotion to him is is lost in a mist of pharmaceuticals and alcohol.
“The Counterfeiters” is the Oscar-nominated true story of the biggest counterfeiting operation in history — one that was run out of a concentration camp during WWII. The Nazis took prisoners who were expert in engraving and printing and put them to work counterfeiting British pound notes, so that they could destabilize the British economy. The film is based on a memoir written by Adolf Burger, a printer and communist who worked on Operation Bernhard and helped to sabotage its efforts to counterfeit dollar bills.
I spoke with writer-director Stefan Ruzowitsky and Karl Markovics, who played the leading character, master forger Salomon (Solly) Sorowitsch.
It seemed to me that the title of the movie had many layers of meaning. The prisoners were making counterfeit currency but everyone in the movie was counterfeiting in some way. The prisoners and even the Nazi in charge of the operation were all pretending to be something they were not.
SR: This is something interesting, the thing that intrigued me for the first time about the story and the main character of Solly: Will he be able to counterfeit reality himself?
How did the idea of this movie get started?
In Germany and Austria this is not a well known story. It was a strange coincidence. Two producers within a couple of days approached me with the same story, each not knowing about the other. I felt this was destiny. This is how this German-Austrian co-production came about. The German producers bought the memoir of Berger [the printer] but I right away loved the idea of [Solly], a crook, a jailbird in a concentration camp; this is a perspective that I don’t know yet that would be interesting.
The memoir is from the young communist, who was one of the youngest inmates and was a good friend of Solly’s and for the last decades been traveling doing lectures, to tell his story.
Why did you decide to begin the movie the way you did, letting the audience know that Solly survives the concentration camp?
SR: I did not understand why I did it myself at first. It was instinctive. It starts with the ultimate happy ending, a guy after six years of a concentration camp arrives in a beautiful resort, meets a beautiful woman, with pockets full of money, and asks himself “did I deserve it, did I compromise too much, did I get too close to evil?” I wanted it to be compelling and suspenseful but not about whether he will live or go to the gas chamber. I wanted to make the suspense in how he will survive.
How has the movie been received in Germany?
SR: They don’t [respond to holocaust movies]. The only country where it does not work is Germany. It made three times as much box office in the UK as it did in Germany, which is remarkable given that it is a German movie, German language, German actors. It is a misconception to say that they do not want to face the guilt. These are the grandchildren. Our generation is aware of the dimension of the crimes. We know there is a responsibility but it is difficult to know how to deal with it. [They ask] “What do I do with this knowledge?”
Karl, tell me about Sally, the character you play.
KM: I loved him at once. Really, I loved the script and I loved the character, as if I had waited a lifetime to get a character like this one, a real gift. Normally you get even in good scripts a raw model and you have a feeling there is much room to create. Here it was rather “Can I get familiar with the person which is done? It is really here in front of me. How can I be able not to seem but to be this character?”
And how do you approach that task? Do you do a lot of research?
I was delighted to have a chance to talk to illustrator Paul O. Zelinsky, who was given the Caldecott award highest honor for children’s book illustration for his work on Rapunzel. Paul talked with me about working with animators to convert his book The Wheels on the Bus into a movie, with a musical score by Kevin Bacon and his group, The Bacon Brothers. And he described his own experience making a short animated version of his recent book, The Shivers in the Fridge.
USA Today has a terrific movie quiz. If you can recognize phrases like “La de dah,” “Show me the money,” “I see dead people,” and “If anyone orders merlot, I’m leaving,” you should be able to rack up an impressive score. The best thing about the quiz is that a right answer gets you the movie clip!
Interview: Thunder Levin of "Sharknado" and "Sharknado 2" One of the highlights of Comic-Con was the chance to catch up with Thunder Levin, screenwriter of the sensation, "Sharknado" and the sequel, "Sharknado 2," which premieres tonight on Syfy. The original was remarkable for its over-the-top storyline and even more for the Twitter-nado it inspired.
Intuition -- A Short Film from Danielle Lurie I love this short film from Danielle Lurie about a young woman who needs to learn to listen to her heart, with a wonderful performance by Montse Muñoz.
Interview: Joseph Nasser of "Amber Alert: Terror on the Highway" Reserve Police Officer Joseph Nasser produced Amber Alert: Terror on the Highway to help raise awareness of the Amber Alert system. It stars Tom Berenger as a man on the edge, making a dead rush for Mexico and kidnapping two young girls along the way. He is hotly pursued by police chief Martha Geig
"Guardian of the Galaxy's" Awesome Mixtape One of the many pleasures of "Guardians of the Galaxy," opening this week, is the soundtrack featuring some 70's classics from an "Awesome Mixtape" played by Peter "Star Lord" Quill (Chris Pratt). Here are some of the highlights.
"Hooked on a Feeling" by Blue Swede
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